Facades

Alex Marcoux
Haworth Press
1560232048

Sidney Marcum, founder and president of Marcum Promotions, Inc., is a personal manager for musical groups and singers. For more than a decade she has specialized in taking unknown talent and making it a success. Anastasia, the beautiful, sensual, talented singer-songwriter, is struggling with her flagging professional career while attempting to balance her personal relationship with Stephanie and a life with the closet door open.

After a series of unfortunate publicity incidents, the singer approaches Sidney for management help to reclaim her superstar status. Sidney advises Anastasia to reenter the closet and create a straight public persona or "facade" to reconnect with her straight audience. The relationship these two women develop over the next two years is an interesting and cautious one. The publicity campaign that Sidney orchestrates for Anastasia's comeback is a fascinating story alone. Marcoux uses the "facade" analogy to represent both that constructed public entertainment persona as well as the face of a closeted lesbian. However, set primarily around 1993, with flashbacks to the early 1980s, Facades is more complicated than the thematic analogy implies.

Marcoux also deals with spousal abuse (heterosexual and lesbian), sexual assault, child custody issues for previously married lesbians like Sidney, blackmail and reincarnation. In addition to the above issues, Anastasia performs in Denver during the Boycott after Amendment 2. [An Amendment to the Colorado constitution that would disallow any municipal government to grant civil rights protection based on sexual orientation, which the US Supreme Court struck down.] She uses her concert as an opportunity to question the Religious Right and A2 supporters.

If it's starting to sound as though Marcoux is juggling a lot of themes in this book, you're right. While most of the story lines are tied up at the end, the reincarnation theme is never fully developed. It is hinted at throughout the novel and yet doesn't seem to fit. In fairness, many of the themes are interconnected. Overall this is a pleasantly readable novel with characters who draw the reader into the story. As a lesbian love story, Facades is rather chaste.

The characters and the writing make Facades a novel worth reading. Marcoux does not shy away from controversial issues, in the lesbian & gay community or the majority society. Actually it is that willingness to address sensitive socio/political issues around sexism, homophobia and violence that makes this a good a novel to loan to a straight friend. Facades is the first novel from Marcoux, a Colorado resident. Hopefully there will be future novels that allow Marcoux to pay more attention to tightening her plot lines.