Seeds of Fire

Laura Adams (Karin Kallmaker)
Bella Books

Seeds of Fire, the second entry of Laura Adams' magical Tunnel of Light fantasy trilogy is an enchanting gift to her readers. Opening just days after the ending of Sleight of Hand (the first book in the trilogy), Seeds further braids themes of reincarnation, loss, betrayal, and redemption through a circle of contemporary women -- Ursula, Autumn, Kelly, Taylor, Elizabeth -- who find themselves sharing dreams of earlier lives together. Intelligent and intense, these women possess strengths and skills they do not fully understand as they struggle to repair a tragedy that echoes through the ages. Sleight of Hand deals with the origin for the legend of St. Ursula and the 11,000 virgins (circa 450 C.E.) and though Adams provides a great deal of background in Seeds, readers will do better to read the books in order. (Besides it's more fun!) In this second novel, readers witness the gathering of Ursula's circle in the early 12th century. The bard Hilea has made a place for herself as the Abbess Hildegard von Bingen (a remarkable, real life woman and an inspiration for the series) in Cologne. Hildegard has written a liturgy for the legend of "St Ursula and the 11,000 virgins" to "call" the other women back together.

Believing they have lost Ursula to the Darkness, the contemporary Taylor, Liz, and Kelly are devastated. Taylor takes desperate measures to try to determine how their Lammas circle went wrong. In many ways Seeds is Taylor's story, revealing her early training in the Old Religion, and that even in her childhood she was "certain of her right to meddle." (92) Taylor must confront that hubris. She seeks answers to her failings, faces the Circle of All Circles, and finds herself again. Meanwhile Kelly, feeling betrayed and hurt, turns to other sources for comfort, a power that will further Kelly down a dangerous path. Adams' examination of Kelly's corruption by Darkness in the past and the present, is insightful, thoughtful, and forthright.

Unknown to the women of Taylor's circle, the mysterious "magician and warrior" Autumn rescued Ursula from the Darkness that has haunted them for over 1500 years. Ursula survived the magical transportation at the cost of her memory, adding confusion to their plight. When Autumn begins to dream of Hildegard's time, she finds that she has gone to great lengths to attempt to save Ursula in the past. Autumn knows that the danger of the Darkness is still waiting for them, and she is determined to protect Ursula this time. In addition to the mystical complications these characters face, old-fashioned poor communication plays a role in their dilemma. Even Autumn's dog, Scylla seems aware of this. When Autumn considers telling Ursula about her dreams, and the dog thumps her tail hard on the floor as though saying, "Yes, tell her, you fool." (101)

As is often the case with middle aspects of trilogies, Seeds is a darker story than Sleight. Adams' characters complicate their entanglements via miscommunication, assumptions, doubts, and secrets. Despite the ominously growing power of the darkness, Seeds is a pleasure to read. The historical segments are well researched and authentically recreated. The story is engrossing with interesting, rich characterization. Adams provides balance to the darkness with her quiet, ironic humor, and the potential for perfect love and perfect trust to triumph. One of the finest writers of "lesbian fiction" today, Kallmaker via her Adams pen name blurs genre lines. The woman writes wonderful, lively, lush fantasy stories. That they feature lesbian characters is added fun for her readers. Her writing entices us to enter a world not far from our own; yet it's a place where magic can and must be mastered. Adams weaves together powerful imagery and themes, including leitmotifs such as the reappearing Norns -- the three wise women or "Fates" in Norse mythology who represent "Became, Becoming, and Shall Be." Indeed, Seeds of Fire appears to encompass the "Becoming" aspect of the Tunnel of Light trilogy. This reader eagerly awaits what Shall Be in the upcoming final novel, "The Forge of Virgins."

-MJ Lowe

The Sunne in Gold

Nene Adams
Shady Ladies Press
0970212704

Set in Erin during the time of the crusades. Lady Cathelin O'Cameron, known as the Blacksunne, armored herself as knight and followed Richard the Lionhearted (reigned 1189-1199) to the Holy Land. There Blacksunne gained a reputation as a fierce and blood thirsty warrior and suffered the loss of a lover in a cross cultural bit of sexism and homophobia. Like Richard, Blacksunne has returned home to find a relative -- in this case her cousin -- usurper has taken control of her home. She and her battle hardened allies turn out the villain with little difficulty. Although she makes the mistake of not killing him when she could . . ..

Among many appalling changes to her keep, Lady Cathelin discovers her cousin has installed a Moorish bed slave, literally chained to his bed. Blacksunne frees Madrigal, who reminds Blacksunne of her lost love in the Holy Land. It turns out Madrigal has suffered so much trauma and abuse in her short life, she doesn't begin to know how to trust or love.

This is Adams' first novel and there are some uneven elements. The primary plot device, that of a cross-dressing, battle leading, noble woman requires the readers' willingness to suspend disbelief. This reader is willing to accept a broad range of premises, if the story is told well. Sunne in Gold does not entirely succeed. Certainly there have always been women who cross-dressed to increase their opportunities in this world. Indeed until the required medical exams of the 20th Century, every war has known some hidden women soldiers as well as less hidden ones. If the likes of a Blacksunne did exist, she seems more likely to be of Irish or at least Celtic origins. However, pinning her to the late 12th Century makes Blacksunne less likely in that the sexism of the time had already limited most women's options.

Some issues of characterization are too complex for this story and even distract from it. Adams might have been better off simplifying some of Madrigal's post traumatic stress -- since it is applying a current psychological standard to a very different set of values, time and culture -- and finally, most annoying, there are several historical inaccuracies that become distracting because Adams emphasizes them.

For example Cathelin gives Madrigal a dress. This is an important, touching moment for Madrigal. The former slave is impressed with the quality of cloth and the buttons, describing them in detail. (Well, she should be impressed, since buttons didn't exist until the 1600s!)

Then there is the issue of language. We're told Madrigal learned English from a cruel English knight who brought her back from the Middle East. It's unclear why the knight spoke English (even Middle English) instead of Norman French -- which is much more likely, certainly that's what Richard and most of the royal court spoke after 1066 -- but he did and thus taught Madrigal the language. Supposedly that's why she could understand Lady Cathelin O'Cameron. It's possible that the Blacksunne would have spoken Norman French or Latin because of her status and yes, perhaps even Middle English. However, it seems her first language, and certainly the language of most subjects of her fealty would have been old Gaelic. Indeed some of the characters speak with a strong dialect which may be intended to present Gaelic, but succeeds mostly in being distracting. As with the buttons, because Adams makes a point of bringing these language issues to the readers'attention, the error is annoying.

Adams' action is very good, if occasionally predictable, and draws the reader into the story. If you are in the mood for old-fashioned tale of betrayal, villainy, and the triumph of good with a touch of lavender romance, Sunne in Gold is worth your while. Certainly as Adams' first novel, it shows promise. Her plotting is good. Her depiction of the deterioration of the evil villain is wonderfully weird. Hopefully her future work will be more careful with historical detail -- simply setting it in a fantasy alternative realm would have solved these problems nicely -- and some pieces of characterization.

-MJ Lowe

Sleight of Hand

Laura Adams (Karin Kallmaker)
Bella Books
096777537X

Laura Adam's fourth novel, Sleight of Hand is her best work to date and one of the best fantasy stories I've read in awhile. Inspired by the liturgy composed by the medieval Abbess Hildegard von Bingen for the legend of St Ursula and the 11,000 virgins, Sleight of Hand weaves together three incarnations of Ursula's story as they blend across some 16 centuries.

Autumn Bradley and Ursula Colombine, two women who've never met and live half a world apart in the contemporary time, find themselves dreaming of a life in the region "under the constellation of Ursula" after the fall of Rome. During that unsettled time of barbarian raiders while Christianity struggled to reinstate order via its concepts of sin and patriarchy was conquering, co-opting, and converting the peoples of the region, Autumn and Ursula met and fell in love. It was a star-crossed meeting as Ursula, adopted daughter to the lord of Lower Northumberland, was on her way to wed an unknown Jut Lord to seal an alliance between the men.

The story of both pairs of Autumn and Ursula unfolds as the contemporary women struggle to understand what happened in their dream memories and how it impacts their lives. Adam's story of reincarnations includes several other characters from that early medieval cycle coming together in the present as well. Sleight of Hand is the first book of Adams' "Tunnel of Light" Trilogy and ends with an incredible sense of irony as the current Autumn and Ursula finally meet prompting more questions than answers. Your only regret in reading this book will be realizing that, like the rest of us, you'll be waiting for the next installments. (I particularly look forward to finally meeting the contemporary Hilea/Hildegard character.)

Adams is a pen name for Karin Kallmaker who is well known for her consistently charming, contemporarily interesting, and non-formula romance novels. Her works under Adams tend to explore mythic archetypes with lavender tinged reinterpretations of legends and folklore. Read more about Adams and Kallmaker at her home page www.kallmaker.com.

-MJ Lowe