Alison Bechdel
Houghton Mifflin
www.hmco.com
0618477942, $19.95
Fun Home: A Family Tragicomic is the latest work from the highly skilled, insightful, neurotic and wry-humored pen of Alison Bechdel, best known for her "Dykes to Watch Out For" comic strip. (One of the longest-running queer comic strips, "Dykes to Watch Out For" is over 20 years old, has been syndicated in hundreds of papers, released in over 10 books, and is available online via the author's website.) Fun Home is Bechdel's graphically rendered account of growing up in rural Pennsylvania in the 1960s and 70s with a particular focus on influences of her father's life and death.
Beginning with some of Bechdel's earliest memories of her father, readers meet a man who was an intelligent, emotionally distant yet volatile, narcissistic perfectionist who struggled with secrets. Trapped in the town not only of his youth but that of his ancestors for several generations, Bechdel's father worked in the family business, a funeral home (known in the family as the "Fun Home") established by her great-grandfather in the 19th century. In addition to his interest in local history and historic preservation, Bechdel's father was a closeted gay (or bisexual) man who had a string of affairs, primarily with younger men, throughout his life.
Divided into seven chapters, each of which deals with particular themes in her childhood, Fun Home contains a strong emphasis on literary references. Chapters weave back and forth in time, revealing aspects of Bechdel's childhood and details of her father's death. Books and literature were an important influence in Bechdel's life growing up. Her father taught English Literature at the local high school while her mother studied theater and performed in community plays. The gothic revival home the family lived in (and which her father had restored) boasted a library. At one point Bechdel admits, "I employ these [literary] allusions … not only as descriptive devices, but because my parents are most real to me in fictional terms" (66). It becomes apparent that literary discussion was one of the primary modes of communication between herself and her father.
Bechdel came out to her parents via a letter in the spring of 1980. Her declaration prompted her mother to point out to Bechdel that her father had been having affairs with men for years. Initially, this information appears to have been news to Bechdel, who reflects, "I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy" (58). This "upstaging" is revealed as a theme in Bechdel's life as childhood milestones, such as her menarche, were overshadowed by the family preoccupation with and response to her father facing charges of "contributing to the delinquency of a minor." Apparently, her father's extramarital activities added strain to the family. Her coming out was further upstaged when her father died in a questionable "accident" (it may have been suicide) just four months after her letter.
Bechdel spent years feeling shut down yet very guilty regarding her coming out and how it may have influenced her father's death. Fun Home details the results of Bechdel's intellectual and emotional processing of her father's death, and her relationship with this complex, intelligent, conflicted, and often remote man. A powerful example of her self awareness includes her admission, "[evidence that he was considering suicide months before Bechdel came out] would only confirm that his death was not my fault. That, in fact, it had nothing to do with me at all. And I'm reluctant to let go of that last, tenuous bond" (86).
Book-length graphic stories are not a mainstay of this reviewer's reading. However, Bechdel's clean, distinctive illustration style with its wry observations and amusing details is fun to read and examine, and drew this reader into her story quickly. Indeed, it's regrettable that this review can only include quotations and not excerpts of Bechdel's drawings. Several delightful and revealing images are included, such as her grandmother chasing a "piss-ant," her early identification with Wednesday Addams, the summer of the locusts, her teenaged diary entries, and several aspects of her own adolescent self-discoveries. One cannot help but identify with Bechdel. However, despite the pain and struggle Bechdel has had facing her father's life and death, the book is neither morose nor depressing. The author has found peace with herself in regard to her father, her childhood, and who she is today. As she says in the dedication (to her mother and brothers) " We did have a lot of fun, in spite of everything."
Fun Home is a wonderful graphic memoir that is engaging, heartrending, funny, and thoughtful. Readers will definitely want to stop by the Fun Home for this viewing.
-MJ Lowe
Thursday, July 27, 2006
Wednesday, July 19, 2006
Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More
edited by Teresa Theophano
Beacon Press
www.beacon.org
0807079065 (cloth) $15.00
Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More, edited by Teresa Theophano, is a delightful collection of GLBT-related quotations. Divided into 16 topics, including "All Things Queer," "Naming Ourselves," and "Queer History," with quotes range from the touching to the bitingly funny, with some healthy stops along that way that prompt a reader to think. However, all the quotes have a positive slant. Theophano in her introduction explains that she has "avoided including sound bites from homophobes. We already know what the Trent Lotts, Jerry Falwells, and Fred Phelps of the world think of GLBT issues. …Let's be utterly, joyously, and quotably queer!" (10).
On the currently timely topic of "Love and (Gay) Marriage," Liz Langley states "Gay marriage should be legal if just to raise the standard of dancing at receptions" (29).
Political issues are the focus of "Out of the Closets, Into the Streets" with this from Barbara Grier: "It is the closet that is our sin and our shame." (81) And a chilling quote from Harvey Milk, the first openly gay elected official in the US, reads, "If a bullet should enter my brain, let that bullet destroy every closet door" (77). Milk was assassinated in 1978.
In "the Arts" there are a number of humorous entries as well as two quotes for the queer bibliophiles from Dorothy Allison and Nancy Garden, respectively:
"If I'd taken up with a gospel band or rock and roll, I'd make a whole lot more sense to my family. But to write books. …I'd come home with books and they'd stare at me like I was crazy. That was the thing most queer about me" (37).
"[Radclyffe Hall's The Well of Loneliness] became my bible. I read it and reread it over and over again. And I vowed at that point that I was going to write a gay book that ended happily, a book about my people" (40). The author of dozens of award-winning children's and teens' books, Garden wrote Annie on my Mind, originally released in 1982, a groundbreaking novel concerning love been between two high school girls.
Theophano has included a biography section for the over 270 speakers quoted. This handy appendix provides brief biographical summaries, frequently listing best known titles if the person is an author, and an explanation of their notability. This section is particularly useful given the broad range of personalities quoted -- from Sophocles and Oscar Wilde to Melissa Etheridge and Calpernia Addams. Regretfully, not all these entries include a year of birth (or death). There appeared to be a few minor errors and the reader should cross-check the biographic information if using it for more than casual reference. (For example Rita Mae Brown's groundbreaking novel, Rubyfruit Jungle, is listed as originally released in 1983 rather than 1973). This reviewer would have liked the biographical data to have included the names of some long-term relationships, especially when the partners also appear in the volume as with Kate Clinton and Urvashi Vaid.
However, these shortcomings pale compared to the value of the section. Further, the editor has provided an index to the hundreds of quotes allowing the reader to find all quotes by a particular person. These last two sections result in a collection that is valuable to researchers as well as fun for the casual reader.
A well-organized, thoughtful, and fun little book, Queer Quotes is the most comprehensive title of its kind and would be useful for libraries and others who might use quote books, as well as being a size and format that make it a charming gift book.
-MJ Lowe
Beacon Press
www.beacon.org
0807079065 (cloth) $15.00
Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More, edited by Teresa Theophano, is a delightful collection of GLBT-related quotations. Divided into 16 topics, including "All Things Queer," "Naming Ourselves," and "Queer History," with quotes range from the touching to the bitingly funny, with some healthy stops along that way that prompt a reader to think. However, all the quotes have a positive slant. Theophano in her introduction explains that she has "avoided including sound bites from homophobes. We already know what the Trent Lotts, Jerry Falwells, and Fred Phelps of the world think of GLBT issues. …Let's be utterly, joyously, and quotably queer!" (10).
On the currently timely topic of "Love and (Gay) Marriage," Liz Langley states "Gay marriage should be legal if just to raise the standard of dancing at receptions" (29).
Political issues are the focus of "Out of the Closets, Into the Streets" with this from Barbara Grier: "It is the closet that is our sin and our shame." (81) And a chilling quote from Harvey Milk, the first openly gay elected official in the US, reads, "If a bullet should enter my brain, let that bullet destroy every closet door" (77). Milk was assassinated in 1978.
In "the Arts" there are a number of humorous entries as well as two quotes for the queer bibliophiles from Dorothy Allison and Nancy Garden, respectively:
"If I'd taken up with a gospel band or rock and roll, I'd make a whole lot more sense to my family. But to write books. …I'd come home with books and they'd stare at me like I was crazy. That was the thing most queer about me" (37).
"[Radclyffe Hall's The Well of Loneliness] became my bible. I read it and reread it over and over again. And I vowed at that point that I was going to write a gay book that ended happily, a book about my people" (40). The author of dozens of award-winning children's and teens' books, Garden wrote Annie on my Mind, originally released in 1982, a groundbreaking novel concerning love been between two high school girls.
Theophano has included a biography section for the over 270 speakers quoted. This handy appendix provides brief biographical summaries, frequently listing best known titles if the person is an author, and an explanation of their notability. This section is particularly useful given the broad range of personalities quoted -- from Sophocles and Oscar Wilde to Melissa Etheridge and Calpernia Addams. Regretfully, not all these entries include a year of birth (or death). There appeared to be a few minor errors and the reader should cross-check the biographic information if using it for more than casual reference. (For example Rita Mae Brown's groundbreaking novel, Rubyfruit Jungle, is listed as originally released in 1983 rather than 1973). This reviewer would have liked the biographical data to have included the names of some long-term relationships, especially when the partners also appear in the volume as with Kate Clinton and Urvashi Vaid.
However, these shortcomings pale compared to the value of the section. Further, the editor has provided an index to the hundreds of quotes allowing the reader to find all quotes by a particular person. These last two sections result in a collection that is valuable to researchers as well as fun for the casual reader.
A well-organized, thoughtful, and fun little book, Queer Quotes is the most comprehensive title of its kind and would be useful for libraries and others who might use quote books, as well as being a size and format that make it a charming gift book.
-MJ Lowe
Sunday, July 2, 2006
18th & Castro
Karin Kallmaker
Bella Books
www.bellabooks.com
159493066X, $13.95
Karin Kallmaker's 18th & Castro is a trick-or-treat bag filled with yummy goodies for her readers. This charmingly romantic collection of erotic short stories is set on a Halloween night in the Castro District. It opens with Suze and Amy, two baby dykes in their early 20s, who have found a building rooftop from which to watch the night's festivities. The girls serve as the framework of the book, with their story broken into three parts throughout the night. They have a perfect view of a mythical three-story apartment building across the street. All of its residents are women-loving-women and a whole lot of fun is goin' on! As the two women watch the revelers, 13 stories unfold with most relating to one of the building's residents or an apartment at 18th & Castro, hence the numbers.
New love, or at least a fine start on healthy lust, unfolds in "Borrowed Plumage 1C" when a femme, Carmen, borrows her best friend's old leathers for a costume and meets a woman who finds those leathers very inspiring. In "Please 2A" "Chosen 1B," and "From Behind you Looked Like 1D" Kallmaker allows the fates (and a few resident matchmakers) to nudge long term friendships toward a path to something more intimate.
Several of the stories include long term couples who are nurturing a romantic sex life in the midst of day-to-day logistics and life pressures. These stories range from the tentatively sweet and hot to the amusing and power charged. In the "Brand New Woman 2C," a couple are alone for the first time since their eldest child was born. Brenda spends time exploring the woman that her partner and co-parent of two children, Nancy, has become in the years they've shared.
In "Human Female Pon Farr 3B," Jax is suffering a very bad day of hormones. Her partner, Tate, sets out help scratch that itch, but events take a farcical turn when a handcuff key goes missing. That comic tone carries across the hall to handcuff key provider and artist, Jonny, and her Aria, a highly demanded and overworked surgeon. Aria is in need of some in "Down Time 3A" but the two initially find it difficult to focus with the interruptions.
In "Avast! 3C" readers are treated to a bit of Halloween role playing as Renee and Jane indulge a fantasy on the high seas. The teasing negotiation and the grounding late night snack that open and close this story puts a loving face on a highly charged scene.
Kallmaker provides a touching glimpse at how one couple strives to maintain a mutually satisfying sexual expression of their relationship despite chronic health issues. In "Nine-Inch Nails 3D," the years of communication, caring affection and heated desire between Pete and Keri allow them to cultivate new expressions for their love that are arousing and validating. In "For the Last Time 2B" Terra and Jeneen invite the latter woman's ex-lover, Claire, over for a little sex demonstration. This bittersweet three-way provides a complex lesson for all involved.
The stories in 18th & Castro interweave as various characters interact with others, several women are going to the party hosted by Neenah and Ace in1A. Some conversations are repeated from different points of view. Others merely pass one another in the hall. All of which gives the reader the impression of a complex set of happenings occurring in a relatively short period of time. All the stories are erotic and include an intensity likely to keep the reader's interest; however, the details of encounters are as varied as the women who populate the stories. Some are earthy and urgent. Others are sweet and hazy. Many are also touching and romantic.
As already suggested, Kallmaker's signature humor is sprinkled throughout the stories, but it is especially present in the setting. Halloween in the heart of San Francisco has to be one of the country's biggest, gayest party events outside of Pride, and adds outrageous color and humor. Glimpses of the costumed crowd include not only Xenas and Gabs, Vampire Slayers, Pirates, Flappers with Gangsters, and Batmans and Robins but "Diana Ross and the Supremes, the secretary of state, flaky first daughters, Ethel Merman and Sweet Potato Queens --it was all [there] in the Castro"(116). There are impromptu chorus lines of Dorothys kicking up their ruby slippers, a quartet of Veronica Lakes, and Satanic Leprechauns. (This last group is a corps of dark cloaked mysterious figures wearing prominent, green dildos and marching in cadence.)
Likewise, the characters represent a range of ages, ethnicity and self-awareness from the spectator baby dykes on the roof to the elegant older lesbians of "Please." The preternatural even makes a couple of appearances. Perhaps the collection's most touching story is "Tick Tock 2D" wherein a woman finds solace and protection in her memories of love and perhaps an eerie little something more …
Readers can depend on Kallmaker for intelligent, witty stories that are well-written and charming, and peopled with interesting characters. She gives us books that are just down-right fun to read. A "Bella After Dark" title 18th & Castro is highly-charged, accessorized erotic fun, in the same vein as her All the Wrong Places. A few quirky surprises are there as well as one or two stories that prompted this reviewer to pause and think about the nature of power and love. In 18th & Castro, readers will find the mass-market candy of their treat bags has been replaced by fine handmade truffles. Pick up a copy of this bag of goodies because there is something "good to eat" here.
-MJ Lowe
Bella Books
www.bellabooks.com
159493066X, $13.95
Karin Kallmaker's 18th & Castro is a trick-or-treat bag filled with yummy goodies for her readers. This charmingly romantic collection of erotic short stories is set on a Halloween night in the Castro District. It opens with Suze and Amy, two baby dykes in their early 20s, who have found a building rooftop from which to watch the night's festivities. The girls serve as the framework of the book, with their story broken into three parts throughout the night. They have a perfect view of a mythical three-story apartment building across the street. All of its residents are women-loving-women and a whole lot of fun is goin' on! As the two women watch the revelers, 13 stories unfold with most relating to one of the building's residents or an apartment at 18th & Castro, hence the numbers.
New love, or at least a fine start on healthy lust, unfolds in "Borrowed Plumage 1C" when a femme, Carmen, borrows her best friend's old leathers for a costume and meets a woman who finds those leathers very inspiring. In "Please 2A" "Chosen 1B," and "From Behind you Looked Like 1D" Kallmaker allows the fates (and a few resident matchmakers) to nudge long term friendships toward a path to something more intimate.
Several of the stories include long term couples who are nurturing a romantic sex life in the midst of day-to-day logistics and life pressures. These stories range from the tentatively sweet and hot to the amusing and power charged. In the "Brand New Woman 2C," a couple are alone for the first time since their eldest child was born. Brenda spends time exploring the woman that her partner and co-parent of two children, Nancy, has become in the years they've shared.
In "Human Female Pon Farr 3B," Jax is suffering a very bad day of hormones. Her partner, Tate, sets out help scratch that itch, but events take a farcical turn when a handcuff key goes missing. That comic tone carries across the hall to handcuff key provider and artist, Jonny, and her Aria, a highly demanded and overworked surgeon. Aria is in need of some in "Down Time 3A" but the two initially find it difficult to focus with the interruptions.
In "Avast! 3C" readers are treated to a bit of Halloween role playing as Renee and Jane indulge a fantasy on the high seas. The teasing negotiation and the grounding late night snack that open and close this story puts a loving face on a highly charged scene.
Kallmaker provides a touching glimpse at how one couple strives to maintain a mutually satisfying sexual expression of their relationship despite chronic health issues. In "Nine-Inch Nails 3D," the years of communication, caring affection and heated desire between Pete and Keri allow them to cultivate new expressions for their love that are arousing and validating. In "For the Last Time 2B" Terra and Jeneen invite the latter woman's ex-lover, Claire, over for a little sex demonstration. This bittersweet three-way provides a complex lesson for all involved.
The stories in 18th & Castro interweave as various characters interact with others, several women are going to the party hosted by Neenah and Ace in1A. Some conversations are repeated from different points of view. Others merely pass one another in the hall. All of which gives the reader the impression of a complex set of happenings occurring in a relatively short period of time. All the stories are erotic and include an intensity likely to keep the reader's interest; however, the details of encounters are as varied as the women who populate the stories. Some are earthy and urgent. Others are sweet and hazy. Many are also touching and romantic.
As already suggested, Kallmaker's signature humor is sprinkled throughout the stories, but it is especially present in the setting. Halloween in the heart of San Francisco has to be one of the country's biggest, gayest party events outside of Pride, and adds outrageous color and humor. Glimpses of the costumed crowd include not only Xenas and Gabs, Vampire Slayers, Pirates, Flappers with Gangsters, and Batmans and Robins but "Diana Ross and the Supremes, the secretary of state, flaky first daughters, Ethel Merman and Sweet Potato Queens --it was all [there] in the Castro"(116). There are impromptu chorus lines of Dorothys kicking up their ruby slippers, a quartet of Veronica Lakes, and Satanic Leprechauns. (This last group is a corps of dark cloaked mysterious figures wearing prominent, green dildos and marching in cadence.)
Likewise, the characters represent a range of ages, ethnicity and self-awareness from the spectator baby dykes on the roof to the elegant older lesbians of "Please." The preternatural even makes a couple of appearances. Perhaps the collection's most touching story is "Tick Tock 2D" wherein a woman finds solace and protection in her memories of love and perhaps an eerie little something more …
Readers can depend on Kallmaker for intelligent, witty stories that are well-written and charming, and peopled with interesting characters. She gives us books that are just down-right fun to read. A "Bella After Dark" title 18th & Castro is highly-charged, accessorized erotic fun, in the same vein as her All the Wrong Places. A few quirky surprises are there as well as one or two stories that prompted this reviewer to pause and think about the nature of power and love. In 18th & Castro, readers will find the mass-market candy of their treat bags has been replaced by fine handmade truffles. Pick up a copy of this bag of goodies because there is something "good to eat" here.
-MJ Lowe
Friday, June 23, 2006
Back Talk
Saxon Bennett
Bella Books
www.bellabooks.com
1594930287, $13.95
"WKRP" comes out with some queerly quirky fun!
Intelligent, witty, and classy -- not to mention beautiful -- Anne Counterman, a successful talk show host in Seattle, is facing her 40th birthday with trepidation. Over a year ago, her husband Gerald left her for a man, an event that still hurts and haunts her. Further and more currently troublesome, Anne has become bored with her radio work. In an effort to improve her show and rekindle her own interest in work, Anne finds a new web wizard to revamp her website. Enter Hilton Withers.
Hilton Withers is also at a turning point. Reared by her grandmother after the death of her mother when she was six, Hilton is "Senator Percy Withers' estranged lesbian … daughter." (15) For the last few years Hilton has been trying to decide what she'll do with her life. Her grandmother's death has made her heiress to a pickle company fortune and she has fulfilled the estate requirement that she graduate college. Currently Hilton lives in a small garden cottage behind the Victorian house she shared with her grandmother. She moved there because of the perpetual parties hosted by her two roommates and her girlfriend, Nat.
Natalie was Hilton's first love, but it is a rocky, complicated, and increasingly disconnected relationship. In truth it's time they broke up but confronting issues is not Hilton's best skill. However, at the radio station Hilton finds that she enjoys her work, begins to think of herself as more accomplished and "adult" and finds that she cares about her coworkers, one in particular.
Add to this possible romance a group of quirky characters like: Veronica, the control freak show's producer who, it turns out, could give Martha Stewart a run for her homemaker money and is a "fourth-generation lesbian" (143); Lillian, the show's septuagenarian, hard-of-hearing, call-screener; Hilton's lesbian roommates, Jessie the "irresponsible" one who is looking for her future; and Liz the grad student who is dating a woman who carries around a teddy bear named Amelia Bearhart; and Shannon, Hilton's Great Pyrenees dog, who accompanies her everywhere and is remarkably clear at expressing her opinions. (She's been known to pee on people who are upsetting Hilton.)
Back Talk is an example of what Saxon Bennett does best; She gives readers a fast-paced, funny novel that is delightful to read. She creates the lesbian-centered sit-com that you WISH were on TV, a queer WKRP if you will. Her characterization, especially early in the story, is a little weak and can make differentiating some women confusing. However, the dialogue is quick and witty. The situations range from the outrageous and bawdy -- as when Shannon acquires a large purple silicon pleasure item as a chew toy -- to the touching -- as Amelia Bearhart gets lost (of course), found, and a woman grows as a result. Add a charming romance with some satisfyingly heated exchanges and you too will want to tune in to Back Talk.
-MJ Lowe
Bella Books
www.bellabooks.com
1594930287, $13.95
"WKRP" comes out with some queerly quirky fun!
Intelligent, witty, and classy -- not to mention beautiful -- Anne Counterman, a successful talk show host in Seattle, is facing her 40th birthday with trepidation. Over a year ago, her husband Gerald left her for a man, an event that still hurts and haunts her. Further and more currently troublesome, Anne has become bored with her radio work. In an effort to improve her show and rekindle her own interest in work, Anne finds a new web wizard to revamp her website. Enter Hilton Withers.
Hilton Withers is also at a turning point. Reared by her grandmother after the death of her mother when she was six, Hilton is "Senator Percy Withers' estranged lesbian … daughter." (15) For the last few years Hilton has been trying to decide what she'll do with her life. Her grandmother's death has made her heiress to a pickle company fortune and she has fulfilled the estate requirement that she graduate college. Currently Hilton lives in a small garden cottage behind the Victorian house she shared with her grandmother. She moved there because of the perpetual parties hosted by her two roommates and her girlfriend, Nat.
Natalie was Hilton's first love, but it is a rocky, complicated, and increasingly disconnected relationship. In truth it's time they broke up but confronting issues is not Hilton's best skill. However, at the radio station Hilton finds that she enjoys her work, begins to think of herself as more accomplished and "adult" and finds that she cares about her coworkers, one in particular.
Add to this possible romance a group of quirky characters like: Veronica, the control freak show's producer who, it turns out, could give Martha Stewart a run for her homemaker money and is a "fourth-generation lesbian" (143); Lillian, the show's septuagenarian, hard-of-hearing, call-screener; Hilton's lesbian roommates, Jessie the "irresponsible" one who is looking for her future; and Liz the grad student who is dating a woman who carries around a teddy bear named Amelia Bearhart; and Shannon, Hilton's Great Pyrenees dog, who accompanies her everywhere and is remarkably clear at expressing her opinions. (She's been known to pee on people who are upsetting Hilton.)
Back Talk is an example of what Saxon Bennett does best; She gives readers a fast-paced, funny novel that is delightful to read. She creates the lesbian-centered sit-com that you WISH were on TV, a queer WKRP if you will. Her characterization, especially early in the story, is a little weak and can make differentiating some women confusing. However, the dialogue is quick and witty. The situations range from the outrageous and bawdy -- as when Shannon acquires a large purple silicon pleasure item as a chew toy -- to the touching -- as Amelia Bearhart gets lost (of course), found, and a woman grows as a result. Add a charming romance with some satisfyingly heated exchanges and you too will want to tune in to Back Talk.
-MJ Lowe
Saturday, May 27, 2006
Dark Dreamer
Jennifer Fulton
Yellow Rose Books
http://www.regalcrest.biz/
1932300465, $16.95
Rowe Devlin is a best selling horror novelist and attractive butch who has hit a rough patch in her life. She's recently moved from the Manhattan scene to make a break from a fruitless relationship in the hope that she will be able to meet her next deadline. The move is not going well. Or, as she claims, she is "a washed up writer living in a haunted house in Maine in the middle of winter. She now had exchanged a hopeless passion for someone's wife for a doomed crush on her neighbors. Plural. And instead of finishing the piece of crap novel her agent was hounding her for, she was on some wild ghost chase with two young males who thought the government was spying on them." (68). Needless to say, this is not a high point in her career.
The neighbors in question, Phoebe and Cara Temple are identical twins and unusual women in their own right. Orphaned at age seven and reared by their grandmother, the Temple twins have a highly symbiotic relationship. Cara is the grounded, no-nonsense woman who works in the music industry. Phoebe is a more ethereal of the sisters. A few years ago Phoebe was in a car accident that left her in a coma. After she woke, she began having compelling dreams of women who had met with violent deaths. These women talked to Phoebe, asked her to send their love to their parents or spouses, and told her where to find their bodies. Recently Phoebe has begun using these communications to assist the FBI in tracking down serial killers.
Meanwhile Rowe's dogs will not enter her kitchen and the knives have a nasty habit of refusing to stay in their drawers. The writer begins to research former inhabitants of the house and in the process finds a tragic story with a possible connection with the Temple sisters. This revelation prompts more interactions with her neighbors and an offer to help with the ghost from Phoebe.
When the attraction between Phoebe and Rowe heats up, Cara becomes jealous, angry and conflicted. She'd been interested in Rowe herself and dreads what she sees as Phoebe's inevitable disenchantment with Rowe. -- Phoebe has a history of falling in love and failing to end relationships when she was ready to leave. More than once, Phoebe has convinced Cara to impersonate Phoebe for the needed break up. -- Venting about the relationship with Rowe, Cara decides "she'd been Phoebe's minder and interface with the world for twenty years. Twenty years! Enough was enough. She wanted a life of her own. Let Phoebe find out the hard way that the world was not her oyster just because she was sweet and sensitive and beautiful. In fact, the world chewed up women like her and spat them out. And let Rowe find out that Phoebe didn't just have issues, she had a subscription." (133)
However, other elements of Homeland Security discover that Phoebe's gift is "the real deal" and the plot takes an ominous turn. Fast-paced with an engaging and suspenseful mix of spooky -- the supernatural and the political variety -- happenings, Dark Dreamer is peopled with intelligent, witty, complex characters. The romance between Rowe and Phoebe is sweet with some fine lusty moments. Dark Dreamer is a highly enjoyable story that lives up to its series title of "A Heartstoppers Thriller Romance." This reviewer hopefully foretells that there could be future stories featuring Rowe and the Temple sisters and would look forward to them.
-MJ Lowe
BN: Dark Dreamer was re-released by Bold Strokes Books www.boldstrokesbooks.com in May 2007, ISBN 978-1933110745 , $15.95 as "A Dark Vista Paranormal Romance."
Yellow Rose Books
http://www.regalcrest.biz/
1932300465, $16.95
Rowe Devlin is a best selling horror novelist and attractive butch who has hit a rough patch in her life. She's recently moved from the Manhattan scene to make a break from a fruitless relationship in the hope that she will be able to meet her next deadline. The move is not going well. Or, as she claims, she is "a washed up writer living in a haunted house in Maine in the middle of winter. She now had exchanged a hopeless passion for someone's wife for a doomed crush on her neighbors. Plural. And instead of finishing the piece of crap novel her agent was hounding her for, she was on some wild ghost chase with two young males who thought the government was spying on them." (68). Needless to say, this is not a high point in her career.
The neighbors in question, Phoebe and Cara Temple are identical twins and unusual women in their own right. Orphaned at age seven and reared by their grandmother, the Temple twins have a highly symbiotic relationship. Cara is the grounded, no-nonsense woman who works in the music industry. Phoebe is a more ethereal of the sisters. A few years ago Phoebe was in a car accident that left her in a coma. After she woke, she began having compelling dreams of women who had met with violent deaths. These women talked to Phoebe, asked her to send their love to their parents or spouses, and told her where to find their bodies. Recently Phoebe has begun using these communications to assist the FBI in tracking down serial killers.
Meanwhile Rowe's dogs will not enter her kitchen and the knives have a nasty habit of refusing to stay in their drawers. The writer begins to research former inhabitants of the house and in the process finds a tragic story with a possible connection with the Temple sisters. This revelation prompts more interactions with her neighbors and an offer to help with the ghost from Phoebe.
When the attraction between Phoebe and Rowe heats up, Cara becomes jealous, angry and conflicted. She'd been interested in Rowe herself and dreads what she sees as Phoebe's inevitable disenchantment with Rowe. -- Phoebe has a history of falling in love and failing to end relationships when she was ready to leave. More than once, Phoebe has convinced Cara to impersonate Phoebe for the needed break up. -- Venting about the relationship with Rowe, Cara decides "she'd been Phoebe's minder and interface with the world for twenty years. Twenty years! Enough was enough. She wanted a life of her own. Let Phoebe find out the hard way that the world was not her oyster just because she was sweet and sensitive and beautiful. In fact, the world chewed up women like her and spat them out. And let Rowe find out that Phoebe didn't just have issues, she had a subscription." (133)
However, other elements of Homeland Security discover that Phoebe's gift is "the real deal" and the plot takes an ominous turn. Fast-paced with an engaging and suspenseful mix of spooky -- the supernatural and the political variety -- happenings, Dark Dreamer is peopled with intelligent, witty, complex characters. The romance between Rowe and Phoebe is sweet with some fine lusty moments. Dark Dreamer is a highly enjoyable story that lives up to its series title of "A Heartstoppers Thriller Romance." This reviewer hopefully foretells that there could be future stories featuring Rowe and the Temple sisters and would look forward to them.
-MJ Lowe
BN: Dark Dreamer was re-released by Bold Strokes Books www.boldstrokesbooks.com in May 2007, ISBN 978-1933110745 , $15.95 as "A Dark Vista Paranormal Romance."
Thursday, May 25, 2006
Sweet Creek
Lee Lynch
Bold Strokes Books
www.boldstrokesbooks.com
1933110295, $15.95
Drop a line in the waters of Sweet Creek! From the pen of the venerable lesbian author Lee Lynch comes a novel set in the small rural community of Waterfall Falls, Oregon, at the turn of the millennium and populated by an amusingly high volume of lesbians. One character suggests an inverted energy draws women to the community.
"A dyke vortex. I like it." Chick made a mental note to suggest it to the sheriff, a native who was completely baffled, and not particularly pleased, at the disproportionate numbers of lesbians in Elk County
.... [Jeep responds] "Cool beans! I moved to the poor dyke's Palm Springs."
"Yeah," added Donny. "We don't golf, we fish." (60)
The heart of the area's queer community rests in Natural Woman Foods, a small organic general store and cafe run by ex-hippie, earth-mother dyke, Chick, and her tough but mellowing, working-class, former player, butch partner Donny. Together nearly a decade, the two are struggling with the changes of advancing crone-hood. Chick has a family history of mental illness and worries her current struggle with depression might be symptomatic of something worse. Meanwhile men from their pasts are stirring trouble for both women.
If Natural Woman Foods is the heart of the community, Chick is its reigning queen, er, "femme in charge." (34) She looks after several women in this role, and has many amused, often indulgently affectionate observations about butches, the butch/femme dance in general, and the changes she's seen in community politics (gay and straight).
Up and coming television reporter, Katie, with her flame of the moment, Jeep, arrives looking for something new for her life. She finds herself quickly enamored with the leader of the women's land, a fierce, enigmatic woman named Rattlesnake, or R for short. Katie consequently develops an interest in documenting the struggles the local separatist commune has with the traditional logging industry.
Soon, Jeep, (a melding of "G. P." for Gina Pauline) who appeared in Waterfall Falls sporting a city-styled buzz haircut and a restless attitude, finds herself nursing a broken heart, looking for a new place to live, scrambling to make a living, and trying to sort out what she wants to do with her life. Jeep's coming of age is one of the themes of Sweet Creek and several of the story threads depict transitional life periods.
As is frequently the case with small communities, everyone seems to know everyone else's business. Still, a few surprises arise over the course of the book. Lynch portrays this ensemble cast of charming and interesting characters with humor and insight. Sweet Creek originally appeared as a series of short-short stories in Girlfriends Magazine and the brief episodic structure has been retained in the chapters. This allows for bite-sized consumption of the various storylines that struck this reader as a dyke hybrid of Keillor's Lake Wobegon stories and Maupin's Tales of the City series. While this format makes for easy episodic reading, it sometimes results in meandering plotlines that might distract some readers and could have benefited from some tighter editing. Nevertheless, Sweet Creek is filled with engaging life stories and charming snapshots of the locale. Fans of Lynch are bound to enjoy Sweet Creek, and hopefully new readers will discover her work as well.
-MJ Lowe
Bold Strokes Books
www.boldstrokesbooks.com
1933110295, $15.95
Drop a line in the waters of Sweet Creek! From the pen of the venerable lesbian author Lee Lynch comes a novel set in the small rural community of Waterfall Falls, Oregon, at the turn of the millennium and populated by an amusingly high volume of lesbians. One character suggests an inverted energy draws women to the community.
"A dyke vortex. I like it." Chick made a mental note to suggest it to the sheriff, a native who was completely baffled, and not particularly pleased, at the disproportionate numbers of lesbians in Elk County
.... [Jeep responds] "Cool beans! I moved to the poor dyke's Palm Springs."
"Yeah," added Donny. "We don't golf, we fish." (60)
The heart of the area's queer community rests in Natural Woman Foods, a small organic general store and cafe run by ex-hippie, earth-mother dyke, Chick, and her tough but mellowing, working-class, former player, butch partner Donny. Together nearly a decade, the two are struggling with the changes of advancing crone-hood. Chick has a family history of mental illness and worries her current struggle with depression might be symptomatic of something worse. Meanwhile men from their pasts are stirring trouble for both women.
If Natural Woman Foods is the heart of the community, Chick is its reigning queen, er, "femme in charge." (34) She looks after several women in this role, and has many amused, often indulgently affectionate observations about butches, the butch/femme dance in general, and the changes she's seen in community politics (gay and straight).
Up and coming television reporter, Katie, with her flame of the moment, Jeep, arrives looking for something new for her life. She finds herself quickly enamored with the leader of the women's land, a fierce, enigmatic woman named Rattlesnake, or R for short. Katie consequently develops an interest in documenting the struggles the local separatist commune has with the traditional logging industry.
Soon, Jeep, (a melding of "G. P." for Gina Pauline) who appeared in Waterfall Falls sporting a city-styled buzz haircut and a restless attitude, finds herself nursing a broken heart, looking for a new place to live, scrambling to make a living, and trying to sort out what she wants to do with her life. Jeep's coming of age is one of the themes of Sweet Creek and several of the story threads depict transitional life periods.
As is frequently the case with small communities, everyone seems to know everyone else's business. Still, a few surprises arise over the course of the book. Lynch portrays this ensemble cast of charming and interesting characters with humor and insight. Sweet Creek originally appeared as a series of short-short stories in Girlfriends Magazine and the brief episodic structure has been retained in the chapters. This allows for bite-sized consumption of the various storylines that struck this reader as a dyke hybrid of Keillor's Lake Wobegon stories and Maupin's Tales of the City series. While this format makes for easy episodic reading, it sometimes results in meandering plotlines that might distract some readers and could have benefited from some tighter editing. Nevertheless, Sweet Creek is filled with engaging life stories and charming snapshots of the locale. Fans of Lynch are bound to enjoy Sweet Creek, and hopefully new readers will discover her work as well.
-MJ Lowe
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