Sugar

Karin Kallmaker
Bella Books
www.bellabooks.com
1594930015, $12.95

"She'd read a romantic book and thought maybe someday life would be like that, but it never seemed like women in books had jobs and families and worries -- things that made it hard to look around for somebody who might be fun, might want to see if where they were headed in life was the same destination." (79)

This passage defines a theme in Karin Kallmaker's newest romance, Sugar. Kallmaker, arguably the best-selling writer of lesbian romances, contrasts images of a "traditional romance" (if such a thing can be said to be portrayed in lesbian writing) with the realities of love as it exists in everyday life. The lead character, Sugar Sorenson, is a talented, intelligent woman in her thirties struggling to establish her own specialty bakery business in Seattle's post-Dotcom-boom. The action opens when Sugar's home is destroyed by fire and her plans for competing in a city-wide "Cook Off" contest, with its related monetary prize and boost in notoriety, are seriously threatened.

After months of no social life, Sugar suddenly finds herself under the romantic notice of not one, but three attractive, dynamic women. There is a gentle but strong social worker named "Tree," a tall, dark and handsome firefighter named "Charlie" Bronson, and the elegant and vivacious television producer named Emily. Their combined energy is almost more than Sugar can juggle after her long, self-imposed solitude, not to mention the stress of the fire. For a time, Sugar is confused because her apartment is not the only fire she is feeling. The sexual tension is palpable and Kallmaker serves readers a few deliciously hot scenes. Sugar tries to decide which woman really attracts her -- and, more importantly she realizes -- which woman's life is headed in the same direction as Sugar's.

With nowhere to go Sugar finds herself returning to her maternal grandmother's house and braces for the onslaught of judging, preaching and meddling that characterized her grandmother while she was growing up. But something has changed dramatically and Sugar discovers that she perhaps didn't know her grandmother as well as she thought. There are assorted complications and mis-communications to occur in the weeks following the fire and Sugar's life does not turn out as she'd expected.

Food and baking flow through the novel in many ways. Descriptions of complex baking projects occur through much of Sugar's day as well as the steady, comfort baking of Sugar's grandmother. Further, Sugar's world view is often cooking related with Emily's eyes being "the blue of four drops of food coloring into a quarter-cup of sugar" (p7) and a woman is "hotter than Tabasco." (132)

Sugar is a kind of "every lesbian" and the issues she and her friends deal with are those that most of us face in our day-to-day lives. Kallmaker's Sugar does not follow the "story book romance" formula; however, she plays with its themes. Even the cover art, which is reminiscent of a 1950s "happy home maker" image, tweaks at this "ideal."

Kallmaker's writing is charming entertainment. Her wry wit and gentle humor prompt smiles and quiet chuckles, as when Sugar dresses for her first date in months to discover "Good God in heaven, how long had that enormous black hair been growing out of her chin?" (p63) Or when Sugar mentions that she'd heard Charlie and Tree had dated for a time, and is told "We did not. We met at agreed upon places and argued." (p182)

In many ways, Sugar is a return to some of Kallmaker's earlier romances, like Painted Moon or Making up for Lost Time. However, if it is a return, it is not without the maturity that her writing continues to develop. Peopled with real women who are grounded in the realities of life and willing to accept the risk of love, Kallmaker's "romance" provides readers with simple, touching moments. As Sugar reflects, "The world seemed peacefully asleep. It was just her and the moon and the scent of Emily on her fingertips." (111) Sugar is a lovely dessert of a book made with real eggs, butter, and no doubt, chocolate. Light and fun it is, yet it's not an artificial confection. Readers of the lesbian romance genre will want to lick the spoon.
-MJ

All the Wrong Places

Karin Kallmaker
Bella Books
www.bellabooks.com
1931513767, $12.95

At 26, Brandy Monsoon is about to "grow up." In one week she will: face the ghost of her father and the pain of her childhood; realize that while she might not "know" that she can have "forever after" with one woman, she wants to try; and discover that a family of choice and community are options even for a dyke on an isolated resort island in the Southland.

Employed as a fitness instructor and staff member for Club Sandzibel, Brandy finds a ready supply of casual lovers among the resort's female guests but none of them are interested in more than their holiday fling. Meanwhile, her best friend Tess, though willing to share a more-han-friendly-night occasionally, is supposed to be straight ... a point that confuses both women.

Brandy is the wholesome, girl-next-door, phys-ed major. She clearly enjoys working at the resort, including her shifts teaching children tumbling and various team sports. In a charming scene from the end-of-the-week, Brandy observes, "I was set upon by the toddlers again, and this time I gave chase. We'd had a running battle all week and it was time to show these desperadoes who was the law. That would be me, Sheriff Monsoon.

I hadn't quite proven my superiority when their parents came to claim them for a last good-bye. One protested it wasn't Saturday yet, while the other said I was the best playmate ever. ... I have to say that part of the job is pretty cool. Kids give great hugs." (33-34)

When an all-lesbian tour group arrives for the week, Brandy finds the acceptance and validation that she has rarely enjoyed. Furthermore, the famous lesbian entertainer, Celine Griffin shows clear interest in some after-dinner Brandy. Meanwhile Tess' behavior is becoming less and less straight.

All the Wrong Places is the first erotic novel-length title released by the "Bella After Dark" imprint and there is truth in advertising here. Brandy's sexual encounters are explicit. Kallmaker does not shy away from earthy language during sweaty encounters and she opens the "toy chest" and lets her characters explore "accessories." There is a forthright and evocative negotiation of adult consent as well as a subtle but highly charged power exchange between Brandy and Celine.

Some Kallmaker fans may find themselves challenged by this bolder approach. Hopefully they will also find the story to be arousing entertainment. They can be reassured that All the Wrong Places is also one of the sweetest little romances that Kallmaker has written. For example: "Our bodies were suffused with the golden light that seemed to radiate from her eyes and smile. We were falling together, mouths feathering kisses on any skin we could reach. Touching her anywhere felt like touching sunshine. Her shoulders were as warm as her mouth and we were in danger of losing our edges, our form, as we melted together." p 139

Given the length and focus of the story, Kallmaker's characters show depth, humor, and heart with a willingness to grow. Thus All the Wrong Places has a number of elements readers have come to expect from Kallmaker; in addition to hot sex and sweet romance, there are touching side stories and delightful wit. Indeed the humor is bubbles throughout the story. And in a laugh-out-loud moment for this reviewer, Kallmaker tosses in what has to be the funniest variation on the classic "U-Haul joke" in years.

Brandy is the youngest lead character that Kallmaker has explored in her novels since Reese in Watermark. Hopefully a new generation of readers will find Brandy's voice familiar to their own experience and will consider Kallmaker's other novels as a result. Long time fans can enjoy All the Wrong Places as another example of Kallmaker's willingness to explore new elements in her classic story telling style. All readers can enjoy the affection, validation and respect that she gives her characters and by extension her readers. This erotic romance is a like a lovely slice of the chocolate bread that appears on the resort dessert menu; and like that confection, you'll want to savor it slowly and very likely go back for more.
-MJ Lowe

Dreams Found

Lyn Denison
Bella Books
www.bellabooks.com
1931513589, $12.95

"Wait on." Cathy held up her hand. "Maggie Easton and Jayne Easton?" She slapped the side of her head and her graying curls bounced. "Jayne's Maggie's daughter and your sister?"

"Ah, no. Jayne's Maggie's husband's daughter from his previous marriage," Riley explained.

"You mean your boss is your mother's stepdaughter?" Lisa laughed. "That makes you stepsisters."

"I think the butler did it," Brenna said dryly and they all laughed. (81)

In Dreams Found, the latest romance from Lyn Denison, an out lesbian and skilled carpenter, Riley has known she was adopted for years. However, Riley recently has taken steps to locate her birth parents. She finds Maggie living in Brisbane with a husband and three stepchildren. Imagine Riley's surprise when she also finds herself attracted to Jayne, a woman who, while not blood related, is her stepsister! The required misunderstandings abound, particularly in regard to secrets. Kept secrets are justified because Maggie wants to tell her husband first about Riley before her stepchildren learn of her. With the convolutions and secrets, the plot could have been for a bit more humorously treated without losing its serious quality. Instead Denison goes for the angst in a way that is not particularly engaging to this reader.

Dreams Found is one of Denison's shortest works and in this reader's mind something is missing. Perhaps it's the way the author deals with family issues. This is a primary issue to the story. Riley is depicted as a woman for whom family is an important support system. It is perhaps for this reason that she decides to reach out to her birth parents. The two negative, if not just dislikable characters in the book, Darren, Jayne's business partner and apparent love interest, as well as Lisa, a lesbian who is attracted to Riley, both belittle family relations. Darren could almost be tossed off as the self-centered, thoughtless male whose disrespectful treatment pushes Jayne to reevaluate her life. (Darren's stereotypically negative male qualities are acceptable in that several other male characters, family members and friends are depicted as caring, intelligent humans.)

However, the author seems to skim over the fact that neither character seems to have enjoyed the family support that Riley or Jayne do. This is particularly troubling of Lisa. Of her family, we're told that her "parents had been through a messy divorce, and Lisa and her three siblings had spent their childhood years swinging between an alcoholic father and his latest partner and their manic-depressive mother. Lisa left home as soon as she was able and she'd never gone back. She hadn't seen either of her parents for years and was happy to maintain that particular status quo." (9) The portrayal of Lisa's inability to bond with family is seen as a serious character flaw for the unsympathetically portrayed Lisa, but with a family like Lisa's, who can blame her?

Lisa's family of origin is almost implied as an excuse for some of her behavior: that of being tactless, blunt to the point of pushiness, and unwilling to accept Riley's declination that their casual relationship be explored in a more serious way. We're told, "Riley's sense of family had been a source of tension between them on a couple of occasions. Lisa couldn't or wouldn't recognize Riley's closeness to her family, the respect and love she had for her parents and older brother." (9)

This simplistic portrayal is particularly annoying when in reality many lesbians, gays and bisexuals have found their families of origin unsupportive in the face of their queerness and have as a consequence worked hard to develop support systems that are based on the love and respect of friends, i.e. "families of choice." A point that is itself personified when Riley hesitates for weeks to tell her newly found birth mother that she is a lesbian. This somehow suggests it is more difficult for Riley to risk Maggie's rejection because family is important to her. Further that Lisa, who did not enjoy that kind of relationship with her family, had it easy and shouldn't be so brusque about the importance of family to Riley. Lisa's point of view does not excuse her rudeness. However, it is Riley's inability to "get" Lisa's issues with family that made Riley, not Lisa, the one needing to work on her compassion. It is possible that Denison did not intend for this presentation. Indeed, given her other works, it is even likely that she did not. However, the impression left a bad taste with this reader.

Lesbian romances are not merely the idealized tales of love that heterosexual romances can be. Lesbian romances hold a much more complex role. They serve as a validating mirror for lesbians and our community. Hot sex is rarely enough for a lesbian romance to be a success. It can be, as it is in classics like Forrest's Curious Wine. While the erotic moments in Dreams Found will hold most reader's attention, they are not enough to be the primary focus. Denison has put the definition of "family" on the table for this novel and since she has only validated families of origin, those readers who have created families of choice may feel left out in the cold.

Dreams Found is a pleasant enough, albeit brief, read for a slow evening. However, overall the novel is predictable, and not particularly interesting, nor funny. Dreams Found does not hold up to the quality of Denison's earlier novels. Hopefully, this is not a trend. In the meantime, Dream Lover, The Wild One, and Gold Fever are all better reading in this reviewer's opinion.

Caught in the Net

Jessica Thomas
Bella Books
www.bellabooks.com
1931513546, $12.95

A new dyke detective for the armchair mystery fan has arrived! Caught in the Net is a first novel from Jessica Thomas and introduces Alex Peres. Alex is a thirty-something dyke who lives (and grew up) in Provincetown, Massachusetts. Arguably, one of the country's most famous resort towns for gays and lesbians, Provincetown is "that strange and beautiful place, where the men are pretty and the women are tough." (1) With its seasonal population tide of tourists Provincetown plays as much of a role in Caught in the Net as many of the characters and Thomas brings the town's New England quirkiness and its queer color to life for her readers.

A thoughtful, self-sufficient, and independent woman, Alex Peres is a wry observer of nature (human and otherwise) who uses that skill to support herself. On the creative side her perceptive eye is expressed by her photography. She creates artistic impressions of the Cape and Provincetown area that are sold at local galleries. Alex's more analytical observation skills go into her work as a private detective. A job, which she explains, is filled with interesting but sometimes tedious work like following a wayward husband.

Fargo, the detective's 90-pound, black lab is as much a star of Caught in the Net as Alex. The details of Alex and Fargo's relationship will bring smiles, chuckles, tail wags, and warm fuzzy feelings, especially to readers with a canine love. Indeed Fargo's companionship is primary to Alex who has had rather bad luck in the love department.

That bad luck has held until a new woman appears in town. Janet Meacham, a beautiful, intelligent, young woman has moved to P'town to start a new chapter in her life. Alex finds herself quite taken with Janet and the attraction appears to be mutual. Alex thinks that this is a relationship that could build in a more positive direction.

Meanwhile the severed human foot that Alex, or rather Fargo, found on the beach during a daily walk is the foundation (as it were) of a series of crimes in the area. Alex's brother, a local cop is looking for a young man who may have known the owner of the foot.

This first novel from Thomas is filled with witty insights regarding human foibles with Alex personifying several endearing qualities. Of herself, Alex claims, "Frankly, I am not a great admirer of children as a species -- the younger ones smell funny and the older ones look as if they know something you don't-- but even I didn't want two young kids stumbling on this piece of flotsam or jetsam or whatever you called a lost/discarded body part". (10) Or regarding her personal habits, "I sat behind the wheel and took a pack of cigarettes off the dashboard and lit one of the five I allow myself each day. I allow myself five. The other eight or ten I smoke are not allowed." (11)

Although an engaging character, Alex does not quite ring true as a typical Gen-Xer, which might annoy some readers. The mystery is a little thin with a plot that is probably predictable for most fans of the genre and a tad irritating in that Alex did not seem to see it coming. However, the lovely writing, quirky characters, charming setting, and wry observations provide a great deal of promise for future Alex Peres mysteries. Many readers will find themselves caught in this net for pleasant evening's reading.

-MJ

That's Why They're in Cages, People!

Joel Perry
Alyson Books
1555837425

Joel Perry's laugh-out-loud-funny book, That's Why They're In Cages, People! is a thought-provoking collection of essays that should go on people's gift lists this year. The 58, three-to-nine page, essays address a broad range of topics concerning the gay (and straight) world with a sharp wit, a glittering tongue, and importantly, a great heart. Divided into eight themed parts, Perry begins with topics on "Living the Life" including observations on just what Pride is in these early years of the 21st century in "Bring Your Own Pride." A native of North Carolina, Perry dishes out some amusing thoughts about the Southland regarding food, religion, and homophobia.

Perhaps the most interesting juxtaposition of topics is found in "Holy Cowhide!" This portion juggles issues of Christian churches, Perry's own rediscovery of faith, and the leather community. One of the most amusing of these entries is "Things your Mother never told you about leather," which details several outrageously funny observations any neophyte exploring the leather scene, including how to pull on a pair of leather pants. On this topic, Perry concludes that "I guess what no one told me is that along with all the cowhide and attendant paraphernalia, I'd need a sense of humor. But what else did I expect from a fetish that requires so much role playing, production, drama, and drag? In saying that, it's not my intention to offend anyone in the leather community. But then again, if I have, well, I need to be punished, don't I?"(80)

Perry tweaks the entertainment industry several times. For example, in the "Debbie Allen Dance Number," Perry is in mourning because of the loss of that most outrageous of Oscar Award night elements. And in "Queer as HGTV Folks" Perry suggests that the most realistic and grounded images of GLBTQ people can be found on the Home and Garden network shows. "Gay people shown as intelligent, contributing, successful, resourceful, caring, creative, but otherwise unremarkable people. What a concept." (140)

An appropriate recompense for celebrities and other "people of privilege" provides the title for the book. It was inspired by an incident wherein Sharon Stone's ex-husband, Phil Bronstein was bitten by a Komodo dragon during a "behind the scene" tour of the LA Zoo in return for a hefty donation from Ms. Stone. Perry suggests that some celebrities, particularly those who are suffering from the weight of their own egos might benefit from a bit of time in the "dragon cage." (Readers may find themselves tallying a list of candidates for the cage as well.)

Not surprisingly, Perry makes several observations about the queer community, revels in the power and humor of our stereotypes, and suggests that the GLBTQ community own its issues and strive for more. Perry is more than blunt in his assessment of some trends. One could even consider him an "equal opportunity offender." He is bound to make most readers at least a bit uncomfortable at some point in the book. Indeed, Perry seems determined to challenge readers and, hopefully, to prompt them to think in the process. The saving grace of these well-aimed barbs is that Perry is neither mean nor bitter in his humor. Outlandish, yes! His "Urban Legends" makes fun of the phenomena and stereotypes in a fairly over the top manner. And in "Aunt Christmas" we find that Perry is not beyond sharing a touch of revenge.

Meanwhile, "Glitter on my Heart" and "Birth Day" will tug the heart strings of the most cynical queer. The former details a partner's decision regarding how to dispose of the ashes of his dead lover. The story is touching, funny, and appropriately festive. The latter essay is a wonderful, roller-coaster, over-the-top, coming out story complete with marching band, men in grass skirts, and New Year's kiss in a leather bar.

The bite-size format of the essays makes this a fun book for those times when you have just a few moments to read. Pick up a copy for yourself and give one to your friends this year. We all need a laugh and this anthology is filled with them!
-MJ Lowe