Add a touch of lavender with your orange and black

It's October and perhaps you, like myself, enjoy some seasonal stories that also feature lesbians. Add a little touch of lavender with your orange and black, if you will. Here is a list of some of my favorite otherworldly stories featuring lesbians. Not a list for fans of serious horror stories, many of these books are more lesbian fantasy romance with a supernatural twist. The short story anthologies are more mixed both with gay men as well as lesbians and by degree from little spooky to downright horror. For the most part these lavender pumpkins fall into three broad themes: Stories featuring goddess-worshipping women, stories with preternatural creatures, and stories haunted by ghosts. Then a few anthologies that mix these elements. Over all, it’s a kind of “Caldrons and Critters and Haints, Oh My!” collection.

Caldrons
There are a number of stories that make reference to witches, especially in regard to Wicca/Pagan traditions. Laura Adams (a pen name for Karin Kallmaker aka "the Queen of Lesbian Romance") has some wonderful "witchy" romances. Foremost are the first two titles in her "Tunnel of Light Trilogy." The hauntingly powerful story of Ursula and Autumn touches on Goddess worship of the pre-Christian era, its survival in generations since the fall of Rome. Kallmaker weaves a haunting cycle of magic and reincarnation beginning with Sleight of Hand and followed by Seeds of Fire. Powerful, mythic and erotic, we are still waiting for the conclusion. The finale, "Forge of Virgins" has yet to be released. However, in 2008, Kallmaker released an edited and expanded version of Christabel, her retelling of the Samuel Taylor Coleridge poem, which weaves historic and contemporary lives together with two very touching love stories. This title is well worth a Halloween purchase.

Jean Stewart's Isis Series begins with Return to Isis and is set in a futurist, post-pandemic world. Several of the women of Freeland have worked to develop their psychic gifts and many self identify as witches or wiccan. Stewart's characters are three dimensional and engaging, her plots will have you on the edge of your seat. The most recent entry is Wizard of Isis but you'll want to read them in order.

A witch and her talking dog are prominent in Karen William's Nightshade. Her second novel, Nightshade is peopled with several enticing women and she deals with her characters a bit more complexly than her first novel (see below). Alex's healing is an important element of her finding love in this delightful romance. Cynthia Lamb's Brigid’s Charge is a well-researched and entertainingly crafted story of Deborah Leeds, a woman who immigrates to colonial America and brings her carefully hidden Irish Celtic wiccan faith. Readers who prefer a little more history and a little less magic will enjoy Brigid’s Charge. The title may be difficult to track down, but is very worth the effort.

Ellen Galford brings a goddess-centric island off the Scottish coast to life in The Fires of Bride: A Novel. Maria Milleny, an unemployed London artist is drawn to the enigmatic Dr. Catriona MacEochan and the generations of mysteries of the island people. Out of print, this charming, witty novel lingers like the ghost hidden in its pages.

Critters
Monsters are slightly less popular in gothic lesbian lit, although vampires tend to be the exception to the rule. However, there a few titles that can be considered “critter-filled.” Chris Anne Wolfe's Roses and Thorns is a retelling of the "Beauty and the Beast" romantic fairy tale that questions the definition of “monster” and crosses over with witchcraft playing a role as well. Ellen Galford’s award winning Dyke and the Dybbuk has an ancient demon trying to haunt a very modern dyke. The results are a riotous mix of humor. Great fun for those who like their spooks to be more droll than troll.

Karen William's Love Spell is a charming little romance that deals with stereotypes of monsters, witches, magic and love between the local vet, Kate and the mysterious Allegra. Kate struggles to understand all of these issues after she experiences the most erotic night of her life. Gomez’s The Gilda Stories: A Novel introduces a lesbian vampire with a strong morale sense and weaves through history into the future. Ouida Crozier suggests vampires are not undead, but beings from an alternative reality in Shadows After Dark and they need not just human blood, but our help.

Haints
Gothic tales of lesbian ghosts weave their way through a number of novels. Rebecca Montague’s A Wild Sea has Katherine dealing with the ghost of loss in more ways than one. In Zanger’s Gardenias Where There Are None the computer becomes a conduit for a different kind of communication for Melanie.

The communication is not merely a metaphor in When the Dead Speak: The Second Brett Higgins Mystery, as Allie and Brett find themselves experiencing strange happenings in their old house. The will of the spirit is overwhelming in House at Pelham Falls by Brenda Weathers. Long out of print, this ghostly story of lesbian love holds classic gothic elements and was the first preternatural lesbian story I ever read. Blayne Cooper’s Cobb Island is a love story that echoes doomed relationship for the past. Uncovering the echo of that relationship, and finding love is the theme of this tale. While Cooper & Novan’s The Road to Glory is a different, but very touching kind of ghost story. On a bit spookier note is Dark Dreamer: a Dark Vista Paranormal Romance by Jennifer Fulton. Rowe Devlin is having a rough patch in her life and falling for a woman who sees ghosts doesn't seem to be the answer. This is the first of a series of preternatural novels from Fulton.

Oh My!
As a fourth category, let’s look at anthologies that feature any and all variations on the Caldrons, Critters and Haints themes. Three Bella After Dark titles are well worth a reading. The first is Bell, Book and Dyke: New Exploits of Magical Lesbians, a quartet of novellas by Karin Kallmaker, Julia Watts (both of whom also edited the stories), Barbara Johnson and Therese Szymanski. All the novellas feature "witches" and range from the wry and ironic "Skyclad" to the touching and powerful "Unbeliever." This is the best overall title of the "New Exploits" collections as all the stories in this one are worth your while. The second Bella After Dark to consider is Call Of The Dark: Erotic Lesbian Tales Of The Supernatural. Call of the Dark lives up to its title with erotic stories that will also send shivers of another kind down your spine. Edited by Szymanski, the collection is varied and well paced for readers with a mix of arousal, humor, and fear. There is also New Exploits 3: Stake through the Heart which features vampire stories from the four authors of the series.

Shadows of the Night: Queer Tales of the Uncanny and Unusual is a mixed anthology of stories by and featuring gay men and lesbians. It reads like a season from the Twilight Zone, and the stories here go from the odd to the down right scary, with some new twists on old ghost tales thrown into the mix. Out of Print and difficult to track down, The Ghost of Carmen Miranda: and Other Spooky Gay and Lesbian Tales is a fun mix of ghost stories. As with the title story, humor plays a role in some of the stories. Yet there are some very creepy entries here as well.

Night Shade: Gothic Tales by Women is a mix of supernatural stories, not all of which are queer. However, Jean Stewart’s story of the avenging hounds of the goddess, “Feeding the Dark” has stayed with me for years. Similarly, and also edited by Brownworth, Night Bites: Vampire Stories by Women is more feminist focused than “queer.” It also contains some memorable gems from the vampire theme.

Two of the best (and the first) anthologies to focus with lesbian vampires were edited by Pam Keesey, Daughters of Darkness: Lesbian Vampire Tales and Dark Angels: Lesbian Vampire Erotica. Both titles have been rereleased. Gomez’s Gilda makes an appearance and from Katherine Forrest, we have Drake in “Oh Captain, my Captain.” Keesey's introductions include an interesting evaluation on the history of the lesbian vamp in literature.

Without doubt, my favorite lesbian Halloween anthology is Kallmaker's 18th and Castro. The 13 stories relate to the residents of a mythic apartment building at 18th & Castro on Halloween night. It’s an address where you'll find intelligent, witty stories that are well-written and charming, and peopled with interesting characters. The preternatural makes at least two appearances. Readers will find something good to eat in this bag of treats!

Let's end this little Halloween reading list off with a tribute to the great lavender literary queen, Oscar Wilde with The Canterville Ghost. While there is very little lavender subtext in this charming little short story, it has Wilde’s trademark wit and wry observations about American and English cultures. And includes touching comments on the nature of love and the world. If you can find it, the Candlewick Treasures hardcover imprint (ISBN-13: 978-0763601324) is a delightful little book for ghostly Halloween gifting.

There you have it, a fine assortment of lavender Halloween treats for your reading pleasure.

Happy Haunted Reading!
-MJ, a queer little devil

BN: I'm not able to list all the authors and editors mentioned above in the labels, please look to the left to see full reviews of the titles mentioned, or reviews of other titles by those authors under the author's name.

Fun Home: A Family Tragicomic

Alison Bechdel
Houghton Mifflin
www.hmco.com
0618477942, $19.95

Fun Home: A Family Tragicomic is the latest work from the highly skilled, insightful, neurotic and wry-humored pen of Alison Bechdel, best known for her "Dykes to Watch Out For" comic strip. (One of the longest-running queer comic strips, "Dykes to Watch Out For" is over 20 years old, has been syndicated in hundreds of papers, released in over 10 books, and is available online via the author's website.) Fun Home is Bechdel's graphically rendered account of growing up in rural Pennsylvania in the 1960s and 70s with a particular focus on influences of her father's life and death.

Beginning with some of Bechdel's earliest memories of her father, readers meet a man who was an intelligent, emotionally distant yet volatile, narcissistic perfectionist who struggled with secrets. Trapped in the town not only of his youth but that of his ancestors for several generations, Bechdel's father worked in the family business, a funeral home (known in the family as the "Fun Home") established by her great-grandfather in the 19th century. In addition to his interest in local history and historic preservation, Bechdel's father was a closeted gay (or bisexual) man who had a string of affairs, primarily with younger men, throughout his life.

Divided into seven chapters, each of which deals with particular themes in her childhood, Fun Home contains a strong emphasis on literary references. Chapters weave back and forth in time, revealing aspects of Bechdel's childhood and details of her father's death. Books and literature were an important influence in Bechdel's life growing up. Her father taught English Literature at the local high school while her mother studied theater and performed in community plays. The gothic revival home the family lived in (and which her father had restored) boasted a library. At one point Bechdel admits, "I employ these [literary] allusions … not only as descriptive devices, but because my parents are most real to me in fictional terms" (66). It becomes apparent that literary discussion was one of the primary modes of communication between herself and her father.

Bechdel came out to her parents via a letter in the spring of 1980. Her declaration prompted her mother to point out to Bechdel that her father had been having affairs with men for years. Initially, this information appears to have been news to Bechdel, who reflects, "I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy" (58). This "upstaging" is revealed as a theme in Bechdel's life as childhood milestones, such as her menarche, were overshadowed by the family preoccupation with and response to her father facing charges of "contributing to the delinquency of a minor." Apparently, her father's extramarital activities added strain to the family. Her coming out was further upstaged when her father died in a questionable "accident" (it may have been suicide) just four months after her letter.

Bechdel spent years feeling shut down yet very guilty regarding her coming out and how it may have influenced her father's death. Fun Home details the results of Bechdel's intellectual and emotional processing of her father's death, and her relationship with this complex, intelligent, conflicted, and often remote man. A powerful example of her self awareness includes her admission, "[evidence that he was considering suicide months before Bechdel came out] would only confirm that his death was not my fault. That, in fact, it had nothing to do with me at all. And I'm reluctant to let go of that last, tenuous bond" (86).

Book-length graphic stories are not a mainstay of this reviewer's reading. However, Bechdel's clean, distinctive illustration style with its wry observations and amusing details is fun to read and examine, and drew this reader into her story quickly. Indeed, it's regrettable that this review can only include quotations and not excerpts of Bechdel's drawings. Several delightful and revealing images are included, such as her grandmother chasing a "piss-ant," her early identification with Wednesday Addams, the summer of the locusts, her teenaged diary entries, and several aspects of her own adolescent self-discoveries. One cannot help but identify with Bechdel. However, despite the pain and struggle Bechdel has had facing her father's life and death, the book is neither morose nor depressing. The author has found peace with herself in regard to her father, her childhood, and who she is today. As she says in the dedication (to her mother and brothers) " We did have a lot of fun, in spite of everything."

Fun Home is a wonderful graphic memoir that is engaging, heartrending, funny, and thoughtful. Readers will definitely want to stop by the Fun Home for this viewing.

-MJ Lowe

Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More

edited by Teresa Theophano
Beacon Press
www.beacon.org
0807079065 (cloth) $15.00

Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More, edited by Teresa Theophano, is a delightful collection of GLBT-related quotations. Divided into 16 topics, including "All Things Queer," "Naming Ourselves," and "Queer History," with quotes range from the touching to the bitingly funny, with some healthy stops along that way that prompt a reader to think. However, all the quotes have a positive slant. Theophano in her introduction explains that she has "avoided including sound bites from homophobes. We already know what the Trent Lotts, Jerry Falwells, and Fred Phelps of the world think of GLBT issues. …Let's be utterly, joyously, and quotably queer!" (10).

On the currently timely topic of "Love and (Gay) Marriage," Liz Langley states "Gay marriage should be legal if just to raise the standard of dancing at receptions" (29).

Political issues are the focus of "Out of the Closets, Into the Streets" with this from Barbara Grier: "It is the closet that is our sin and our shame." (81) And a chilling quote from Harvey Milk, the first openly gay elected official in the US, reads, "If a bullet should enter my brain, let that bullet destroy every closet door" (77). Milk was assassinated in 1978.

In "the Arts" there are a number of humorous entries as well as two quotes for the queer bibliophiles from Dorothy Allison and Nancy Garden, respectively:

"If I'd taken up with a gospel band or rock and roll, I'd make a whole lot more sense to my family. But to write books. …I'd come home with books and they'd stare at me like I was crazy. That was the thing most queer about me" (37).

"[Radclyffe Hall's The Well of Loneliness] became my bible. I read it and reread it over and over again. And I vowed at that point that I was going to write a gay book that ended happily, a book about my people" (40). The author of dozens of award-winning children's and teens' books, Garden wrote Annie on my Mind, originally released in 1982, a groundbreaking novel concerning love been between two high school girls.

Theophano has included a biography section for the over 270 speakers quoted. This handy appendix provides brief biographical summaries, frequently listing best known titles if the person is an author, and an explanation of their notability. This section is particularly useful given the broad range of personalities quoted -- from Sophocles and Oscar Wilde to Melissa Etheridge and Calpernia Addams. Regretfully, not all these entries include a year of birth (or death). There appeared to be a few minor errors and the reader should cross-check the biographic information if using it for more than casual reference. (For example Rita Mae Brown's groundbreaking novel, Rubyfruit Jungle, is listed as originally released in 1983 rather than 1973). This reviewer would have liked the biographical data to have included the names of some long-term relationships, especially when the partners also appear in the volume as with Kate Clinton and Urvashi Vaid.

However, these shortcomings pale compared to the value of the section. Further, the editor has provided an index to the hundreds of quotes allowing the reader to find all quotes by a particular person. These last two sections result in a collection that is valuable to researchers as well as fun for the casual reader.

A well-organized, thoughtful, and fun little book, Queer Quotes is the most comprehensive title of its kind and would be useful for libraries and others who might use quote books, as well as being a size and format that make it a charming gift book.

-MJ Lowe

That's Why They're in Cages, People!

Joel Perry
Alyson Books
1555837425

Joel Perry's laugh-out-loud-funny book, That's Why They're In Cages, People! is a thought-provoking collection of essays that should go on people's gift lists this year. The 58, three-to-nine page, essays address a broad range of topics concerning the gay (and straight) world with a sharp wit, a glittering tongue, and importantly, a great heart. Divided into eight themed parts, Perry begins with topics on "Living the Life" including observations on just what Pride is in these early years of the 21st century in "Bring Your Own Pride." A native of North Carolina, Perry dishes out some amusing thoughts about the Southland regarding food, religion, and homophobia.

Perhaps the most interesting juxtaposition of topics is found in "Holy Cowhide!" This portion juggles issues of Christian churches, Perry's own rediscovery of faith, and the leather community. One of the most amusing of these entries is "Things your Mother never told you about leather," which details several outrageously funny observations any neophyte exploring the leather scene, including how to pull on a pair of leather pants. On this topic, Perry concludes that "I guess what no one told me is that along with all the cowhide and attendant paraphernalia, I'd need a sense of humor. But what else did I expect from a fetish that requires so much role playing, production, drama, and drag? In saying that, it's not my intention to offend anyone in the leather community. But then again, if I have, well, I need to be punished, don't I?"(80)

Perry tweaks the entertainment industry several times. For example, in the "Debbie Allen Dance Number," Perry is in mourning because of the loss of that most outrageous of Oscar Award night elements. And in "Queer as HGTV Folks" Perry suggests that the most realistic and grounded images of GLBTQ people can be found on the Home and Garden network shows. "Gay people shown as intelligent, contributing, successful, resourceful, caring, creative, but otherwise unremarkable people. What a concept." (140)

An appropriate recompense for celebrities and other "people of privilege" provides the title for the book. It was inspired by an incident wherein Sharon Stone's ex-husband, Phil Bronstein was bitten by a Komodo dragon during a "behind the scene" tour of the LA Zoo in return for a hefty donation from Ms. Stone. Perry suggests that some celebrities, particularly those who are suffering from the weight of their own egos might benefit from a bit of time in the "dragon cage." (Readers may find themselves tallying a list of candidates for the cage as well.)

Not surprisingly, Perry makes several observations about the queer community, revels in the power and humor of our stereotypes, and suggests that the GLBTQ community own its issues and strive for more. Perry is more than blunt in his assessment of some trends. One could even consider him an "equal opportunity offender." He is bound to make most readers at least a bit uncomfortable at some point in the book. Indeed, Perry seems determined to challenge readers and, hopefully, to prompt them to think in the process. The saving grace of these well-aimed barbs is that Perry is neither mean nor bitter in his humor. Outlandish, yes! His "Urban Legends" makes fun of the phenomena and stereotypes in a fairly over the top manner. And in "Aunt Christmas" we find that Perry is not beyond sharing a touch of revenge.

Meanwhile, "Glitter on my Heart" and "Birth Day" will tug the heart strings of the most cynical queer. The former details a partner's decision regarding how to dispose of the ashes of his dead lover. The story is touching, funny, and appropriately festive. The latter essay is a wonderful, roller-coaster, over-the-top, coming out story complete with marching band, men in grass skirts, and New Year's kiss in a leather bar.

The bite-size format of the essays makes this a fun book for those times when you have just a few moments to read. Pick up a copy for yourself and give one to your friends this year. We all need a laugh and this anthology is filled with them!
-MJ Lowe

Parted Lips: Lesbian Love Quotes Through the Ages

Simone Rich, Editor
Alyson Books
1555835767

Parted Lips is a pleasant little book of quotations. Although of trade paperback quality, it is an unusual size (appx 4.5" X 5.75") with 187 pages worth of witty quotes from a broad range of individuals. Everyone from Sappho (circ 612-550 BCE Greek poet from the island of Lesbos) and Sor Juana Ines de la Cruz (17th Century poet) to Groucho Marx and Lucy Lawless, provides bon mots. The quotations are divided into a baker's dozen of thematic chapters such as Lovers & Relationships, Beauty, Marriage, Butch and Femme, Bisexuality, and Odds and Ends. Observations range from the Rita Mae Brown's wry, "Love is the wild card of existence." (54) to several deliciously bawdy comments from Tallulah Bankhead. Each chapter opens with a lovely black and white photograph that reflects the chapter's subject from the suggestive to the amusing.

However, Parted Lips could use a touch of lip gloss, for this reader. First there is the subtitle: Lesbian Love Quotes Through the Ages. It's not clear how some of these quotations qualify as lesbian or love quotes. For example Harper Lee's "the one thing that doesn't abide by majority rule is a person's conscience." (179), though a favorite of this reader, doesn't clearly strike one as a love quote, unless there is some context that is not provided. Then there is the general uneven quality to the credit citations. Some citations have the author's name and the title of a published source. Others have the context of the quote, such as a response to an interview question, but no source for the interview. In some cases the author's view has actually changed over time, as with Rita Mae Brown's comment about bisexuality (90) which clearly reflects her radical days with the Furies in the 1970s. Some names have simple biographic information. Other names have none. An appendix with brief biographical information would have been nice.

The lack of an introduction by the editor to explain how she came to pull this volume together, how the quotes were chosen, and how she sorted them is probably the most annoying omission. The back of the book states that Rich has been collecting lesbian quotes and trivia for some 15 years. Finally there is no index to the individuals quoted. Since several persons are cited more than once, an index would have been a simple, yet helpful addition. All in all, Parted Lips is a fun little volume and could make a nice gift book, although it is a tad expensive for its weaknesses.
-MJ Lowe

The Ghost of Carmen Miranda and Other Spooky Gay and Lesbian Tales

Julie K. Trevelyan, Editor
Scott Brassart, Editor
Alyson Books
1555834884


In the anthology, The Ghost of Carmen Miranda and other spooky Gay and Lesbian Tales, the editors Julie K. Trevelyan and Scott Brassart have assembled a lively, lavender corps of ghost stories. As the title implies, this Alyson publication is not strictly a horror collection, although some of the tales certainly qualify. All the stories, however, focus on lesbian or gay characters as well as elements of the supernatural with manifestations of ghosts in some form or another.

Many of the stories, like Don Sakers' title entry "The Ghost of Carmen Miranda" -- wherein a morbidly obese gay man, trapped in a dead end existence on a space station, finds help and inspiration in a different kind patron saint -- are queerly witty and delightfully amusing. Several stories address the idea of the spirit of a loved one returning or being trapped until some unfinished business can reach closure. A. J. Potter's "Taking Care of Faith" fits this theme. The peanut butter eating ghost, Brandon, returns to his apartment, to check on his "widowed," lover, Evan. When Victor, the new renter, realizes it's not really strong cockroaches raiding his peanut butter, he is taken aback, to say the least. A rather nonchalant spectral Brandon, complains about Victor's choice of low fat variety, "It's peanut butter, for chrissake. If you're going to eat peanut butter, eat the real thing." (19)

Abbe Ireland's "Case of the Sapphic Succubus" features a "ghost busting" Frances who must face another kind of "bust" when she agrees to spend the night in a historic bed and breakfast with an unusual guest service. Frances learns that facing a succubus isn't as difficult as facing what resides in the researcher's heart. "Paisley" has an archaeologist in the Appalachias of East Kentucky disinterring a casket that holds the bodies of two women. When the image of a woman in a paisley print dress begins to visit Charlotte, one of the summer's grunt workers, the story of those long dead women becomes hauntingly real.

While many of the stories are touching, arousing, and humorous; several are spooky, and some of these tales brought genuine shivers to this reader. A leather master learns what it really means to own and be owned when a neglected lover returns as illusrated in Simon Sheppard's intense, erotic, and ultimate power exchange, titled "My Possession." From the skillful storytelling of M. Christian, readers are treated to "Echoes." And are asked to question how and why a man might become haunted and what lengths he might consider to exorcise himself. The idea of possession is further explored by Hall Own Calwaugh in "amat67.jpg." Keith has just been sent an email that will change his life and prompt him to question his desires, briefly. By far the most chilling story to this reader was J.M. Beazer's "The Thing at the Bottom of the Bed." Haley returns from her father's funeral to find herself facing a horror from which she has hidden for much of her life.

The Ghost of Carmen Miranda and Other Spooky Gay and Lesbian Tales, found its way onto this reader's bookshelf when it was published in 1998. A seasonal rereading of its stories, was no less touching, arousing, humorous, and most importantly, thought provoking. The stories mentioned here are just a few of the 23 contained in its cover. Although out of print, this title is worth tracking down. Think of it as your own little seance for the Halloween season and enjoy.

Slay Me Tender: a mystery

Jenny Scholten
New Victoria Publishers
1892281155, $ 11.95

Twenty five years old, Aubrey is worried about how much longer she can work as an exotic dancer. Her knees are aching and her breasts are sagging. Actually, Aubrey claims they've always sagged. Nevertheless, this awareness of the vulnerability of her likelihood to her physique and the extreme measures other dancers go to, particularly in regard to breast enhancements, are central themes to Slay Me Tender. The novel opens with Naughtylands weekly feature dancer (usually porn stars from out of town), Plushious Velvett, complaining to Aubrey about the hardening the stars very large breast implants. When Plushious disappears, leaving part of her wardrobe and fails to appear at her next scheduled club, Aubrey's natural curiosity gets peaked. Then she finds a gun, dark poems written by Plushious and what appears to be a bloody breast implant in the building where Plushious was staying, Aubrey can't help but start looking into the disappearance.

Scholten portrays the colorful and seamy aspects of the housing shortage in San Francisco and the gentrification of the infamous Tenderloin district with amusing detail. Her strengths are her characters and sense of humor, particularly irony. Aubrey shares a flat with four other people. Its a wonderful, motley group. There's Vivian who is working on her thesis and exploring non-monogamy much to the strain of her relationship with the quiet Zan. There's the beautiful and vibrant artist, Geoffrey who is "tri-sexual" (as in he'll try anything sexual) as well as his current, and frequently present, boyfriend, Gregor-with-the-red-Renault-convertible. And finally, there is shy, neurotic and modest Hugh. With his photographic memory Hugh provides most of the roommates with some fashion accessories from thrift store where he works and looks after everyone including Aubrey's cat, Hodge. Added to Aubrey's regular roommates are the feature dancers who are temporarily staying at Aubrey's place (along with their manager or body guard or girlfriend, etc.). These are just a few of the amusing, yet realistic and compassionately drawn characters in Slay Me Tender.

A fiercely independent young woman of Southern white trash ancestry, Aubrey continues to be ambivalent about her job. She defends the choice of employment. "With what other job could a history major without computer skills make three hundred dollars a day?" (26) When a roommate makes disparaging comments about "those women," she points out that she is a worker in the sex industry. Yet Aubrey is realistic about the potential problems of the job. She worries about how long much longer her body will be "profitable" as a dancer, and the possible dangers of overly friendly customers. She carefully avoids being in debt to the older police officer who is a regular at Naughtyland. Yet she is a constant witness to the victims of the industry's "victimless crimes."

At one point, Aubrey is surprised at her own stereotyping of customers' wives. She realizes that her assumptions are a "buying into the systems" view of these women. Aubreys willingness to self examine, makes her character more attractive. Scholten's sardonic humor takes the bitter edge off the futility of the situation for the residents and workers of the Tenderloin. Despite a range of offers, Aubrey, ironically continues her life of celibacy, futher disrupting those annoying stereotypes of exotic dancers.

This second Aubrey Lyle mystery is better than the first, Day Stripper. The plot flows more smoothly. Scholten creates an interesting hybrid mystery. Her characters and plots have a very traditional amateur sleuth mystery quality. However, her focus on the sex industry and related organized crime are subject matter that is far more typical of "hard boiled" noir detective mysteries. She even manages to incorporate an almost slapstick car chase scene. This combination works for Scholten and makes for often amusing and occasionally provocative reading. I will be looking forward to further developments in Aubrey's world.

-MJ Lowe
BN: New Vic titles are currently available via www.bellabooks.com

Visual Sonnet

Judy Francesconi
Shake It Up Productions
0962995924

Francesconi captures dreamy, lush, stylized images of women loving women in Visual Sonnets. The over 70 duo tone photographs of mostly couples, many nude, in this collection are quite lovely, and the narrative is equally romantic. If you are familiar with the photographer, Judy Francesconi's work, then Visual Sonnets will not be a total surprise.

Although most images don't seem to have been published, there are some that have appeared in her calendars, as cards, etc. Francesconi's subjects are beautiful and her photographs really do have the feel of sonnets; carefully composed images within a particular style designed to communicate to the viewer. These celebratory images communicate a sensuous, even intimate delight to the eye.

It is the nature of "coffee table" books to be expensive. Visual Sonnets is within the typical range for such art books; however, it is disappointing that it's not a hardcover book for the price. Still if you are someone who revels in Francesconi's work, you'll enjoy this volume.

-MJ Lowe

Murder for Beltene: A Beltene Family Mystery

Sandra L. Brewer
Write Way Publishing
1885173679

On her way to the store for her nightly soft ice cream cone fix, Rhiannon Beltene finds a dead body on the path that cuts through her family's woods. Thus opens Murder for Beltene: A Beltene Family Mystery, a new novel by Sandra L. Brewer. The victim's anonymity alone is strange in the quiet town of Sevyrn, located in Brennan County in Michigan's Upper peninsula. However, the circumstances of his death -- Drained of blood with puncture wounds in the neck, the body appears to have been killed by a vampire. -- make it clear that Rhi, a successful writer of vampire fiction, has acquired a rather dangerous admirer.

As the start to bodies appear regularly Rhi finds herself forced to deal with Brennan County's new Sheriff who has serious reservations about one of Rhi's cousins. Trysan sleeps in a coffin and enjoys vampire fantasies. Despite a pressing deadline for her next novel, Rhi is forced to set her writing aside to assist the investigation and comes to accept her responsibilities as "The Beltene" or head of Clan Beltene, a family of Welsh descent that has been in Brennan County since the 1780s.

The mystery itself takes a back seat to the mystery of the Beltene family and as the reader meets an interesting assortment of clan members -- from mercenaries to lawyers to Catholic priests to long practicing (definately not "neo") Druids -- it quickly becomes clear that nothing is quite as it appears. Brewer's characters are funny, intelligent, and more than a little odd . . .. Murder for Beltene is Brewer's first novel featuring the Beltene clan, and with any luck, it won't be the last such book that we get from Brewer.

-MJ Lowe

Day Stripper

Jenny Scholten
New Victoria Publisher
1892281104

Day Stripper is a readable, entertaining first novel for Scholten. The mystery follows Aubrey Lyle, a San Francisco stripper who finds herself tracking down a murderer after another of Naughtyland's dancers is found strangled in a leather bra borrowed from Aubrey.

Aubrey is helped along by an assortment of strange yet endearing roommates and friends who add texture and redeeming humor to the story. Though at times defensive of her work Aubrey is painfully realistic and practical about it. In fact Aubrey's roommates have begun to worry that her job as a "testosterone mop" has robbed her of her sex drive.

Scholten (who worked her way through graduate school as a stripper) depicts the illusionary world of "Live Nude Girls" as often grim and sometimes bizarrely amusing but never erotic particularly for the women working in it. Although at times uneven Day Stripper is a promising first novel for Scholten. It will be interesting to see what future stories she pens.

-MJ Lowe