J.M. Redmann
Bella Books
www.bellabooks.com
1931513104
The thirty years old, Barnard educated and underemployed, out lesbian, private investigator, Micky Knight has accepted a job overseeing security for a very exclusive and "festive" annual party hosted by Emma Auerbach. Of an old money New Orleans family, Emma has been a friend and mentor to Mickey for years. Sober and celibate for over six weeks, Micky is beginning to face the demons from which the liquor and sex allowed her to hide for over a decade. Although determined to remain sober, Micky does hope the weekend party brings an end to her loneliness, especially when the good doctor, Cordelia James arrives. Micky lost her heart to Cordelia months ago, during the events of Death by the Riverside. But Emma's annual gay-la ends abruptly when the body of a young woman is found in the woods on her estate and everyone returns to the city.
At loose ends back in New Orleans, Micky goes to the library to check out some Dorothy Sayers books. "Some of her Lord Peter Wimsey books, not so much for detective ideas, but for dating tips." About which Micky concludes, "via Lord Peter, the method for making a woman fall in love with an offbeat detective was to save her from the gallows by proving her innocent. Somehow that didn't seem to have much bearing on Cordelia and myself." (55). Of course, Lord Peter is right!
Life is complicated for Micky and company. More bodies show up near Cordelia's clinic. When they turn out to be young women who were patients at the clinic, the police see Cordelia as the prime suspect. Cordelia decides to hire Micky to investigate. Meanwhile an uncharacteristically restless, NOPD Detective Sgt., Joanne, increasingly angered by these events, is spending more time with Micky. Joanne senses Micky has similar ghosts in her past.
With the same tough, first-person voice of the first Micky Knight novel, Death by the Riverside, Redmann directs the fast paced action of Deaths of Jocasta. Micky tracks down leads connecting the pasts of several characters with the current events. And the truth turns out to involve a dangerous combination of extremists --who justify murder in the name of life-- and people who crave old-fashioned, hateful revenge. Will Micky be able to take Lord Peter's advice?
Redmann presents serious and painful issues without hiding the pain, becoming pedantic, or losing her sense of humor. Her characters are well rounded, interesting women who deal authentically with their problems. One of the most impressive examples of this is Redmann's handling of child sexual abuse. Accurate and realistic, the depictions of the abuse and its ramifications run a spectrum of forms, parental reactions, and consequences from Micky to Joanne to Cordelia. This thread actually evolves throughout the Micky Knight novels as Micky has the opportunity to grow and heal.
This re-release of Deaths of Jocasta by Bella Books is a must for mystery lovers and in this reader's opinion, the covers of Jocasta and Riverside are the best Bella has produced to date. Ten years have passed since Jocasta was originally published. It is pinned to the early 1990s by technology --the lack of cell phones and email via the world wide web-- and Joanne's early adolescence (and rest of the crowd's ages in relation to her) is set prior to the Roe v. Wade decision (1973). However, the issues of the novel are very relevant today and Redmann treats the women struggling to survive them with respect and dignity. Deaths of Jocasta does not answer all the mysteries hovering in Micky's background. For that, readers should look for The Intersection of Law and Desire and Lost Daughters, in order.
Take Micky Knight home with you and laissez les bons temp rouler!
-MJ Lowe
Showing posts with label Author: Redmann. Show all posts
Showing posts with label Author: Redmann. Show all posts
Sunday, April 21, 2002
Thursday, November 1, 2001
Death by the Riverside
J. M. Redmann
Bella Books
1931513058
Newly reprinted, Death by the Riverside is the first of the Micky Knight mysteries (the third, Intersection of Law and Desire won a Lambda Lit Award). Here is an opportunity to meet Micky and her wonderful assortment of friends. The ensemble cast that Redmann creates is an amusing crew of friends and family (Puns intended). Each individual is clearly defined and easily recognizable with detailed backgrounds that evolve over the series.
Written in the first person, all the Micky Knight stories have a contemporary version of the gritty, gumshoe feel of classic noir mysteries. The action in Riverside (and Micky's irreverent humor) begins immediately as she finds herself helping a "tasteful" young blond socialite track down the fiance that spurned her. When said socialite turns out to be quite familiar with lesbian sex while laying a trap to cut her brother out of his share of the family inheritance for being gay, Micky decides to even the score. Thus she finds herself meeting the socialite's grandfather, the Holloway family patriarch and his other granddaughter, Cordelia. This meeting opens the door to ghosts from Micky's childhood which she tries very hard to smother with alcohol and women and foreshadows many storylines in the series.
At the request of a sort of friend, fellow karate student, and NOPD detective Joanne, Micky soon finds herself drawn into efforts to break a regional drug ring that turns out to be using part of the Holloway plantation as a shipping and storage location. There's a great deal of page turning action as Micky tries to help the police, her new friend Barbara, not to mention the good doctor Cordelia AND keep herself alive while catching the bad guys.
Meanwhile, the reader learns bits of the past that Micky tries desperately to hide from herself and others. Redmann's depictions of the scars left by childhood abuse are powerfully accurate in all four of the Micky Knight stories. Indeed many of the questions raised or hinted at in Death by the Riverside are not answered until the fourth novel, Lost Daughters. Redmann's well developed characterization has the reader wishing she could have a beer, or maybe a po'boy sandwich with some of these women. Certainly you will find yourself looking for the upcoming reissue of the Deaths of Jocasta to follow their continuing adventures. And to cheer Micky on as she struggles to reclaim her past and heal herself.
Bella Books
1931513058
Newly reprinted, Death by the Riverside is the first of the Micky Knight mysteries (the third, Intersection of Law and Desire won a Lambda Lit Award). Here is an opportunity to meet Micky and her wonderful assortment of friends. The ensemble cast that Redmann creates is an amusing crew of friends and family (Puns intended). Each individual is clearly defined and easily recognizable with detailed backgrounds that evolve over the series.
Written in the first person, all the Micky Knight stories have a contemporary version of the gritty, gumshoe feel of classic noir mysteries. The action in Riverside (and Micky's irreverent humor) begins immediately as she finds herself helping a "tasteful" young blond socialite track down the fiance that spurned her. When said socialite turns out to be quite familiar with lesbian sex while laying a trap to cut her brother out of his share of the family inheritance for being gay, Micky decides to even the score. Thus she finds herself meeting the socialite's grandfather, the Holloway family patriarch and his other granddaughter, Cordelia. This meeting opens the door to ghosts from Micky's childhood which she tries very hard to smother with alcohol and women and foreshadows many storylines in the series.
At the request of a sort of friend, fellow karate student, and NOPD detective Joanne, Micky soon finds herself drawn into efforts to break a regional drug ring that turns out to be using part of the Holloway plantation as a shipping and storage location. There's a great deal of page turning action as Micky tries to help the police, her new friend Barbara, not to mention the good doctor Cordelia AND keep herself alive while catching the bad guys.
Meanwhile, the reader learns bits of the past that Micky tries desperately to hide from herself and others. Redmann's depictions of the scars left by childhood abuse are powerfully accurate in all four of the Micky Knight stories. Indeed many of the questions raised or hinted at in Death by the Riverside are not answered until the fourth novel, Lost Daughters. Redmann's well developed characterization has the reader wishing she could have a beer, or maybe a po'boy sandwich with some of these women. Certainly you will find yourself looking for the upcoming reissue of the Deaths of Jocasta to follow their continuing adventures. And to cheer Micky on as she struggles to reclaim her past and heal herself.
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