Hide and Snake Murder: A Shay O'Hanlon Caper
Jessie Chandler
Midnight Ink
http://www.midnightinkbooks.com/
978-0738725970
Trade paperback, $14.95, 261p

Life has a way of getting complicated for Shay O'Hanlon. A thirty-something lesbian, Shay is co-owner of the Rabbit Hole, a coffee shop in Minneapolis, Minnesota, her hometown. Shay has had a reputation for being the "Tenacious Protector" of her family and friends, standing up to bullies since grade school. When she was ten years old, Shay was in a car accident that killed her mother and the son of Edwina Quartermain, her mother's best friend. Edwina became a de facto mother for Shay.  Intensely loyal to her family of blood and choice and still haunted by the accident, Shay is the smart-mouthed, first person narrator of Jessie Chandler’s Hide and Snake Murder: A Shay O'Hanlon Caper.

Basil Lazowski, an old schoolmate and ne'er do well, better known as Baz the Spaz, has called Shay for help and she finds herself drawn into a series of bizarre and often confusing events that will take her to the other end of the Mississippi and back. Baz needs to find a stuffed snake that he might have "borrowed" from a house where he was cleaning duct-work for "Ducky Ducts Duct Cleaning: we clean your pipes slick as a whistle, guaranteed." (4) Some very scary men want the stuffed reptile returned. Hide and Snake Murder is the second installment of Chandler's series that started with Bingo Barge Murder and it continues the fast paced hilarity of the first novel.

Shay, with one of her best friends, Nicholas Cooper -- better known as Coop, a member of the local environmental activist group the "Green Beans" and makes his living as a computer geek-- and Baz fly to New Orleans in search of said fuzzy serpent which is currently believed to be in the hands of Baz's aunt, Agnes.  With other members of a group of crafty poker players known as the Mad Knitters, Agnes has gone to the Big Easy for a holiday of gambling, live music, food and drink. 

Shortly after Shay et al arrive in New Orleans, they find that Baz's "big scary men" are real and chasing them.  Their initial escape turns into a strange and funny series of events and re-acquaints Shay with an old friend who is currently one of a group of buskers working Jackson Square. The bad guys are hot on their heels, and it's only by luck that the entire group returns to Minneapolis.  Various twists and chase scenes follow and Shay's gang of amateur detectives stumble into more trouble before they are out of it.

“Caper” is a good subtitle for this series.  Not a traditional mystery, the plot of Hide and Snake Murder has a certain Keystone Cops element. The gang tends toward breaking and entering, with varying degrees of competence and legality, to uncover answers. No one is entirely who they seem in this romping story and the reader must be willing to suspend belief in the more serious and technical law enforcement procedures and processes.

The characters of Hide and Snake Murder are the real gems of the story. They are richly faceted with distinct flaws. Chandler’s respect and affection for them shows through the novel. She allows the reader to laugh with them. For example, Rocky, another classmate of Shay and Nick, struggles with developmental issues, has a charming tendency to address people by their full name as well as providing unusually detailed bits of information as, “You must put pressure on the wound for it to stop bleeding. If it doesn’t stop after twenty minutes of firm, direct pressure, we must seek medical attention. “(82) One can’t forget Shay’s 80 pound boxer named Dawg, by the unimaginative previous owner.  Dawg adds a calming effect as well as comic relief which one doesn’t have to be a dog lover to enjoy.   

Hide and Snake Murder is fast paced and witty.  It is peopled with wonderfully colorful characters, making it a strong second novel in the Shay O’Hanlan Capers series.  I look forward to more stories from Jessie Chandler.

Calorie-free, Wither-proof Books for Valentine's Day

Recently I've read some "clever, cynical" comments by folks who assume that Valentine's Day is a "commercial, materialistic, manufactured, unrealistic view of romance." I understand some of the sentiment. It can be argued that equating being alone with not being romantic, and lack of diamonds and roses making one a bad partner is simple commercialism. However, the idea of seeking to validate both the hormonal desire for intimacy (which drives us all on some level, regardless of how we express it) and to invest in the hope of spring is not exactly an invention of Hallmark. I'm old enough (just barely, thank you) to remember that Valentine's Day used to be "St. Valentine's Day" before the Catholic church cleaned out saints they considered apocryphal, rather than real, like St. Christopher et al in Vatican II. In the case of Valentine there is a question of which of the identified three early Christians martyrs actually deserve sainthood (which simply means that the Catholic Church knows their souls are already in Heaven, as proven by a long complicated process that is irrelevant to this little introduction).

However, one could easily suggest that our current view of Valentine's day is actually a long historic parade of co-options of which Hallmark and Zales are merely the most recent on the bandwagon. Current theory is that St. Valentine was set up to replace the Roman Lupercalia. Celebrated Feb 13-15th, Lupercalia was a fertility, purification and health festival dedicated to the Roman interpretation of the Greek god Pan (the original "horny devil" as it were). It also honored Lupa, the she-wolf who suckled the twins Romulus and Remus. Part of the festival events included young men (think cabin-fevered, adolescent males who had eaten well and drunk a lot of wine) dressed in naught but goatskin and some sacrificial blood, running around the city, and striking with thongs clusters of young women, waiting just for their arrival, all to ensure their fertility. Remnants of this festival continued through the 5th Century, but by then Valentine had also arrived and his feast day was the 14th. By no coincidence, he blessed young lovers. St. V admonished lovers to exchange tokens and it is possible that the young men began wearing their beloveds' tokens on their sleeves at this time. Or that might have come later with the rise of chivalric love, but you get the idea.

And let's talk about those tokens. The Romans were not shy about their fertility symbols, which included imagery of erect phalli entering vulvae. This oh-so-subtle image was morphed into a much more palatable one for the libido-suppressed fathers of the Catholic Church. It's everywhere this time of year: The "heart" being pierced by an "arrow." I mean really, does a "heart" look anything like the images you've seen of real animal hearts or does it look like a stylized female genitalia? Think about it -- you may never look at a Hallmark card quite the same way again!

Further, when Christianity crossed the Channel, it has been suggested that Valentine festivities combined some elements of the Celtic cross quarter celebration of the goddess Brigid known as Imbolc. Fire and light, female fertility and love are all part of Brigid's domain. (Although we also have a remnant of Imbolc in Groundhog day, but that's another story.)

To all of this I would add that February is a hard month in the Northern Hemisphere. We are weeks beyond Yule/Solstice/Hanukkah/Christmas. The sun light is returning but the snow is still falling. It's cold and the hope of spring is still mostly just that, hope. Thus is it any wonder that cultures for generations have tried to find SOMETHING to hang on to as they looked toward spring? Toward the quickening green, toward returning life -- and what is life without love?

There, having said my piece about Valentine, I would point out a favorite genre of lesbian fiction. It's lesbian romance. If as a genre, romance is "women's stories" then, in my not the least bit shy opinion, lesbian romance is the epitome of all romance. There are more writers of lesbian romance today than at any time in our cultural history. A fact to revel in! Thus, I'm taking a few moments to point out some recent titles and some old favorites (with titles linked to the full reviews). Some, I meant to review more fully, and haven't yet, nevertheless, I certainly suggest you consider them, for yourself and your girlfriend. What could be a more lasting and romantic statement? As Rayann in Karin Kallmaker's Touchwood suggests, the perfect Valentine gift is "calorie-free, wither-proof books."

MJ's box of assorted calorie-free, wither-proof books for your Valentine reading:

Some elements of Curious Wine, by Katherine V. Forrest, primarily to do with it's 1978 setting, may seem a bit dated. However, it is THE place to start to exploring lesbian romances in the last 25 yrs. This highly sensual, although not explicit, story is very romantic. Lane and Diane will steal into your heart and you might find that like me, the ticking sound that an electric heater makes will never be the same again. If you need another reason, Curious Wine is also makes a good compliment if you've recently seen the bio-pic, Milk, because these are the times.

If you like your romance liberally laced with laughter, then Saxon Bennett's Date Night Club is an excellent choice. Her best work to-date, in the opinion of this long time fan, Bennett creates a funny, charming and very human ensemble cast of lesbians, all looking for love, then carries her readers through an arc of challenge and growth with them. I laughed out loud several times, you might too. It's a delightful story.

Love's Melody Lost is Radclyffe's tribute to the classic Gothic romances with an unabashed lesbian twist and is still my favorite of her stand alone romances. Graham is a concert pianist and composer who has gone into seclusion since losing her sight ten years ago in an auto accident. A graduate student in Landscape Design, Anna is the woman in transition who embraces life and possibility of love. The music these women finally create is rich and erotic.

What could be more perfect than a romantic confection from the Queen of Lesbian Romance, Karin Kallmaker? Sugar is that yummy treat! After months of no social life Sugar Sorenson suddenly finds herself under the romantic notices of not one, but three attractive, dynamic women. She is also temporarily without a home and under deadline to enter a cook-off contest that could make or break her nascent speciality bakery. With ingredients like that classically Kallmaker witty dialog, thoughtful insights and erotic moments make Sugar is mixed to be an excellent sweet.

Landing by Emma Donoghue juggles a long-distance relationship between women who couldn't be less alike. Jude is a 25-year-old archivist and self-proclaimed Luddite from rural Ontario, Canada. Síle is a globetrotting, biracial, tech-hound, cosmopolitan woman in her 40s. Unusual happenings have their flight paths cross, develop friendship, and slowly fall in love. But a Long Distance Relationship can be a flight fraught with turbulence. Landing is a lovely contemporary romance.

Last year's Lambda award-winning romance was Out of Love, by KG MacGregor. If you haven't tasted MacGregor's writing, this is a brillant place to start. Out of Love introduces two intelligent, career-focused women who fall fast and then struggle with the long distance relationship and a range of complications, personal and professional. MacGregor's wry wit shines. You won't want to fall Out of Love.

Lambda winning romance writer Georgia Beers is one of the rising stars in the lesbian romance genresince her debut novel, Turning the Page. First released in 2000, Turning the Page is a charming romance with interesting, intelligent, funny women, a richly detailed setting, and lots of captivating chemistry. Melanie and Taylor's falling in love also marks a period in the history (or herstory) of fan-doms, as Xenite Taylor introduces Mel to the Warrior Princess and her Bard. Mel's new career choices soon have her owning a women's bookstore and as Mel's coming out process evolves there is a respectful nod to Curious Wine among the lesbian cultural references. While not as polished as Beers' more recent works, Turning the Page is still a fine Valentine treat.

From the pen of the venerable Lee Lynch is a dyke hybrid of Keillor's Lake Wobegon stories and Maupin's Tales of the City. Sweet Creek aka "the poor dyke's Palm Springs" is a small town in the Northwest where an assortment of quirky (mostly queer) characters provide insight and entertainment to each other and to readers. Some characters find love, some find themselves, and others find peace in Sweet Creek.

Okay, the truth be told, Ruth Perkinson's Piper's Someday is not really a lesbian romance story but it is a kind of love story. Piper's Someday is the heartwarming story of Piper, a young girl who survives the deaths of her parents and sibling and the neglect of her grandfather through the love of her dog, Someday, and the help of some wonderful, strong lesbian role models. This touching, funny, grounded tale of the Southland is on my list of favorite young adult titles. Perkinson's literary nods to Harper Lee's To Kill a Mockingbird are thoughtful and evocative. If you've ever had a furry friend who held a part of your heart in those liquid love puppy eyes, you'll enjoy reading Piper's story.

There you have it: A lovely box of assorted tales of lesbian love and romance for you and yours to explore for Valentine's Day. Calorie-free, wither-proof books, as good as falling in love.

Happy Valentine's Day

MJ, not your average Cupid

Fool on the Hill

Morgan Hunt
2008
$14.95, trade paperback, 190 pages
ISBN-13: 978-1593500276
Alyson Books
www.alyson.com

Morgan Hunt's second mystery, Fool on the Hill brings back Tess Camillo, a smart-mouth lesbian with a varied and colorful past. Tess is a 40-something computer nerd and breast cancer survivor. Her original love was actually mathematics, and computer programming was more palatable than accounting or teaching math. Hunt has created a strong, quirky voice in Tess. Her whimsical associations, internal musical sound-tracks, and slightly skewed world view are charmingly idiosyncratic.

Fool on the Hill opens as Tess and her housemate, Lana, attend a rock concert of Gabrielle Letheross with Cody Crowne as the opening act. Cody had been a chart topper in the 1980s but is fading in his late middle years. Lana, president of the local Cody Crowne fan club, has been waiting for years to see him in concert. Both women have a fantastic time. The next day brings a shock when his murdered body is discovered by Tess out walking in Open Space. Particularly shocking is the extremely brutal method of his murder. His teeth were removed, his finger tips were cut off, and he was crucified.

The traumatic discovery piques Tess's curiosity. Prompting her to this: "I wondered if [Lana]'d remember to separate the whites for bleaching, but didn't want to nag her. I wondered what Thomas Paine would have thought of our current electoral process. I wondered how many IQ points we lose for each hour of reality TV we watch. I wondered if I should take a personal interest in tracking down Cody's murderers. I wondered a lot of things, then helped Lana with the laundry. Even after your own personal Calvary, you need clean underwear. " (24)

Tess is assisted in her amateur sleuthing by a range of folks. Lana uses her new age touch to help question suspects and acts as look out. Tess's "husband" Roark Jurist -- they met over 20 years ago while both were struggling to survive in that closet called the US Navy, married for cover, divorced after they both left the service, and have remained friends -- now works with the "Immensely Powerful Government Spooks or IPoGS" (34) and provides Tess with an amazing array of valuable information via his connections. Kari, a detective with the SDPD whom Tess dated briefly, provides more official assistance. Hunt has created a fairly traditional mystery in that the clues are apparent to the reader as Tess finds them. The story is fast paced and fun. As secrets are uncovered, another murder occurs, bring the case even closer to home for Tess and Lana.

Tess's San Diego and its surroundings add color and character to Fool on the Hill with various locales playing roles in the plot. Carousel rides, trips to Legoland, Balboa Park, and the historic district give texture to the story, including a charming scene at the Chicken Pot Pie Shop, a San Diego landmark diner. Or as Tess describes, "The decor was Green Acres kitsch. .... A high shelf along the far wall held ceramic poultry of every sort. Rhode Island red knickknacks could be found behind the cash register; macaroni art of leghorns and bantams hung on the dinning area walls. Not exactly Martha Stewart, but with food this good, who gives a cluck?" (159)

Tess's voice is distinct and amusing, although sometimes her over-the-top metaphors are distracting. Occasionally Tess's powerful narrative voice becomes expository, not quite successfully taking the place of dialogue and action, from which some scenes might have benefited. This kind of "telling" of the story has a "thinning" effect to the novel overall. Hunt is a talented writer who has created a cast of quirky characters. Additional constructive editing could help Hunt develop a more robust mystery to better showcase her vivid characterization. She has great promise for future mysteries. This reader certainly looks forward to more of Tess.

The prime example of a metaphor that did not work, for this reader, was Tess's analogy for oral sex. "When we changed positions, her softest layers became the rink in an Olympic competition; my tongue, the skates. I played with figure eight's [sic], smooth glides, and occasional double Axels. Encouraged by her moans, I won the Gold with a triple loop." (143) Ice and blades, even attached to skates, just aren't on my mind regardless of the grace involved. If Hunt needed a sports analogy, synchronized swimming might have worked better.

Perhaps more importantly, the love scene, which was Tess's first sexual encounter since her surgery, seemed anticlimactic, as it were. Certainly the scene failed, for this reader, to resolve in a clear way the anxiety that Tess had previously expressed while anticipating the event, baring her surgery scars to a lover for the first time. It seemed a disservice to Nova's character for her not to be shown reassuring and satisfying Tess's needs. Yet Tess seems much less introspective about the relationship than she is about other aspects of her life. Since Tess's romantic life is the second most important thread to the novel, its light treatment is unsatisfying.

Overall, Fool on the Hill is fast paced, engaging and fun. The characters are interesting and compelling. Tess Camillo is a welcome addition to the cast of amateur sleuths that mystery readers can enjoy. Pick up a copy, Tess is sure to have you humming along with a world spinning round.

Landing

Emma Donoghue

Harcourt Books

www.HarcourtBooks.com

May 7, 2007

ISBN-10: 0151012970

Life is about to change for Jude Turner in Emma Donoghue's novel, Landing. The 25 year old archivist/curator of a one-room schoolhouse museum in her very small town of Ireland, Ontario, Canada, is "celebrating" New Years Eve by flying to the United Kingdom to see her mother, who has been visiting her sister, Jude's aunt. This mysterious request from Jude's aunt heralds illness and loss for Jude. Thus for the first time Jude, the self-proclaimed Luddite, is on a plane. It will be one of many firsts as an unusual incident during the flight prompts her meeting Síle O'Shaughnessy, a meeting that will have long term effects on both women. Síle is a 39-year-old flight attendant of Indo-Celtic heritage with nearly 20 years of experience in her career. A resident of Dublin, Ireland, Síle is a cosmopolitan, high-tech, and high energy lesbian whose fast-paced vagabond life suits her. She was born, after all, at 40,000 feet.

The "LDR" --long distance romance-- that slowly takes off between the two women is witty and charming, though sometimes rocked by the bad weather of miscommunication and time zones, it is carried up like the magic of flight. Themes of distance, travel, and change are woven throughout the novel as the women re-prioritize their lives with each other. Landing is a romance filled with the ache of distance and longing, and Donoghue is wonderfully skilled in her quiet little illustrations of it as when "She conjured up Jude, or rather her absence, a hot ghost for Síle to wrap her body around." (151)

The charm of love's preoccupation is reflected as Jude confesses to a friend, "Daily life becomes this sort of epic: The First Time I Saw Her Face, Our First Walk by the Lake, The First Phone Call, The Night I Stayed Up Making Anagrams of Her Name ..."

Gwen stared. "Anagrams?"

"When I can't sleep ...," admitted Jude. (159)

Donoghue reminds us that life can be messy yet interesting in this story peopled with vivid and surprising individuals struggling to deal with the limitations of their communities, families and careers. Wry observations of the practical, political and legal realities for international relationships, as well as the internal conflicts of national identity and individuality, prejudice and labels, self-worth and love, commitment and independence, are deftly charted and navigated throughout the story. For example, there's Jude's view of history and her efforts at her museum "Uncutesy, I guess," she said, after a second. "In North America we tend to Disneyfy the past into this sugar-coated nostalgia product, all bonnets and merry sleigh rides--" (24) Or Síle's friend, Jael's struggle with herself as a "hasbian" now married with a child and revealing that she's also seeing a woman, "Without it, I swear I couldn't hold it together: the house, the husband, the job, the child. Maybe I need a secret." (298)

Would that most plane flights were as pleasantly distracting, charmingly complicated, and warmly engaging as Landing. Donoghue's writing is a pleasure to read, so much so that pulling quotes, for this reviewer, became a difficult choice. Frankly, I recommend reading the whole book. Please fasten your seat belt and enjoy.

-MJ Lowe

BN: BBC Audiobooks America has produced an unabridged audio version of Landing, skillfully narrated by Laura Hicks. You might check to see if your local library has or can get a copy, it's fun to listen to as well.

ISBN: 9780792748410

Gift of Time

Robin Alexander
Intaglio Publications
9781933113821, $16.95
www.intagliopub.com

For practical, grounded, thirty-something CPA Leah Marks, time is about to become far more complicated than she ever imagined possible. A chance stop into a local antique shop introduces her to Reagan Montgomery, a woman that Leah feels very attracted to and results in her acquiring an unusual, lovely, antique snow globe. The globe is one of a pair created by a local craftsman nearly 100 years ago. No ordinary globe, it would seem, as Leah discovers that its image changes while she watches it. A tiny woman who looks very much like Reagan appears from within the elegantly wrought Victorian house in the globe. Investigation of the artifact reveals they once belonged to two women who bear a striking resemblance to Leah and Reagan.

The story takes a remarkable and fanciful turn when Leah is propelled back in time to 1907 via the globe. In 1907 Leah becomes Leanne, a young woman who is in love with Elizabeth, who looks like a younger Reagan. Returning to 2004, Leah finds herself compelled to discover all that she can about the women, who for some magical and unknown reason, appear to be herself and Reagan in another lifetime. Leah decides the only way to understand the full story is to return to 1907. When Reagan joins Leah in the past, the women find they have set in motion a complex set of events. When Elizabeth's mother discovers the young lovers in a compromising position, they both experience the horrifically violent attitude toward lesbianism at the time. The situation looks dire. Still, Leah's humor is engaging, as she recalls, "I had been clawed, dragged, slapped and choked in less than twenty-four hours. This was the most action I'd seen since I tried to put the neighbor's cat in a grocery sack as a child" (110).

Gift of Time evolves from a "simple" time-traveling romance to a complicated, layered tale with several plot twists. The women struggle to minimize the impact of their actions on the future--and still win a life together in the 21st century. As Leah observes of the early timeline, "There was no central heat, the cold chilled me to the bone, no Internet, and heaven help me, no Mountain Dew, the main staple of my diet" (110).

Alexander has given readers a charming romance with some fast-paced action. Leah's internal voice is often funny and self-effacing; the romantic interludes are sweet and sexy. The first portion of the story was not quite as engaging to this reader, however, perhaps because some of the characterization seemed unsettled and forced. Within a few chapters the characterization improves as the action picks up and the surprises unfold. The result was engrossing and enjoyable. Alexander makes observations about racism and human relationships in the South, then and now, which are thoughtful, hopeful, and earnest. The settings of historic and pre-Katrina Gulfport are carefully realized. Give yourself a Gift of Time and enjoy every minute.

-MJ Lowe

Date Night Club

Saxon Bennett
Bella Books
9781594930942 $13.95

www.bellabooks.com

Meet Chris McCoy, a charming, neurotic lesbian mail carrier living in Albuquerque, N.M., and member of a group of middle-aged lesbian friends who find themselves single, AGAIN. They decide to commit themselves to finding not just a lover-for-the-moment but a "perfect mate." Thus they form the "Date Night Club" where "Instead of letting love fall to chance, they would research it, explore all the places where it might lurk or frolic and nail it to the wall of each of their futures" (40).

The club members are an eccentric mix of women who provide a great deal of heart and humor on their "quest" for love. There is Bernadette Chevez Maestas, known as B., a high-energy and highly successful realtor with a physique akin to Dolly Parton's. Sarah K. Roswell is the pastry chef/business woman behind a well known line of creme puffs available in upscale groceries. Sarah calls herself "Midge" because as a Little Person, she feels she might as well control and embrace her identity with disarming, self affirming humor. Luce is the resident bohemian-earth-mother-artist-type who works in large scale stained glass and may still be grieving her late lover. And Amadeus, a tall, blue-eyed, red-haired German Amazon, runs The Zoo, a hip restaurant that's popular with "club members."

The group makes monthly forays dubbed "date night" that include volunteering at the local pride-fest picnic and attending a book group sponsored by the local women's bookstore. In the latter scene, Alex Taylor, the author of the month's selection, is in attendance because she hopes for feedback from readers. (Her book, titled "The Heiress," bears a striking resemblance to the story line of Bennett's book Talk Back.) Particularly amusing is the hot seat on which the author finds herself when her literary use of pickles is criticized by two very uptight feminist readers. The discussion that results is bizarre and hilarious. While no reader should assume an autobiographical origin to any novel, one can not help but wonder if Bennett is exorcising some particular experience with this wickedly funny scene. Alex Taylor's rather plaintively confused comment, "The pickle heiress was meant to be funny," (75), says it all.

Date Night Club is a very fine example of what Saxon Bennett does best: She creates a funny, charming and very human ensemble cast of lesbians, then carries her readers through an arc of challenge and growth with them. I laughed out loud several times, especially in regard to B.'s type A dominating, if well meaning, approach to orchestrating not only her own life but those of her good friends. The scene with the duct tape still gets me to smile.Dog people will love The Pipster, who makes Lassie look ill-trained, and the flyball games. Date Night Club is one of the funniest books I've read in a very long time, and is in my opinion the best of Bennett's many charming novels, in that her characters are so clearly defined and articulated from the very beginning, making the story a pleasure to follow. Give Date Night Club a try, you might not find your true love, but you're sure to enjoy the evening.

-MJ Lowe

Running with the Wind

Nell Stark
Bold Strokes Books
1933110708, $15.95
www.boldstrokesbooks.com

Sail away in Promising First Novel.

Running with the Wind is an engaging engrossing debut novel by Nell Stark. Corrie Marston, a graduate student in engineering, spends her summer teaching sailing in Rhode Island. Corrie is talented, intelligent, fit, good looking and very good at sailing--Olympic-class good. Denise Lewis was Corrie's crew for the Olympic trials. Their relationship was intense, exciting and closeted, as Denise wasn't ready to come out. Before long, Denise left Corrie for the security and validation of a heterosexual relationship with William, Corrie's brother. The siblings have always had a competitive streak but this blow created a rift between them. Since Denise and William's engagement, Corrie has shut off a great deal of her pain, anger and her capacity for love. She has "made a point to hook up with friends--not random, but no strings attached"(47).

Corrie is one of the most thoughtful and articulate depictions of a bisexual woman this reviewer can recall. As a friend of Corrie comments, "I get the feeling that gender doesn't really matter to her. That it's just another physical characteristic like body type or something"(48). Still, Corrie admits to herself that "seducing men made her feel powerful, somehow. Whereas women just felt good" (49). Some elements of Corrie's view might make readers uncomfortable. She has not dealt with the emotional scars from Denise's rejection and that has pushed Corrie into a patch of windless water where she is foundering.

Quinn Davies, an intelligent, shy, 27 year-old woman in vet school has been convinced by an old friend, Drew, to take sailing lessons this summer. Quinn's gift with animals results in her helping Corrie's dog, Frog when she has an accident. The event places the two women in more intimate surroundings than the marina. Aware of Corrie's approach to sex, Quinn, despite her attraction to Corrie, is careful. For Quinn, "The entire idea of casual sex-- even between friends--made her uncomfortable. Sex meant losing control, and losing control meant whoever you were with could really, truly see you. Not just physically because you were naked, but emotionally--and what if they didn't like what they saw? Even if they did, you could never take it back. Sex wasn't like blurting out a confession by accident that you could then pretend was a joke. It was permanent"(48). With this thoughtful self awareness, Quinn refuses Corrie's causal overtures.

When Corrie realizes that William and Denise will be sailing in the annual Regatta, she decides to court Quinn in a face-saving plan to prove that she can get a girlfriend. Despite her sexual experience, Corrie is the naive one in many ways and the leaks in this boat appear quickly as Corrie, whose observing ego is not very strong, begins to fall for Quinn. Yet the more "innocent" Quinn understands more of herself, Corrie, and the nature of love and loyalty. The two women will have to find winds of trust and love for the relationship to sail.

Appropriately, sailing is one of the characters of Running with the Wind. How Corrie, Quinn, William, and other characters approach and relate to the sport is fascinating and revealing. The race scenes, both impromptu and formal, kept this reviewer turning pages. Further, Stark uses the various characters' understanding of sailing to explain sailing elements without distracting the reader with details. Corrie's frame of reference for a great deal of life is sailing and her analogies are nautical. She understands the boats, the sails, the wind, the sea and her role as a sailor. Corrie finds solace in the power and non-judging challenge of the wind and the water.

Running with the Wind is a fast-paced read. Stark's characters are richly drawn and interesting. The dialog can be lively and wry and elicited several laughs from this reader. Like Kallmaker's All the Wrong Places, the discussions of the nature of sex, love, power, and sexuality are insightful and represent a welcome voice from the view of late-20-something characters today. Stark also captures lovely, intimate, and vivid moments such as, "Corrie remembered how smooth and soft [Denise's] eyebrows had felt as she traced them with one forefinger in the aftermath of their lovemaking" (14). The love scenes between Corrie and Quinn are erotically charged and sweet.

Running with the Wind is a wonderful debut novel which holds great promise. It's a touching romance with lively, realistic characters in an interesting setting. This reviewer looks forward to reading Stark's future stories and in the meanwhile, recommends readers pick up a copy and set sail.

-MJ Lowe

Finders Keepers

Karin Kallmaker
978-1594930720, $13.95
www.bellabooks.com

In her latest romance, Finders Keepers, Kallmaker has once again turned the genre on its ear. She has given readers a hot, romantic story that bookends two complex journeys her lovers take in order to become and find the "keepers" they desire. In the course of the lead characters' struggles Kallmaker prompts readers to seriously consider two questions at the heart of romantic love in general and the romance novel genre in particular. She asks us to consider: what is beautiful? And what makes a perfect match?

Linda Bartok and Marissa Chabot meet in a lifeboat when the cruise ship they are on sinks. The vacation is saved when they find an island. Romance blooms in the languid and lush tropical resort. Both women find in the other someone who sees parts of them that most people never notice. In Marissa's case, Linda sees not only her intelligence and wit but past the excess pounds to the strong, attractive, and desirable woman. In the Linda's case, Marissa sees beyond the highly cultivated gorgeous exterior to the strong, capable, and intelligent woman. In the physical expression of their love, they find new aspects of themselves. The sweetly romantic week is a watershed for both women and a delight for readers. When their vacation ends, Linda and Marissa each begin a struggle to better integrate their exteriors and interiors and to fulfill the potential they glimpsed via the other's eyes. Both woman will deal with their past and discover their own strength and beauty.

Linda, frequently mistaken for a popular, beautiful actress, has been running to various far-flung and out-of-the-way locales to avoid the demons of her childhood and her mother's irrational expectations for an acceptable daughter. Hiding behind what she thinks of as her façade of beauty, Linda has engaged in empty sexual encounters but no one really saw her, none of the women really touched her. At the outset of one of these meaningless encounters Linda thinks, "What piece of me do you want? You have to pick because you don't get the whole me. There is no whole me anymore." (86) Until Linda finds Marissa. Time spent with Marissa allows Linda to see that she has to face and make peace with her past in order to heal and to find a future.

A computer geek with a wry sense of humor, Marissa has hidden herself in her work, oversized clothes and the all-too-easily acquired extra pounds of a sedentary job and a lonely personal life. Falling for Linda has been a wake-up call to for Marissa to stop the spiral and reclaim her body as part of herself. Since adolescence Marissa has been hiding her sexual attractiveness behind the protection of her size. Yet Linda's impression of Marissa is that she "had a passion for living and it had shown in the way she'd attacked the cliff. It showed in the way she made love. Even in the way she enjoyed water, sand and new experiences ..." (81)

Finders Keepers is not a light read, if you'll pardon the pun. It is a complex story with many layers. Marissa's struggle with weight-loss and fitness illustrates the "get thin quick without work" claims most American weight loss companies tout. (An attractive promise Americans are all too happy to buy.) Kallmaker provides insights into evaluating programs and understanding reasonable goals without being pedantic and Marissa's hard-won success is inspiring. Readers glimpse relatively small portions of Linda's childhood and the frightful and bizarre trauma at the hand of her mother. It reminds us that monetary success is no guarantee of love, health, happiness, or sanity. Yet the roots of her mother's obsessions are a dark reflection of American views toward perfect beauty, particularly epitomized by the beauty pageant circuit.

Further, Marissa is one of the owners of "Finders Keepers" a dating service that uses computer analysis of a complex and detailed questionnaire to match hopeful singles with their perfect partner. Thus the question of what makes a good match and, perhaps most interesting, what threatens to break even the best match, is an engaging thread through the story.

Despite the heavy topics and the "anti-romance" elements, Finders Keepers is a touching, powerful, sensual romance. In her trademark style, the author has breathed life into interesting, multi-faceted characters; she handles intense issues with care and insight; and perhaps most importantly, she uses humor and wit to keep the story from being too heavy. Marissa's tendency to write "letters" that she will never send to her mother, deceased father, or Linda are charmingly wry observations and the delightful scene wherein Marissa's mother announces her acceptance of her daughter's lesbianism is one that will stay with this reader. Indeed, her success in weaving all these themes into a moving romance makes Finders Keepers one of Kallmaker's best novels. Readers should make a date with Finders Keepers. You are likely to find it is a perfect and beautiful match.

-MJ Lowe

Fun Home: A Family Tragicomic

Alison Bechdel
Houghton Mifflin
www.hmco.com
0618477942, $19.95

Fun Home: A Family Tragicomic is the latest work from the highly skilled, insightful, neurotic and wry-humored pen of Alison Bechdel, best known for her "Dykes to Watch Out For" comic strip. (One of the longest-running queer comic strips, "Dykes to Watch Out For" is over 20 years old, has been syndicated in hundreds of papers, released in over 10 books, and is available online via the author's website.) Fun Home is Bechdel's graphically rendered account of growing up in rural Pennsylvania in the 1960s and 70s with a particular focus on influences of her father's life and death.

Beginning with some of Bechdel's earliest memories of her father, readers meet a man who was an intelligent, emotionally distant yet volatile, narcissistic perfectionist who struggled with secrets. Trapped in the town not only of his youth but that of his ancestors for several generations, Bechdel's father worked in the family business, a funeral home (known in the family as the "Fun Home") established by her great-grandfather in the 19th century. In addition to his interest in local history and historic preservation, Bechdel's father was a closeted gay (or bisexual) man who had a string of affairs, primarily with younger men, throughout his life.

Divided into seven chapters, each of which deals with particular themes in her childhood, Fun Home contains a strong emphasis on literary references. Chapters weave back and forth in time, revealing aspects of Bechdel's childhood and details of her father's death. Books and literature were an important influence in Bechdel's life growing up. Her father taught English Literature at the local high school while her mother studied theater and performed in community plays. The gothic revival home the family lived in (and which her father had restored) boasted a library. At one point Bechdel admits, "I employ these [literary] allusions … not only as descriptive devices, but because my parents are most real to me in fictional terms" (66). It becomes apparent that literary discussion was one of the primary modes of communication between herself and her father.

Bechdel came out to her parents via a letter in the spring of 1980. Her declaration prompted her mother to point out to Bechdel that her father had been having affairs with men for years. Initially, this information appears to have been news to Bechdel, who reflects, "I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy" (58). This "upstaging" is revealed as a theme in Bechdel's life as childhood milestones, such as her menarche, were overshadowed by the family preoccupation with and response to her father facing charges of "contributing to the delinquency of a minor." Apparently, her father's extramarital activities added strain to the family. Her coming out was further upstaged when her father died in a questionable "accident" (it may have been suicide) just four months after her letter.

Bechdel spent years feeling shut down yet very guilty regarding her coming out and how it may have influenced her father's death. Fun Home details the results of Bechdel's intellectual and emotional processing of her father's death, and her relationship with this complex, intelligent, conflicted, and often remote man. A powerful example of her self awareness includes her admission, "[evidence that he was considering suicide months before Bechdel came out] would only confirm that his death was not my fault. That, in fact, it had nothing to do with me at all. And I'm reluctant to let go of that last, tenuous bond" (86).

Book-length graphic stories are not a mainstay of this reviewer's reading. However, Bechdel's clean, distinctive illustration style with its wry observations and amusing details is fun to read and examine, and drew this reader into her story quickly. Indeed, it's regrettable that this review can only include quotations and not excerpts of Bechdel's drawings. Several delightful and revealing images are included, such as her grandmother chasing a "piss-ant," her early identification with Wednesday Addams, the summer of the locusts, her teenaged diary entries, and several aspects of her own adolescent self-discoveries. One cannot help but identify with Bechdel. However, despite the pain and struggle Bechdel has had facing her father's life and death, the book is neither morose nor depressing. The author has found peace with herself in regard to her father, her childhood, and who she is today. As she says in the dedication (to her mother and brothers) " We did have a lot of fun, in spite of everything."

Fun Home is a wonderful graphic memoir that is engaging, heartrending, funny, and thoughtful. Readers will definitely want to stop by the Fun Home for this viewing.

-MJ Lowe

Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More

edited by Teresa Theophano
Beacon Press
www.beacon.org
0807079065 (cloth) $15.00

Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More, edited by Teresa Theophano, is a delightful collection of GLBT-related quotations. Divided into 16 topics, including "All Things Queer," "Naming Ourselves," and "Queer History," with quotes range from the touching to the bitingly funny, with some healthy stops along that way that prompt a reader to think. However, all the quotes have a positive slant. Theophano in her introduction explains that she has "avoided including sound bites from homophobes. We already know what the Trent Lotts, Jerry Falwells, and Fred Phelps of the world think of GLBT issues. …Let's be utterly, joyously, and quotably queer!" (10).

On the currently timely topic of "Love and (Gay) Marriage," Liz Langley states "Gay marriage should be legal if just to raise the standard of dancing at receptions" (29).

Political issues are the focus of "Out of the Closets, Into the Streets" with this from Barbara Grier: "It is the closet that is our sin and our shame." (81) And a chilling quote from Harvey Milk, the first openly gay elected official in the US, reads, "If a bullet should enter my brain, let that bullet destroy every closet door" (77). Milk was assassinated in 1978.

In "the Arts" there are a number of humorous entries as well as two quotes for the queer bibliophiles from Dorothy Allison and Nancy Garden, respectively:

"If I'd taken up with a gospel band or rock and roll, I'd make a whole lot more sense to my family. But to write books. …I'd come home with books and they'd stare at me like I was crazy. That was the thing most queer about me" (37).

"[Radclyffe Hall's The Well of Loneliness] became my bible. I read it and reread it over and over again. And I vowed at that point that I was going to write a gay book that ended happily, a book about my people" (40). The author of dozens of award-winning children's and teens' books, Garden wrote Annie on my Mind, originally released in 1982, a groundbreaking novel concerning love been between two high school girls.

Theophano has included a biography section for the over 270 speakers quoted. This handy appendix provides brief biographical summaries, frequently listing best known titles if the person is an author, and an explanation of their notability. This section is particularly useful given the broad range of personalities quoted -- from Sophocles and Oscar Wilde to Melissa Etheridge and Calpernia Addams. Regretfully, not all these entries include a year of birth (or death). There appeared to be a few minor errors and the reader should cross-check the biographic information if using it for more than casual reference. (For example Rita Mae Brown's groundbreaking novel, Rubyfruit Jungle, is listed as originally released in 1983 rather than 1973). This reviewer would have liked the biographical data to have included the names of some long-term relationships, especially when the partners also appear in the volume as with Kate Clinton and Urvashi Vaid.

However, these shortcomings pale compared to the value of the section. Further, the editor has provided an index to the hundreds of quotes allowing the reader to find all quotes by a particular person. These last two sections result in a collection that is valuable to researchers as well as fun for the casual reader.

A well-organized, thoughtful, and fun little book, Queer Quotes is the most comprehensive title of its kind and would be useful for libraries and others who might use quote books, as well as being a size and format that make it a charming gift book.

-MJ Lowe