MJ's Bookshelf

Tats

2011-08-07T17:23:00.012-06:00

Layce Gardner
ISBN 9781594932472
Bella Books / Bella Attitude
June 2011
$14.95

Lee Hammond is a little bit lost. She’s just been dumped by girlfriend, Ginger, a stripper whose amorous attention has been wandering. Lee decides to take a last joy ride on Ginger’s Harley and finds herself looking for shelter from a sudden thunderstorm in a cemetery near a funeral in progress. Lee ends up giving a ride to funeral attendee Vivian Baxter. Vivian was a cheerleader from Lee’s high school class. Not just a cheerleader but THE cheerleader from Lee’s high school years and related adolescent fantasies. That is the beginning of a new chapter to the road trip genre.

Tats is often laugh-out-loud funny—as when Vivian decides to treat Lee to the “full monty” wax at a day spa -- and sometimes charmingly silly – as when the duo decide to “camp” overnight inside a Wal-Mart. Vivian, it turns out, is on the run from an English mafia don and they turn in odd circles trying to avoid “Prince Charles.” Among those turns is a visit to a spa, their high school’s homecoming dance and more than a couple motels and hotels along the way. Indeed their great road trip goes a lot of places and raucous hilarity ensues yet they never seem to get very far. Both Vivian and Lee are flawed and vivid characters struggling to survive and often avoiding their pain with the next opportunity to numb.

Tats is the one of the first novels released under Bella Books’ new Bella Attitude line. And while not necessarily as erotic as the Bella After Dark line, Tats does have a little more “attitude” than the average Bella title and the humor and bold bawdiness might push boundaries for some readers. For example, “I have this weird thing where I nickname women’s tits after famous couples in history.” p13 or at the spa as Lee muses regarding her wax job offer of a triangle or heart, “That’s why they call it a bush, I guess. Because just like a bush, you can trim it into cute little shapes.” So Lee asks for a teddy bear. p84

Initially Lee seems just to be along for an unknown, unplanned and outlandish road trip with that fantasy of a cheerleader. Yet Tats is really Lee’s journey. A tall, butch, tattooed woman with a nightmare childhood who loves motorcycles and can fix most things mechanical, Lee has a quirky sense of humor -- at one point covering a sleeping Vivian with little smiley faces stickers from Wal-Mart -- and writes daily in her journal. Lee is also filled with pain. It is her confrontation of her past that grounds the novel as more than a romping road trip. Lee confronts abuse, trauma and survival and along the way, she finds her own path to healing, growth, family and freedom.

The debut novel by veteran screen writer, Layce Gardner, Tats takes the iconic buddy road trip story to a new place. For one thing, the heroes don’t die at the end! And hopefully, we’ll be hearing more from Lee and Vivian as well as Ms. Gardner. In the meanwhile, move over Thelma & Louise and step aside Butch & Sundance. There’s a new trip in town and it’s over the edge funny, gun blazing fast-paced and well worth the read.

-MJ Lowe

Calorie-free, Wither-proof Books for Valentine's Day

2009-02-05T10:58:00.020-07:00

Recently I've read some "clever, cynical" comments by folks who assume that Valentine's Day is a "commercial, materialistic, manufactured, unrealistic view of romance." I understand some of the sentiment. It can be argued that equating being alone with not being romantic, and lack of diamonds and roses making one a bad partner is simple commercialism. However, the idea of seeking to validate both the hormonal desire for intimacy (which drives us all on some level, regardless of how we express it) and to invest in the hope of spring is not exactly an invention of Hallmark. I'm old enough (just barely, thank you) to remember that Valentine's Day used to be "St. Valentine's Day" before the Catholic church cleaned out saints they considered apocryphal, rather than real, like St. Christopher et al in Vatican II. In the case of Valentine there is a question of which of the identified three early Christians martyrs actually deserve sainthood (which simply means that the Catholic Church knows their souls are already in Heaven, as proven by a long complicated process that is irrelevant to this little introduction).

However, one could easily suggest that our current view of Valentine's day is actually a long historic parade of co-options of which Hallmark and Zales are merely the most recent on the bandwagon. Current theory is that St. Valentine was set up to replace the Roman Lupercalia. Celebrated Feb 13-15th, Lupercalia was a fertility, purification and health festival dedicated to the Roman interpretation of the Greek god Pan (the original "horny devil" as it were). It also honored Lupa, the she-wolf who suckled the twins Romulus and Remus. Part of the festival events included young men (think cabin-fevered, adolescent males who had eaten well and drunk a lot of wine) dressed in naught but goatskin and some sacrificial blood, running around the city, and striking with thongs clusters of young women, waiting just for their arrival, all to ensure their fertility. Remnants of this festival continued through the 5th Century, but by then Valentine had also arrived and his feast day was the 14th. By no coincidence, he blessed young lovers. St. V admonished lovers to exchange tokens and it is possible that the young men began wearing their beloveds' tokens on their sleeves at this time. Or that might have come later with the rise of chivalric love, but you get the idea.

And let's talk about those tokens. The Romans were not shy about their fertility symbols, which included imagery of erect phalli entering vulvae. This oh-so-subtle image was morphed into a much more palatable one for the libido-suppressed fathers of the Catholic Church. It's everywhere this time of year: The "heart" being pierced by an "arrow." I mean really, does a "heart" look anything like the images you've seen of real animal hearts or does it look like a stylized female genitalia? Think about it -- you may never look at a Hallmark card quite the same way again!

Further, when Christianity crossed the Channel, it has been suggested that Valentine festivities combined some elements of the Celtic cross quarter celebration of the goddess Brigid known as Imbolc. Fire and light, female fertility and love are all part of Brigid's domain. (Although we also have a remnant of Imbolc in Groundhog day, but that's another story.)

To all of this I would add that February is a hard month in the Northern Hemisphere. We are weeks beyond Yule/Solstice/Hanukkah/Christmas. The sun light is returning but the snow is still falling. It's cold and the hope of spring is still mostly just that, hope. Thus is it any wonder that cultures for generations have tried to find SOMETHING to hang on to as they looked toward spring? Toward the quickening green, toward returning life -- and what is life without love?

There, having said my piece about Valentine, I would point out a favorite genre of lesbian fiction. It's lesbian romance. If as a genre, romance is "women's stories" then, in my not the least bit shy opinion, lesbian romance is the epitome of all romance. There are more writers of lesbian romance today than at any time in our cultural history. A fact to revel in! Thus, I'm taking a few moments to point out some recent titles and some old favorites (with titles linked to the full reviews). Some, I meant to review more fully, and haven't yet, nevertheless, I certainly suggest you consider them, for yourself and your girlfriend. What could be a more lasting and romantic statement? As Rayann in Karin Kallmaker's Touchwood suggests, the perfect Valentine gift is "calorie-free, wither-proof books."

MJ's box of assorted calorie-free, wither-proof books for your Valentine reading:

Some elements of Curious Wine, by Katherine V. Forrest, primarily to do with it's 1978 setting, may seem a bit dated. However, it is THE place to start to exploring lesbian romances in the last 25 yrs. This highly sensual, although not explicit, story is very romantic. Lane and Diane will steal into your heart and you might find that like me, the ticking sound that an electric heater makes will never be the same again. If you need another reason, Curious Wine is also makes a good compliment if you've recently seen the bio-pic, Milk, because these are the times.

If you like your romance liberally laced with laughter, then Saxon Bennett's Date Night Club is an excellent choice. Her best work to-date, in the opinion of this long time fan, Bennett creates a funny, charming and very human ensemble cast of lesbians, all looking for love, then carries her readers through an arc of challenge and growth with them. I laughed out loud several times, you might too. It's a delightful story.

Love's Melody Lost is Radclyffe's tribute to the classic Gothic romances with an unabashed lesbian twist and is still my favorite of her stand alone romances. Graham is a concert pianist and composer who has gone into seclusion since losing her sight ten years ago in an auto accident. A graduate student in Landscape Design, Anna is the woman in transition who embraces life and possibility of love. The music these women finally create is rich and erotic.

What could be more perfect than a romantic confection from the Queen of Lesbian Romance, Karin Kallmaker? Sugar is that yummy treat! After months of no social life Sugar Sorenson suddenly finds herself under the romantic notices of not one, but three attractive, dynamic women. She is also temporarily without a home and under deadline to enter a cook-off contest that could make or break her nascent speciality bakery. With ingredients like that classically Kallmaker witty dialog, thoughtful insights and erotic moments make Sugar is mixed to be an excellent sweet.

Landing by Emma Donoghue juggles a long-distance relationship between women who couldn't be less alike. Jude is a 25-year-old archivist and self-proclaimed Luddite from rural Ontario, Canada. Síle is a globetrotting, biracial, tech-hound, cosmopolitan woman in her 40s. Unusual happenings have their flight paths cross, develop friendship, and slowly fall in love. But a Long Distance Relationship can be a flight fraught with turbulence. Landing is a lovely contemporary romance.

Last year's Lambda award-winning romance was Out of Love, by KG MacGregor. If you haven't tasted MacGregor's writing, this is a brillant place to start. Out of Love introduces two intelligent, career-focused women who fall fast and then struggle with the long distance relationship and a range of complications, personal and professional. MacGregor's wry wit shines. You won't want to fall Out of Love.

Lambda winning romance writer Georgia Beers is one of the rising stars in the lesbian romance genresince her debut novel, Turning the Page. First released in 2000, Turning the Page is a charming romance with interesting, intelligent, funny women, a richly detailed setting, and lots of captivating chemistry. Melanie and Taylor's falling in love also marks a period in the history (or herstory) of fan-doms, as Xenite Taylor introduces Mel to the Warrior Princess and her Bard. Mel's new career choices soon have her owning a women's bookstore and as Mel's coming out process evolves there is a respectful nod to Curious Wine among the lesbian cultural references. While not as polished as Beers' more recent works, Turning the Page is still a fine Valentine treat.

From the pen of the venerable Lee Lynch is a dyke hybrid of Keillor's Lake Wobegon stories and Maupin's Tales of the City. Sweet Creek aka "the poor dyke's Palm Springs" is a small town in the Northwest where an assortment of quirky (mostly queer) characters provide insight and entertainment to each other and to readers. Some characters find love, some find themselves, and others find peace in Sweet Creek.

Okay, the truth be told, Ruth Perkinson's Piper's Someday is not really a lesbian romance story but it is a kind of love story. Piper's Someday is the heartwarming story of Piper, a young girl who survives the deaths of her parents and sibling and the neglect of her grandfather through the love of her dog, Someday, and the help of some wonderful, strong lesbian role models. This touching, funny, grounded tale of the Southland is on my list of favorite young adult titles. Perkinson's literary nods to Harper Lee's To Kill a Mockingbird are thoughtful and evocative. If you've ever had a furry friend who held a part of your heart in those liquid love puppy eyes, you'll enjoy reading Piper's story.

There you have it: A lovely box of assorted tales of lesbian love and romance for you and yours to explore for Valentine's Day. Calorie-free, wither-proof books, as good as falling in love.

Happy Valentine's Day

MJ, not your average Cupid

Add a touch of lavender with your orange and black

2008-10-11T23:30:00.018-06:00

It's October and perhaps you, like myself, enjoy some seasonal stories that also feature lesbians. Add a little touch of lavender with your orange and black, if you will. Here is a list of some of my favorite otherworldly stories featuring lesbians. Not a list for fans of serious horror stories, many of these books are more lesbian fantasy romance with a supernatural twist. The short story anthologies are more mixed both with gay men as well as lesbians and by degree from little spooky to downright horror. For the most part these lavender pumpkins fall into three broad themes: Stories featuring goddess-worshipping women, stories with preternatural creatures, and stories haunted by ghosts. Then a few anthologies that mix these elements. Over all, it’s a kind of “Caldrons and Critters and Haints, Oh My!” collection.

Caldrons
There are a number of stories that make reference to witches, especially in regard to Wicca/Pagan traditions. Laura Adams (a pen name for Karin Kallmaker aka "the Queen of Lesbian Romance") has some wonderful "witchy" romances. Foremost are the first two titles in her "Tunnel of Light Trilogy." The hauntingly powerful story of Ursula and Autumn touches on Goddess worship of the pre-Christian era, its survival in generations since the fall of Rome. Kallmaker weaves a haunting cycle of magic and reincarnation beginning with Sleight of Hand and followed by Seeds of Fire. Powerful, mythic and erotic, we are still waiting for the conclusion. The finale, "Forge of Virgins" has yet to be released. However, in 2008, Kallmaker released an edited and expanded version of Christabel, her retelling of the Samuel Taylor Coleridge poem, which weaves historic and contemporary lives together with two very touching love stories. This title is well worth a Halloween purchase.

Jean Stewart's Isis Series begins with Return to Isis and is set in a futurist, post-pandemic world. Several of the women of Freeland have worked to develop their psychic gifts and many self identify as witches or wiccan. Stewart's characters are three dimensional and engaging, her plots will have you on the edge of your seat. The most recent entry is Wizard of Isis but you'll want to read them in order.

A witch and her talking dog are prominent in Karen William's Nightshade. Her second novel, Nightshade is peopled with several enticing women and she deals with her characters a bit more complexly than her first novel (see below). Alex's healing is an important element of her finding love in this delightful romance. Cynthia Lamb's Brigid’s Charge is a well-researched and entertainingly crafted story of Deborah Leeds, a woman who immigrates to colonial America and brings her carefully hidden Irish Celtic wiccan faith. Readers who prefer a little more history and a little less magic will enjoy Brigid’s Charge. The title may be difficult to track down, but is very worth the effort.

Ellen Galford brings a goddess-centric island off the Scottish coast to life in The Fires of Bride: A Novel. Maria Milleny, an unemployed London artist is drawn to the enigmatic Dr. Catriona MacEochan and the generations of mysteries of the island people. Out of print, this charming, witty novel lingers like the ghost hidden in its pages.

Critters
Monsters are slightly less popular in gothic lesbian lit, although vampires tend to be the exception to the rule. However, there a few titles that can be considered “critter-filled.” Chris Anne Wolfe's Roses and Thorns is a retelling of the "Beauty and the Beast" romantic fairy tale that questions the definition of “monster” and crosses over with witchcraft playing a role as well. Ellen Galford’s award winning Dyke and the Dybbuk has an ancient demon trying to haunt a very modern dyke. The results are a riotous mix of humor. Great fun for those who like their spooks to be more droll than troll.

Karen William's Love Spell is a charming little romance that deals with stereotypes of monsters, witches, magic and love between the local vet, Kate and the mysterious Allegra. Kate struggles to understand all of these issues after she experiences the most erotic night of her life. Gomez’s The Gilda Stories: A Novel introduces a lesbian vampire with a strong morale sense and weaves through history into the future. Ouida Crozier suggests vampires are not undead, but beings from an alternative reality in Shadows After Dark and they need not just human blood, but our help.

Haints
Gothic tales of lesbian ghosts weave their way through a number of novels. Rebecca Montague’s A Wild Sea has Katherine dealing with the ghost of loss in more ways than one. In Zanger’s Gardenias Where There Are None the computer becomes a conduit for a different kind of communication for Melanie.

The communication is not merely a metaphor in When the Dead Speak: The Second Brett Higgins Mystery, as Allie and Brett find themselves experiencing strange happenings in their old house. The will of the spirit is overwhelming in House at Pelham Falls by Brenda Weathers. Long out of print, this ghostly story of lesbian love holds classic gothic elements and was the first preternatural lesbian story I ever read. Blayne Cooper’s Cobb Island is a love story that echoes doomed relationship for the past. Uncovering the echo of that relationship, and finding love is the theme of this tale. While Cooper & Novan’s The Road to Glory is a different, but very touching kind of ghost story. On a bit spookier note is Dark Dreamer: a Dark Vista Paranormal Romance by Jennifer Fulton. Rowe Devlin is having a rough patch in her life and falling for a woman who sees ghosts doesn't seem to be the answer. This is the first of a series of preternatural novels from Fulton.

Oh My!
As a fourth category, let’s look at anthologies that feature any and all variations on the Caldrons, Critters and Haints themes. Three Bella After Dark titles are well worth a reading. The first is Bell, Book and Dyke: New Exploits of Magical Lesbians, a quartet of novellas by Karin Kallmaker, Julia Watts (both of whom also edited the stories), Barbara Johnson and Therese Szymanski. All the novellas feature "witches" and range from the wry and ironic "Skyclad" to the touching and powerful "Unbeliever." This is the best overall title of the "New Exploits" collections as all the stories in this one are worth your while. The second Bella After Dark to consider is Call Of The Dark: Erotic Lesbian Tales Of The Supernatural. Call of the Dark lives up to its title with erotic stories that will also send shivers of another kind down your spine. Edited by Szymanski, the collection is varied and well paced for readers with a mix of arousal, humor, and fear. There is also New Exploits 3: Stake through the Heart which features vampire stories from the four authors of the series.

Shadows of the Night: Queer Tales of the Uncanny and Unusual is a mixed anthology of stories by and featuring gay men and lesbians. It reads like a season from the Twilight Zone, and the stories here go from the odd to the down right scary, with some new twists on old ghost tales thrown into the mix. Out of Print and difficult to track down, The Ghost of Carmen Miranda: and Other Spooky Gay and Lesbian Tales is a fun mix of ghost stories. As with the title story, humor plays a role in some of the stories. Yet there are some very creepy entries here as well.

Night Shade: Gothic Tales by Women is a mix of supernatural stories, not all of which are queer. However, Jean Stewart’s story of the avenging hounds of the goddess, “Feeding the Dark” has stayed with me for years. Similarly, and also edited by Brownworth, Night Bites: Vampire Stories by Women is more feminist focused than “queer.” It also contains some memorable gems from the vampire theme.

Two of the best (and the first) anthologies to focus with lesbian vampires were edited by Pam Keesey, Daughters of Darkness: Lesbian Vampire Tales and Dark Angels: Lesbian Vampire Erotica. Both titles have been rereleased. Gomez’s Gilda makes an appearance and from Katherine Forrest, we have Drake in “Oh Captain, my Captain.” Keesey's introductions include an interesting evaluation on the history of the lesbian vamp in literature.

Without doubt, my favorite lesbian Halloween anthology is Kallmaker's 18th and Castro. The 13 stories relate to the residents of a mythic apartment building at 18th & Castro on Halloween night. It’s an address where you'll find intelligent, witty stories that are well-written and charming, and peopled with interesting characters. The preternatural makes at least two appearances. Readers will find something good to eat in this bag of treats!

Let's end this little Halloween reading list off with a tribute to the great lavender literary queen, Oscar Wilde with The Canterville Ghost. While there is very little lavender subtext in this charming little short story, it has Wilde’s trademark wit and wry observations about American and English cultures. And includes touching comments on the nature of love and the world. If you can find it, the Candlewick Treasures hardcover imprint (ISBN-13: 978-0763601324) is a delightful little book for ghostly Halloween gifting.

There you have it, a fine assortment of lavender Halloween treats for your reading pleasure.

Happy Haunted Reading!
-MJ, a queer little devil

BN: I'm not able to list all the authors and editors mentioned above in the labels, please look to the left to see full reviews of the titles mentioned, or reviews of other titles by those authors under the author's name.

Fool on the Hill

2008-05-23T22:03:00.004-06:00

Morgan Hunt
2008
$14.95, trade paperback, 190 pages
ISBN-13: 978-1593500276
Alyson Books
www.alyson.com

Morgan Hunt's second mystery, Fool on the Hill brings back Tess Camillo, a smart-mouth lesbian with a varied and colorful past. Tess is a 40-something computer nerd and breast cancer survivor. Her original love was actually mathematics, and computer programming was more palatable than accounting or teaching math. Hunt has created a strong, quirky voice in Tess. Her whimsical associations, internal musical sound-tracks, and slightly skewed world view are charmingly idiosyncratic.

Fool on the Hill opens as Tess and her housemate, Lana, attend a rock concert of Gabrielle Letheross with Cody Crowne as the opening act. Cody had been a chart topper in the 1980s but is fading in his late middle years. Lana, president of the local Cody Crowne fan club, has been waiting for years to see him in concert. Both women have a fantastic time. The next day brings a shock when his murdered body is discovered by Tess out walking in Open Space. Particularly shocking is the extremely brutal method of his murder. His teeth were removed, his finger tips were cut off, and he was crucified.

The traumatic discovery piques Tess's curiosity. Prompting her to this: "I wondered if [Lana]'d remember to separate the whites for bleaching, but didn't want to nag her. I wondered what Thomas Paine would have thought of our current electoral process. I wondered how many IQ points we lose for each hour of reality TV we watch. I wondered if I should take a personal interest in tracking down Cody's murderers. I wondered a lot of things, then helped Lana with the laundry. Even after your own personal Calvary, you need clean underwear. " (24)

Tess is assisted in her amateur sleuthing by a range of folks. Lana uses her new age touch to help question suspects and acts as look out. Tess's "husband" Roark Jurist -- they met over 20 years ago while both were struggling to survive in that closet called the US Navy, married for cover, divorced after they both left the service, and have remained friends -- now works with the "Immensely Powerful Government Spooks or IPoGS" (34) and provides Tess with an amazing array of valuable information via his connections. Kari, a detective with the SDPD whom Tess dated briefly, provides more official assistance. Hunt has created a fairly traditional mystery in that the clues are apparent to the reader as Tess finds them. The story is fast paced and fun. As secrets are uncovered, another murder occurs, bring the case even closer to home for Tess and Lana.

Tess's San Diego and its surroundings add color and character to Fool on the Hill with various locales playing roles in the plot. Carousel rides, trips to Legoland, Balboa Park, and the historic district give texture to the story, including a charming scene at the Chicken Pot Pie Shop, a San Diego landmark diner. Or as Tess describes, "The decor was Green Acres kitsch. .... A high shelf along the far wall held ceramic poultry of every sort. Rhode Island red knickknacks could be found behind the cash register; macaroni art of leghorns and bantams hung on the dinning area walls. Not exactly Martha Stewart, but with food this good, who gives a cluck?" (159)

Tess's voice is distinct and amusing, although sometimes her over-the-top metaphors are distracting. Occasionally Tess's powerful narrative voice becomes expository, not quite successfully taking the place of dialogue and action, from which some scenes might have benefited. This kind of "telling" of the story has a "thinning" effect to the novel overall. Hunt is a talented writer who has created a cast of quirky characters. Additional constructive editing could help Hunt develop a more robust mystery to better showcase her vivid characterization. She has great promise for future mysteries. This reader certainly looks forward to more of Tess.

The prime example of a metaphor that did not work, for this reader, was Tess's analogy for oral sex. "When we changed positions, her softest layers became the rink in an Olympic competition; my tongue, the skates. I played with figure eight's [sic], smooth glides, and occasional double Axels. Encouraged by her moans, I won the Gold with a triple loop." (143) Ice and blades, even attached to skates, just aren't on my mind regardless of the grace involved. If Hunt needed a sports analogy, synchronized swimming might have worked better.

Perhaps more importantly, the love scene, which was Tess's first sexual encounter since her surgery, seemed anticlimactic, as it were. Certainly the scene failed, for this reader, to resolve in a clear way the anxiety that Tess had previously expressed while anticipating the event, baring her surgery scars to a lover for the first time. It seemed a disservice to Nova's character for her not to be shown reassuring and satisfying Tess's needs. Yet Tess seems much less introspective about the relationship than she is about other aspects of her life. Since Tess's romantic life is the second most important thread to the novel, its light treatment is unsatisfying.

Overall, Fool on the Hill is fast paced, engaging and fun. The characters are interesting and compelling. Tess Camillo is a welcome addition to the cast of amateur sleuths that mystery readers can enjoy. Pick up a copy, Tess is sure to have you humming along with a world spinning round.

Winners vs. Classics

2008-05-05T11:40:00.007-06:00

Award season has started. Nominations have closed, short lists are being announced, and excitement and anticipation are building.

Every year, looking at the various lists of winners, I find myself with mixed feelings. The American Library Association's GLBT awards, now known as the Stonewall Book Award and Barbara Gittings Literature Award are the earliest GLBT book awards, dating back to 1971. The Lambda Literary Awards and Publishing Triangle Awards both began in 1988; while the Golden Crown Literary Society is still the new kid on the block founded in 2004. I am proud that in my lifetime, organizations have been founded to honor books that reflect and validate the lesbian experience. However, invariably there are titles that I would have liked to have seen honored that weren't short listed, let alone granted an award.

This year, that thought prompted me to consider books that never won an award but have the publishing version of "living well is the best revenge." The titles listed below are now considered classics. All pre-date most such awards. However, as part of that "classic" characteristic, they are still in print, or so frequently so as to be readily available in the secondary market, and they have touched untold lives since their first appearance.

The Price of Salt, Claire Morgan (aka Patricia Highsmith) 1951. Originally produced in hardcover, The Price of Salt appeared shortly after Highsmith’s success, Strangers on a Train. Yet due to the controversial, not to mention illegal subject matter, it was released under a pseudonym. The Price of Salt was the first novel in English (I don’t know about other languages) that ended with the two female leads surviving to love each other. No murder. No suicide. No jail time. No one married the Y-type ... or more correctly, Carol got divorced and went after the girl. Wow.

Spring Fire, Vin Packer (aka Marijane Meaker) 1952. Now credited with launching the lesbian themed pulp genre, Spring Fire was the first of some 20 titles written by Ms. Meaker before Stonewall. As Ann Aldrich, she wrote a series of non-fiction (and controversial) titles printed in from 1955 to 1972. In 1970, Gene Damon (Barbara Grier, co-founder of Naiad Press) in The Ladder (Daughters of Bilitis newsletter) referred to Ms. Meaker as "the evil genius" for her excellent writing about unpleasant and unsatisfactory lesbian themes. Ms. Meaker has written award winning teen novels under the name, M.E. Kerr and in 2003 released a memoir of her two year relationship with Highsmith. Spring Fire has been re-released by Cleis Press in 2004 and is now available in ebook formats.

Odd Girl Out, Ann Bannon, 1957. The first of five novels in the "Beebo Brinker Chronicles" was Odd Girl Out and while the Beebo books have a certain campy quality of the time; they were a relatively positive depiction of lesbians. They granted women an alternative to heterosexual “Susie Homemaker” in the years before Stonewall. Ms. Bannon has said that Vin Packer's novels were an inspiration to her.

Desert of the Heart, Jane Rule, 1964. Perhaps better known for being the inspiration behind the movie, Desert Hearts, Jane Rule's work was groundbreaking in the matter of fact quality of the lesbian relationship. After several rejections as not negative enough toward lesbianism, it was originally released in hardcover. The relationship is touching and thoughtful, but it's not the focus of the novel which has much to say about gambling and capitalism as well as loneliness.

Ruby Fruit Jungle, Rita Mae Brown, 1973. Ms. Brown is better known today for her anthropomorphizing mysteries, the Mrs. Murphy series and Master of the Hunt Sister Jane series. However, Ruby Fruit Jungle is arguably the best selling lesbian novel. First released by Daughters Inc (a now defunct feminist press), it went through numerous editions before Ruby Fruit Jungle was sold to Bantam. With her humor and outrageous adventures Molly Bolt has seen unknown thousands of women out of the closet with a new defiant joy and affection. Reading Ms. Brown’s bio on her website is rather fun.

Annie on My Mind, Nancy Garden, 1982. One of the most banned books in America, Garden dared to tell the charming, confusing, touching story of two high school girls falling in love and coming out. Garden has written dozens of books for children and teens and others since Annie have dealt with lesbian and gay themes, most notably The Year They Burned the Books, 1999 and Endgame, 2006. The former was inspired by the controversy around Annie while the latter deals with the violent response of youth to repeatedly hostile bullying. My personal favorite of Garden's lesbian themed books is Good Moon Rising, 1996. However, Annie and Liza’s story (which has even been adapted into a play) still reigns for its groundbreaking.

Curious Wine, Katherine V. Forrest, 1983. Forrest didn't just raise the bar for lesbian romance with Curious Wine, she built a whole new jump course. The story of Lane and Diana is romantic, erotic and quintessentially female and feminist in ways that nothing had been before it. Further, Amateur City (1984) was the first mystery to feature a detective who was a lesbian, Kate Delafield. Ms. Forrest is now the Supervising Editor of Spinsters Ink.

Mists of Avalon, Marion Zimmer Bradley, 1983. MZB re-set the standard in how women might look at our cultural mythos, giving a new life to the divine female. Under the name Miriam Gardner, she wrote lesbian themed pulp novels and contributed to The Ladder. None of MZB's Darkover novels were honored by GLBT awards, nor was The Catch Trap, 1979, which featured two men who starred in the flying trapeze in the circus world and struggled with their love during the 1940s and 1950s.

Toothpick House, Lee Lynch, 1983. This was the first title of a dozen that Ms. Lynch has written, including Dusty's Queen of Hearts Diner, the first of the Morton River Valley trilogy. There is a review for her most recent title, Sweet Creek here. She is perhaps best known for her for her column the Amazon Trail, which appears in GLBT periodicals across the country. In the 1960s, Ms. Lynch also wrote for The Ladder.

Other Women, Lisa Alther, 1984. Some folks might rather Kinflicks which was released in 1976 or Original Sins, 1981, but I have a soft spot for Other Women, as it were, which focused more on lesbians, in my opinion. And therapy, a favorite pasttime for lesbians. All three books were best sellers and book club selections, which resulted in putting stories about lesbians in the hands of lots of closeted women who might not have found them otherwise.

Yes, many of these authors have been honored with other accolades and successes and obviously, they could not be honored by organizations that didn't yet exist at the time these titles were originally released. Indeed the existence of these titles without a doubt served to prompt the creation of various GLBT literature award programs. This list is by no means complete and I welcome additional suggestions via comments. Nevertheless, it reminds one that books might not win awards, and can still win the hearts and minds of readers.

-MJ Lowe

Landing

2008-04-23T21:39:00.008-06:00

Emma Donoghue

Harcourt Books

www.HarcourtBooks.com

May 7, 2007

ISBN-10: 0151012970

Life is about to change for Jude Turner in Emma Donoghue's novel, Landing. The 25 year old archivist/curator of a one-room schoolhouse museum in her very small town of Ireland, Ontario, Canada, is "celebrating" New Years Eve by flying to the United Kingdom to see her mother, who has been visiting her sister, Jude's aunt. This mysterious request from Jude's aunt heralds illness and loss for Jude. Thus for the first time Jude, the self-proclaimed Luddite, is on a plane. It will be one of many firsts as an unusual incident during the flight prompts her meeting Síle O'Shaughnessy, a meeting that will have long term effects on both women. Síle is a 39-year-old flight attendant of Indo-Celtic heritage with nearly 20 years of experience in her career. A resident of Dublin, Ireland, Síle is a cosmopolitan, high-tech, and high energy lesbian whose fast-paced vagabond life suits her. She was born, after all, at 40,000 feet.

The "LDR" --long distance romance-- that slowly takes off between the two women is witty and charming, though sometimes rocked by the bad weather of miscommunication and time zones, it is carried up like the magic of flight. Themes of distance, travel, and change are woven throughout the novel as the women re-prioritize their lives with each other. Landing is a romance filled with the ache of distance and longing, and Donoghue is wonderfully skilled in her quiet little illustrations of it as when "She conjured up Jude, or rather her absence, a hot ghost for Síle to wrap her body around." (151)

The charm of love's preoccupation is reflected as Jude confesses to a friend, "Daily life becomes this sort of epic: The First Time I Saw Her Face, Our First Walk by the Lake, The First Phone Call, The Night I Stayed Up Making Anagrams of Her Name ..."

Gwen stared. "Anagrams?"

"When I can't sleep ...," admitted Jude. (159)

Donoghue reminds us that life can be messy yet interesting in this story peopled with vivid and surprising individuals struggling to deal with the limitations of their communities, families and careers. Wry observations of the practical, political and legal realities for international relationships, as well as the internal conflicts of national identity and individuality, prejudice and labels, self-worth and love, commitment and independence, are deftly charted and navigated throughout the story. For example, there's Jude's view of history and her efforts at her museum "Uncutesy, I guess," she said, after a second. "In North America we tend to Disneyfy the past into this sugar-coated nostalgia product, all bonnets and merry sleigh rides--" (24) Or Síle's friend, Jael's struggle with herself as a "hasbian" now married with a child and revealing that she's also seeing a woman, "Without it, I swear I couldn't hold it together: the house, the husband, the job, the child. Maybe I need a secret." (298)

Would that most plane flights were as pleasantly distracting, charmingly complicated, and warmly engaging as Landing. Donoghue's writing is a pleasure to read, so much so that pulling quotes, for this reviewer, became a difficult choice. Frankly, I recommend reading the whole book. Please fasten your seat belt and enjoy.

-MJ Lowe

BN: BBC Audiobooks America has produced an unabridged audio version of Landing, skillfully narrated by Laura Hicks. You might check to see if your local library has or can get a copy, it's fun to listen to as well.

ISBN: 9780792748410

Getting "those books" into your local library

2008-04-13T10:28:00.012-06:00

National Library Week is April 13-19, 2008. I'm posting a presentation I made at GCLS 2007 concerning getting queer books into your local public library's collection.

Good luck!
-MJ

"I may not be an explorer, or an adventurer, or a treasure-seeker, or a gunfighter, Mr. O'Connell, but I am proud of what I am...
I, am a librarian!" From the movie, The Mummy

Why your local public library?

1. Increases Visibility. Your interest in books with les/bi women’s lives illuminated, increases the public library's interest in books with les/bi women's lives and that increases visibility for les/bi women's lives. Further having "those books" in the public library provides visibility/preservation of the literature in the larger literary world.

2. Increases Availability. A library is a wonderful place to reach folks who might not buy, either because they can't afford to, or because they don't feel comfortable doing so.

3. Increases Validation. The collection of a public library should reflect the community it serves. You are a patron of your local library and have a right to expect positive depictions of les/bi women in the library's collection.

What books are already there?
First, find out what your library has. If you don't have one, Get a library card! Check the catalog. Your local library very likely has a website that allows online searching. --It's fairly rare to find those cute little drawers anymore.-- For a subject search try: Lesbians -- fiction.

You might also need to do a keyword search. This is because a book ends up with more specific subject headings like: Lesbians -- Scotland -- Glasgow -- Fiction or Lesbians -- United States -- Fiction but not have the primary subject of Lesbians -- fiction. The basic idea is that the catalog is designed to find the most specific item, not result in a "big net" of results. Part of the issue has to do with changes in cataloging over time. Systems rarely, if ever, go back and change previous cataloging. There are places where one will still find: homosexuals -- fiction rather than gay men -- fiction.

Those are the issues to be aware of when you're looking in your local catalog. And that's the best way I know to explain the quirks you might find. Frankly, I'm a Reference Librarian, not a Cataloger. If you're really interested in a more technical answer, I can find out for you. Just send me an email.

You might also try a title or author search. And then check the subjects. If you're using a web-based catalog, you can usually click on the subject headings at the bottom of the title or author page to find similar titles. So try Brown, Rita Mae or Garden, Nancy and see if you have Bingo or Annie on my Mind. I mention these titles because they were released by main stream presses and thus are a little more likely to be in any given collection.

Now that you know what's there, ask yourself:

What books would you like to see there?

Draft a list of titles you would like to see and include:

title
author
publisher
copyright year
ISBN

Certainly include one or two of your favorite authors, however, also consider including bestselling les/bi fiction titles from Amazon or Barnes & Noble. Award-winning titles: GCLS Literary Awards, Lambda Literary Awards, Publishing Triangle Awards, American Library Association’s Stonewall Book Award/Barbara Gitting Literature Awards. Include any titles that are set locally or written by local authors. By local, I mean state. This is a common subject heading, i.e., Colorado -- fiction. And many library systems collect local authors and might have a special local subject for this, i.e., Tennessee authors. You'll want to make a note of this information on your list. If the title has been reviewed somewhere, you might print or copy that review for inclusion as well. Be aware that if a title is not readily available at Amazon or your local bookstore, the library might not be able to get a copy via their distributor. (See note about donations below.)

I would not go in with more than five titles at a time. However, it is not unreasonable to ask how many titles would be considered at a given time and whether there is a better time to request titles (first of the year, monthly, etc).

Next find out, how does your library work?
Speak to the reference or information services staff and ask how they go about their collection development. Explain why you're asking: "I'd like to request some titles for inclusion in the collection. What's the best way to do that?" Some systems may have a handout or a link on their web page about their collection development policy. Ask, "Is there someone I may speak to directly?"

Ask these kinds of questions:

Is it centralized? Or done locally? (If you are going to a one location, say a city library, just ask who does the collection development ordering.)
May you request titles?
How likely are they to order requested titles?
How long before you'll know if the title has been ordered? (Ask to place a hold on the title, this way, it will appear on your record and you'll know when it has been added to the collection.)
Do they accept donations for inclusion into the collection?

It's worth asking. However, be aware that it is not uncommon for donations of books to go directly into the Friends of the Library book sale and thus generate money for the library. This is because the cost of cataloging a title must be weighed against the cost of purchasing partially processed books from the distributor. It is often more cost efficient to order a new copy than to have a cataloger process a title.

They MIGHT accept a donation of a title that they are unable to access via their distributor, if you make a case for its inclusion. If you provide a hard copy donation, be aware that a large library system might gladly accept two copies, and ask how many they'd like. (If you provide more than one copy, make sure it is the same edition -- the same ISBN -- to facilitate their unique cataloging.)

Final option:
Most libraries will allow you to purchase a "memorial" book via a monetary donation and designate a title. Thus you may be able to give a donation to purchase a book in memory of L. J. Maas, Tee Corinne, that high school gym teacher, etc. Check to make sure the library is willing to purchase the title you're requesting. Make sure it's readily available, etc.

It is possible that you'll run into some hesitation. Ask why. After all, you are a patron and you are asking for these titles. Within reason, the library should reflect your interests and needs.

Follow up.

Wait a month and check the catalog.

Check out the titles, even if you've already read them. One of the standards for maintaining a title in a library collection is circulation. Are people reading it? If a title sits on a shelf for two years, and hasn't been checked out, then staff may consider removing it. Shelf space is a premium. Having said that, one of the things about GLBT titles is that they might be read at the library. Some patrons might feel uncomfortable checking the title out, such as a 14-year old who might not feel safe taking a title home, or a heterosexually married person who might not be ready to out their les/bi-sexual identity to their spouse.

If you do develop a comfortable rapport with someone on staff, you might point this out -- That titles might not circulate, but if they look "read" then they are being used in the library and should be kept in the system, regardless of their check out history. It is possible that this is more true of non-fiction titles, however, it should be remembered in general.

There you have it. Go forth and request books!

-MJ Lowe

When I got [my] library card, that was when my life began.

--Rita Mae Brown

Gift of Time

2007-11-21T18:23:00.002-07:00

Robin Alexander
Intaglio Publications
9781933113821, $16.95
www.intagliopub.com

For practical, grounded, thirty-something CPA Leah Marks, time is about to become far more complicated than she ever imagined possible. A chance stop into a local antique shop introduces her to Reagan Montgomery, a woman that Leah feels very attracted to and results in her acquiring an unusual, lovely, antique snow globe. The globe is one of a pair created by a local craftsman nearly 100 years ago. No ordinary globe, it would seem, as Leah discovers that its image changes while she watches it. A tiny woman who looks very much like Reagan appears from within the elegantly wrought Victorian house in the globe. Investigation of the artifact reveals they once belonged to two women who bear a striking resemblance to Leah and Reagan.

The story takes a remarkable and fanciful turn when Leah is propelled back in time to 1907 via the globe. In 1907 Leah becomes Leanne, a young woman who is in love with Elizabeth, who looks like a younger Reagan. Returning to 2004, Leah finds herself compelled to discover all that she can about the women, who for some magical and unknown reason, appear to be herself and Reagan in another lifetime. Leah decides the only way to understand the full story is to return to 1907. When Reagan joins Leah in the past, the women find they have set in motion a complex set of events. When Elizabeth's mother discovers the young lovers in a compromising position, they both experience the horrifically violent attitude toward lesbianism at the time. The situation looks dire. Still, Leah's humor is engaging, as she recalls, "I had been clawed, dragged, slapped and choked in less than twenty-four hours. This was the most action I'd seen since I tried to put the neighbor's cat in a grocery sack as a child" (110).

Gift of Time evolves from a "simple" time-traveling romance to a complicated, layered tale with several plot twists. The women struggle to minimize the impact of their actions on the future--and still win a life together in the 21st century. As Leah observes of the early timeline, "There was no central heat, the cold chilled me to the bone, no Internet, and heaven help me, no Mountain Dew, the main staple of my diet" (110).

Alexander has given readers a charming romance with some fast-paced action. Leah's internal voice is often funny and self-effacing; the romantic interludes are sweet and sexy. The first portion of the story was not quite as engaging to this reader, however, perhaps because some of the characterization seemed unsettled and forced. Within a few chapters the characterization improves as the action picks up and the surprises unfold. The result was engrossing and enjoyable. Alexander makes observations about racism and human relationships in the South, then and now, which are thoughtful, hopeful, and earnest. The settings of historic and pre-Katrina Gulfport are carefully realized. Give yourself a Gift of Time and enjoy every minute.

-MJ Lowe

Date Night Club

2007-09-06T16:33:00.001-06:00

Saxon Bennett
Bella Books
9781594930942 $13.95

www.bellabooks.com

Meet Chris McCoy, a charming, neurotic lesbian mail carrier living in Albuquerque, N.M., and member of a group of middle-aged lesbian friends who find themselves single, AGAIN. They decide to commit themselves to finding not just a lover-for-the-moment but a "perfect mate." Thus they form the "Date Night Club" where "Instead of letting love fall to chance, they would research it, explore all the places where it might lurk or frolic and nail it to the wall of each of their futures" (40).

The club members are an eccentric mix of women who provide a great deal of heart and humor on their "quest" for love. There is Bernadette Chevez Maestas, known as B., a high-energy and highly successful realtor with a physique akin to Dolly Parton's. Sarah K. Roswell is the pastry chef/business woman behind a well known line of creme puffs available in upscale groceries. Sarah calls herself "Midge" because as a Little Person, she feels she might as well control and embrace her identity with disarming, self affirming humor. Luce is the resident bohemian-earth-mother-artist-type who works in large scale stained glass and may still be grieving her late lover. And Amadeus, a tall, blue-eyed, red-haired German Amazon, runs The Zoo, a hip restaurant that's popular with "club members."

The group makes monthly forays dubbed "date night" that include volunteering at the local pride-fest picnic and attending a book group sponsored by the local women's bookstore. In the latter scene, Alex Taylor, the author of the month's selection, is in attendance because she hopes for feedback from readers. (Her book, titled "The Heiress," bears a striking resemblance to the story line of Bennett's book Talk Back.) Particularly amusing is the hot seat on which the author finds herself when her literary use of pickles is criticized by two very uptight feminist readers. The discussion that results is bizarre and hilarious. While no reader should assume an autobiographical origin to any novel, one can not help but wonder if Bennett is exorcising some particular experience with this wickedly funny scene. Alex Taylor's rather plaintively confused comment, "The pickle heiress was meant to be funny," (75), says it all.

Date Night Club is a very fine example of what Saxon Bennett does best: She creates a funny, charming and very human ensemble cast of lesbians, then carries her readers through an arc of challenge and growth with them. I laughed out loud several times, especially in regard to B.'s type A dominating, if well meaning, approach to orchestrating not only her own life but those of her good friends. The scene with the duct tape still gets me to smile.Dog people will love The Pipster, who makes Lassie look ill-trained, and the flyball games. Date Night Club is one of the funniest books I've read in a very long time, and is in my opinion the best of Bennett's many charming novels, in that her characters are so clearly defined and articulated from the very beginning, making the story a pleasure to follow. Give Date Night Club a try, you might not find your true love, but you're sure to enjoy the evening.

-MJ Lowe

Running with the Wind

2007-04-11T18:50:00.001-06:00

Nell Stark
Bold Strokes Books
1933110708, $15.95
www.boldstrokesbooks.com

Sail away in Promising First Novel.

Running with the Wind is an engaging engrossing debut novel by Nell Stark. Corrie Marston, a graduate student in engineering, spends her summer teaching sailing in Rhode Island. Corrie is talented, intelligent, fit, good looking and very good at sailing--Olympic-class good. Denise Lewis was Corrie's crew for the Olympic trials. Their relationship was intense, exciting and closeted, as Denise wasn't ready to come out. Before long, Denise left Corrie for the security and validation of a heterosexual relationship with William, Corrie's brother. The siblings have always had a competitive streak but this blow created a rift between them. Since Denise and William's engagement, Corrie has shut off a great deal of her pain, anger and her capacity for love. She has "made a point to hook up with friends--not random, but no strings attached"(47).

Corrie is one of the most thoughtful and articulate depictions of a bisexual woman this reviewer can recall. As a friend of Corrie comments, "I get the feeling that gender doesn't really matter to her. That it's just another physical characteristic like body type or something"(48). Still, Corrie admits to herself that "seducing men made her feel powerful, somehow. Whereas women just felt good" (49). Some elements of Corrie's view might make readers uncomfortable. She has not dealt with the emotional scars from Denise's rejection and that has pushed Corrie into a patch of windless water where she is foundering.

Quinn Davies, an intelligent, shy, 27 year-old woman in vet school has been convinced by an old friend, Drew, to take sailing lessons this summer. Quinn's gift with animals results in her helping Corrie's dog, Frog when she has an accident. The event places the two women in more intimate surroundings than the marina. Aware of Corrie's approach to sex, Quinn, despite her attraction to Corrie, is careful. For Quinn, "The entire idea of casual sex-- even between friends--made her uncomfortable. Sex meant losing control, and losing control meant whoever you were with could really, truly see you. Not just physically because you were naked, but emotionally--and what if they didn't like what they saw? Even if they did, you could never take it back. Sex wasn't like blurting out a confession by accident that you could then pretend was a joke. It was permanent"(48). With this thoughtful self awareness, Quinn refuses Corrie's causal overtures.

When Corrie realizes that William and Denise will be sailing in the annual Regatta, she decides to court Quinn in a face-saving plan to prove that she can get a girlfriend. Despite her sexual experience, Corrie is the naive one in many ways and the leaks in this boat appear quickly as Corrie, whose observing ego is not very strong, begins to fall for Quinn. Yet the more "innocent" Quinn understands more of herself, Corrie, and the nature of love and loyalty. The two women will have to find winds of trust and love for the relationship to sail.

Appropriately, sailing is one of the characters of Running with the Wind. How Corrie, Quinn, William, and other characters approach and relate to the sport is fascinating and revealing. The race scenes, both impromptu and formal, kept this reviewer turning pages. Further, Stark uses the various characters' understanding of sailing to explain sailing elements without distracting the reader with details. Corrie's frame of reference for a great deal of life is sailing and her analogies are nautical. She understands the boats, the sails, the wind, the sea and her role as a sailor. Corrie finds solace in the power and non-judging challenge of the wind and the water.

Running with the Wind is a fast-paced read. Stark's characters are richly drawn and interesting. The dialog can be lively and wry and elicited several laughs from this reader. Like Kallmaker's All the Wrong Places, the discussions of the nature of sex, love, power, and sexuality are insightful and represent a welcome voice from the view of late-20-something characters today. Stark also captures lovely, intimate, and vivid moments such as, "Corrie remembered how smooth and soft [Denise's] eyebrows had felt as she traced them with one forefinger in the aftermath of their lovemaking" (14). The love scenes between Corrie and Quinn are erotically charged and sweet.

Running with the Wind is a wonderful debut novel which holds great promise. It's a touching romance with lively, realistic characters in an interesting setting. This reviewer looks forward to reading Stark's future stories and in the meanwhile, recommends readers pick up a copy and set sail.

-MJ Lowe

Finders Keepers

2007-03-29T19:14:00.001-06:00

Karin Kallmaker
978-1594930720, $13.95
www.bellabooks.com

In her latest romance, Finders Keepers, Kallmaker has once again turned the genre on its ear. She has given readers a hot, romantic story that bookends two complex journeys her lovers take in order to become and find the "keepers" they desire. In the course of the lead characters' struggles Kallmaker prompts readers to seriously consider two questions at the heart of romantic love in general and the romance novel genre in particular. She asks us to consider: what is beautiful? And what makes a perfect match?

Linda Bartok and Marissa Chabot meet in a lifeboat when the cruise ship they are on sinks. The vacation is saved when they find an island. Romance blooms in the languid and lush tropical resort. Both women find in the other someone who sees parts of them that most people never notice. In Marissa's case, Linda sees not only her intelligence and wit but past the excess pounds to the strong, attractive, and desirable woman. In the Linda's case, Marissa sees beyond the highly cultivated gorgeous exterior to the strong, capable, and intelligent woman. In the physical expression of their love, they find new aspects of themselves. The sweetly romantic week is a watershed for both women and a delight for readers. When their vacation ends, Linda and Marissa each begin a struggle to better integrate their exteriors and interiors and to fulfill the potential they glimpsed via the other's eyes. Both woman will deal with their past and discover their own strength and beauty.

Linda, frequently mistaken for a popular, beautiful actress, has been running to various far-flung and out-of-the-way locales to avoid the demons of her childhood and her mother's irrational expectations for an acceptable daughter. Hiding behind what she thinks of as her façade of beauty, Linda has engaged in empty sexual encounters but no one really saw her, none of the women really touched her. At the outset of one of these meaningless encounters Linda thinks, "What piece of me do you want? You have to pick because you don't get the whole me. There is no whole me anymore." (86) Until Linda finds Marissa. Time spent with Marissa allows Linda to see that she has to face and make peace with her past in order to heal and to find a future.

A computer geek with a wry sense of humor, Marissa has hidden herself in her work, oversized clothes and the all-too-easily acquired extra pounds of a sedentary job and a lonely personal life. Falling for Linda has been a wake-up call to for Marissa to stop the spiral and reclaim her body as part of herself. Since adolescence Marissa has been hiding her sexual attractiveness behind the protection of her size. Yet Linda's impression of Marissa is that she "had a passion for living and it had shown in the way she'd attacked the cliff. It showed in the way she made love. Even in the way she enjoyed water, sand and new experiences ..." (81)

Finders Keepers is not a light read, if you'll pardon the pun. It is a complex story with many layers. Marissa's struggle with weight-loss and fitness illustrates the "get thin quick without work" claims most American weight loss companies tout. (An attractive promise Americans are all too happy to buy.) Kallmaker provides insights into evaluating programs and understanding reasonable goals without being pedantic and Marissa's hard-won success is inspiring. Readers glimpse relatively small portions of Linda's childhood and the frightful and bizarre trauma at the hand of her mother. It reminds us that monetary success is no guarantee of love, health, happiness, or sanity. Yet the roots of her mother's obsessions are a dark reflection of American views toward perfect beauty, particularly epitomized by the beauty pageant circuit.

Further, Marissa is one of the owners of "Finders Keepers" a dating service that uses computer analysis of a complex and detailed questionnaire to match hopeful singles with their perfect partner. Thus the question of what makes a good match and, perhaps most interesting, what threatens to break even the best match, is an engaging thread through the story.

Despite the heavy topics and the "anti-romance" elements, Finders Keepers is a touching, powerful, sensual romance. In her trademark style, the author has breathed life into interesting, multi-faceted characters; she handles intense issues with care and insight; and perhaps most importantly, she uses humor and wit to keep the story from being too heavy. Marissa's tendency to write "letters" that she will never send to her mother, deceased father, or Linda are charmingly wry observations and the delightful scene wherein Marissa's mother announces her acceptance of her daughter's lesbianism is one that will stay with this reader. Indeed, her success in weaving all these themes into a moving romance makes Finders Keepers one of Kallmaker's best novels. Readers should make a date with Finders Keepers. You are likely to find it is a perfect and beautiful match.

-MJ Lowe

Fun Home: A Family Tragicomic

2006-07-27T20:02:00.002-06:00

Alison Bechdel
Houghton Mifflin
www.hmco.com
0618477942, $19.95

Fun Home: A Family Tragicomic is the latest work from the highly skilled, insightful, neurotic and wry-humored pen of Alison Bechdel, best known for her "Dykes to Watch Out For" comic strip. (One of the longest-running queer comic strips, "Dykes to Watch Out For" is over 20 years old, has been syndicated in hundreds of papers, released in over 10 books, and is available online via the author's website.) Fun Home is Bechdel's graphically rendered account of growing up in rural Pennsylvania in the 1960s and 70s with a particular focus on influences of her father's life and death.

Beginning with some of Bechdel's earliest memories of her father, readers meet a man who was an intelligent, emotionally distant yet volatile, narcissistic perfectionist who struggled with secrets. Trapped in the town not only of his youth but that of his ancestors for several generations, Bechdel's father worked in the family business, a funeral home (known in the family as the "Fun Home") established by her great-grandfather in the 19th century. In addition to his interest in local history and historic preservation, Bechdel's father was a closeted gay (or bisexual) man who had a string of affairs, primarily with younger men, throughout his life.

Divided into seven chapters, each of which deals with particular themes in her childhood, Fun Home contains a strong emphasis on literary references. Chapters weave back and forth in time, revealing aspects of Bechdel's childhood and details of her father's death. Books and literature were an important influence in Bechdel's life growing up. Her father taught English Literature at the local high school while her mother studied theater and performed in community plays. The gothic revival home the family lived in (and which her father had restored) boasted a library. At one point Bechdel admits, "I employ these [literary] allusions … not only as descriptive devices, but because my parents are most real to me in fictional terms" (66). It becomes apparent that literary discussion was one of the primary modes of communication between herself and her father.

Bechdel came out to her parents via a letter in the spring of 1980. Her declaration prompted her mother to point out to Bechdel that her father had been having affairs with men for years. Initially, this information appears to have been news to Bechdel, who reflects, "I'd been upstaged, demoted from protagonist in my own drama to comic relief in my parents' tragedy" (58). This "upstaging" is revealed as a theme in Bechdel's life as childhood milestones, such as her menarche, were overshadowed by the family preoccupation with and response to her father facing charges of "contributing to the delinquency of a minor." Apparently, her father's extramarital activities added strain to the family. Her coming out was further upstaged when her father died in a questionable "accident" (it may have been suicide) just four months after her letter.

Bechdel spent years feeling shut down yet very guilty regarding her coming out and how it may have influenced her father's death. Fun Home details the results of Bechdel's intellectual and emotional processing of her father's death, and her relationship with this complex, intelligent, conflicted, and often remote man. A powerful example of her self awareness includes her admission, "[evidence that he was considering suicide months before Bechdel came out] would only confirm that his death was not my fault. That, in fact, it had nothing to do with me at all. And I'm reluctant to let go of that last, tenuous bond" (86).

Book-length graphic stories are not a mainstay of this reviewer's reading. However, Bechdel's clean, distinctive illustration style with its wry observations and amusing details is fun to read and examine, and drew this reader into her story quickly. Indeed, it's regrettable that this review can only include quotations and not excerpts of Bechdel's drawings. Several delightful and revealing images are included, such as her grandmother chasing a "piss-ant," her early identification with Wednesday Addams, the summer of the locusts, her teenaged diary entries, and several aspects of her own adolescent self-discoveries. One cannot help but identify with Bechdel. However, despite the pain and struggle Bechdel has had facing her father's life and death, the book is neither morose nor depressing. The author has found peace with herself in regard to her father, her childhood, and who she is today. As she says in the dedication (to her mother and brothers) " We did have a lot of fun, in spite of everything."

Fun Home is a wonderful graphic memoir that is engaging, heartrending, funny, and thoughtful. Readers will definitely want to stop by the Fun Home for this viewing.

-MJ Lowe

Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More

2006-07-19T20:26:00.002-06:00

edited by Teresa Theophano
Beacon Press
www.beacon.org
0807079065 (cloth) $15.00

Queer Quotes: On Coming Out and Culture, Love and Lust, Politics and Pride, and Much More, edited by Teresa Theophano, is a delightful collection of GLBT-related quotations. Divided into 16 topics, including "All Things Queer," "Naming Ourselves," and "Queer History," with quotes range from the touching to the bitingly funny, with some healthy stops along that way that prompt a reader to think. However, all the quotes have a positive slant. Theophano in her introduction explains that she has "avoided including sound bites from homophobes. We already know what the Trent Lotts, Jerry Falwells, and Fred Phelps of the world think of GLBT issues. …Let's be utterly, joyously, and quotably queer!" (10).

On the currently timely topic of "Love and (Gay) Marriage," Liz Langley states "Gay marriage should be legal if just to raise the standard of dancing at receptions" (29).

Political issues are the focus of "Out of the Closets, Into the Streets" with this from Barbara Grier: "It is the closet that is our sin and our shame." (81) And a chilling quote from Harvey Milk, the first openly gay elected official in the US, reads, "If a bullet should enter my brain, let that bullet destroy every closet door" (77). Milk was assassinated in 1978.

In "the Arts" there are a number of humorous entries as well as two quotes for the queer bibliophiles from Dorothy Allison and Nancy Garden, respectively:

"If I'd taken up with a gospel band or rock and roll, I'd make a whole lot more sense to my family. But to write books. …I'd come home with books and they'd stare at me like I was crazy. That was the thing most queer about me" (37).

"[Radclyffe Hall's The Well of Loneliness] became my bible. I read it and reread it over and over again. And I vowed at that point that I was going to write a gay book that ended happily, a book about my people" (40). The author of dozens of award-winning children's and teens' books, Garden wrote Annie on my Mind, originally released in 1982, a groundbreaking novel concerning love been between two high school girls.

Theophano has included a biography section for the over 270 speakers quoted. This handy appendix provides brief biographical summaries, frequently listing best known titles if the person is an author, and an explanation of their notability. This section is particularly useful given the broad range of personalities quoted -- from Sophocles and Oscar Wilde to Melissa Etheridge and Calpernia Addams. Regretfully, not all these entries include a year of birth (or death). There appeared to be a few minor errors and the reader should cross-check the biographic information if using it for more than casual reference. (For example Rita Mae Brown's groundbreaking novel, Rubyfruit Jungle, is listed as originally released in 1983 rather than 1973). This reviewer would have liked the biographical data to have included the names of some long-term relationships, especially when the partners also appear in the volume as with Kate Clinton and Urvashi Vaid.

However, these shortcomings pale compared to the value of the section. Further, the editor has provided an index to the hundreds of quotes allowing the reader to find all quotes by a particular person. These last two sections result in a collection that is valuable to researchers as well as fun for the casual reader.

A well-organized, thoughtful, and fun little book, Queer Quotes is the most comprehensive title of its kind and would be useful for libraries and others who might use quote books, as well as being a size and format that make it a charming gift book.

-MJ Lowe

18th & Castro

2006-07-02T20:50:00.001-06:00

Karin Kallmaker
Bella Books
www.bellabooks.com
159493066X, $13.95

Karin Kallmaker's 18th & Castro is a trick-or-treat bag filled with yummy goodies for her readers. This charmingly romantic collection of erotic short stories is set on a Halloween night in the Castro District. It opens with Suze and Amy, two baby dykes in their early 20s, who have found a building rooftop from which to watch the night's festivities. The girls serve as the framework of the book, with their story broken into three parts throughout the night. They have a perfect view of a mythical three-story apartment building across the street. All of its residents are women-loving-women and a whole lot of fun is goin' on! As the two women watch the revelers, 13 stories unfold with most relating to one of the building's residents or an apartment at 18th & Castro, hence the numbers.

New love, or at least a fine start on healthy lust, unfolds in "Borrowed Plumage 1C" when a femme, Carmen, borrows her best friend's old leathers for a costume and meets a woman who finds those leathers very inspiring. In "Please 2A" "Chosen 1B," and "From Behind you Looked Like 1D" Kallmaker allows the fates (and a few resident matchmakers) to nudge long term friendships toward a path to something more intimate.

Several of the stories include long term couples who are nurturing a romantic sex life in the midst of day-to-day logistics and life pressures. These stories range from the tentatively sweet and hot to the amusing and power charged. In the "Brand New Woman 2C," a couple are alone for the first time since their eldest child was born. Brenda spends time exploring the woman that her partner and co-parent of two children, Nancy, has become in the years they've shared.

In "Human Female Pon Farr 3B," Jax is suffering a very bad day of hormones. Her partner, Tate, sets out help scratch that itch, but events take a farcical turn when a handcuff key goes missing. That comic tone carries across the hall to handcuff key provider and artist, Jonny, and her Aria, a highly demanded and overworked surgeon. Aria is in need of some in "Down Time 3A" but the two initially find it difficult to focus with the interruptions.

In "Avast! 3C" readers are treated to a bit of Halloween role playing as Renee and Jane indulge a fantasy on the high seas. The teasing negotiation and the grounding late night snack that open and close this story puts a loving face on a highly charged scene.

Kallmaker provides a touching glimpse at how one couple strives to maintain a mutually satisfying sexual expression of their relationship despite chronic health issues. In "Nine-Inch Nails 3D," the years of communication, caring affection and heated desire between Pete and Keri allow them to cultivate new expressions for their love that are arousing and validating. In "For the Last Time 2B" Terra and Jeneen invite the latter woman's ex-lover, Claire, over for a little sex demonstration. This bittersweet three-way provides a complex lesson for all involved.

The stories in 18th & Castro interweave as various characters interact with others, several women are going to the party hosted by Neenah and Ace in1A. Some conversations are repeated from different points of view. Others merely pass one another in the hall. All of which gives the reader the impression of a complex set of happenings occurring in a relatively short period of time. All the stories are erotic and include an intensity likely to keep the reader's interest; however, the details of encounters are as varied as the women who populate the stories. Some are earthy and urgent. Others are sweet and hazy. Many are also touching and romantic.

As already suggested, Kallmaker's signature humor is sprinkled throughout the stories, but it is especially present in the setting. Halloween in the heart of San Francisco has to be one of the country's biggest, gayest party events outside of Pride, and adds outrageous color and humor. Glimpses of the costumed crowd include not only Xenas and Gabs, Vampire Slayers, Pirates, Flappers with Gangsters, and Batmans and Robins but "Diana Ross and the Supremes, the secretary of state, flaky first daughters, Ethel Merman and Sweet Potato Queens --it was all [there] in the Castro"(116). There are impromptu chorus lines of Dorothys kicking up their ruby slippers, a quartet of Veronica Lakes, and Satanic Leprechauns. (This last group is a corps of dark cloaked mysterious figures wearing prominent, green dildos and marching in cadence.)

Likewise, the characters represent a range of ages, ethnicity and self-awareness from the spectator baby dykes on the roof to the elegant older lesbians of "Please." The preternatural even makes a couple of appearances. Perhaps the collection's most touching story is "Tick Tock 2D" wherein a woman finds solace and protection in her memories of love and perhaps an eerie little something more …

Readers can depend on Kallmaker for intelligent, witty stories that are well-written and charming, and peopled with interesting characters. She gives us books that are just down-right fun to read. A "Bella After Dark" title 18th & Castro is highly-charged, accessorized erotic fun, in the same vein as her All the Wrong Places. A few quirky surprises are there as well as one or two stories that prompted this reviewer to pause and think about the nature of power and love. In 18th & Castro, readers will find the mass-market candy of their treat bags has been replaced by fine handmade truffles. Pick up a copy of this bag of goodies because there is something "good to eat" here.

-MJ Lowe

Back Talk

2006-06-23T20:44:00.000-06:00

Saxon Bennett
Bella Books
www.bellabooks.com
1594930287, $13.95

"WKRP" comes out with some queerly quirky fun!

Intelligent, witty, and classy -- not to mention beautiful -- Anne Counterman, a successful talk show host in Seattle, is facing her 40th birthday with trepidation. Over a year ago, her husband Gerald left her for a man, an event that still hurts and haunts her. Further and more currently troublesome, Anne has become bored with her radio work. In an effort to improve her show and rekindle her own interest in work, Anne finds a new web wizard to revamp her website. Enter Hilton Withers.

Hilton Withers is also at a turning point. Reared by her grandmother after the death of her mother when she was six, Hilton is "Senator Percy Withers' estranged lesbian … daughter." (15) For the last few years Hilton has been trying to decide what she'll do with her life. Her grandmother's death has made her heiress to a pickle company fortune and she has fulfilled the estate requirement that she graduate college. Currently Hilton lives in a small garden cottage behind the Victorian house she shared with her grandmother. She moved there because of the perpetual parties hosted by her two roommates and her girlfriend, Nat.

Natalie was Hilton's first love, but it is a rocky, complicated, and increasingly disconnected relationship. In truth it's time they broke up but confronting issues is not Hilton's best skill. However, at the radio station Hilton finds that she enjoys her work, begins to think of herself as more accomplished and "adult" and finds that she cares about her coworkers, one in particular.

Add to this possible romance a group of quirky characters like: Veronica, the control freak show's producer who, it turns out, could give Martha Stewart a run for her homemaker money and is a "fourth-generation lesbian" (143); Lillian, the show's septuagenarian, hard-of-hearing, call-screener; Hilton's lesbian roommates, Jessie the "irresponsible" one who is looking for her future; and Liz the grad student who is dating a woman who carries around a teddy bear named Amelia Bearhart; and Shannon, Hilton's Great Pyrenees dog, who accompanies her everywhere and is remarkably clear at expressing her opinions. (She's been known to pee on people who are upsetting Hilton.)

Back Talk is an example of what Saxon Bennett does best; She gives readers a fast-paced, funny novel that is delightful to read. She creates the lesbian-centered sit-com that you WISH were on TV, a queer WKRP if you will. Her characterization, especially early in the story, is a little weak and can make differentiating some women confusing. However, the dialogue is quick and witty. The situations range from the outrageous and bawdy -- as when Shannon acquires a large purple silicon pleasure item as a chew toy -- to the touching -- as Amelia Bearhart gets lost (of course), found, and a woman grows as a result. Add a charming romance with some satisfyingly heated exchanges and you too will want to tune in to Back Talk.

-MJ Lowe

Dark Dreamer

2006-05-27T16:52:00.001-06:00

Jennifer Fulton
Yellow Rose Books
http://www.regalcrest.biz/
1932300465, $16.95

Rowe Devlin is a best selling horror novelist and attractive butch who has hit a rough patch in her life. She's recently moved from the Manhattan scene to make a break from a fruitless relationship in the hope that she will be able to meet her next deadline. The move is not going well. Or, as she claims, she is "a washed up writer living in a haunted house in Maine in the middle of winter. She now had exchanged a hopeless passion for someone's wife for a doomed crush on her neighbors. Plural. And instead of finishing the piece of crap novel her agent was hounding her for, she was on some wild ghost chase with two young males who thought the government was spying on them." (68). Needless to say, this is not a high point in her career.

The neighbors in question, Phoebe and Cara Temple are identical twins and unusual women in their own right. Orphaned at age seven and reared by their grandmother, the Temple twins have a highly symbiotic relationship. Cara is the grounded, no-nonsense woman who works in the music industry. Phoebe is a more ethereal of the sisters. A few years ago Phoebe was in a car accident that left her in a coma. After she woke, she began having compelling dreams of women who had met with violent deaths. These women talked to Phoebe, asked her to send their love to their parents or spouses, and told her where to find their bodies. Recently Phoebe has begun using these communications to assist the FBI in tracking down serial killers.

Meanwhile Rowe's dogs will not enter her kitchen and the knives have a nasty habit of refusing to stay in their drawers. The writer begins to research former inhabitants of the house and in the process finds a tragic story with a possible connection with the Temple sisters. This revelation prompts more interactions with her neighbors and an offer to help with the ghost from Phoebe.

When the attraction between Phoebe and Rowe heats up, Cara becomes jealous, angry and conflicted. She'd been interested in Rowe herself and dreads what she sees as Phoebe's inevitable disenchantment with Rowe. -- Phoebe has a history of falling in love and failing to end relationships when she was ready to leave. More than once, Phoebe has convinced Cara to impersonate Phoebe for the needed break up. -- Venting about the relationship with Rowe, Cara decides "she'd been Phoebe's minder and interface with the world for twenty years. Twenty years! Enough was enough. She wanted a life of her own. Let Phoebe find out the hard way that the world was not her oyster just because she was sweet and sensitive and beautiful. In fact, the world chewed up women like her and spat them out. And let Rowe find out that Phoebe didn't just have issues, she had a subscription." (133)

However, other elements of Homeland Security discover that Phoebe's gift is "the real deal" and the plot takes an ominous turn. Fast-paced with an engaging and suspenseful mix of spooky -- the supernatural and the political variety -- happenings, Dark Dreamer is peopled with intelligent, witty, complex characters. The romance between Rowe and Phoebe is sweet with some fine lusty moments. Dark Dreamer is a highly enjoyable story that lives up to its series title of "A Heartstoppers Thriller Romance." This reviewer hopefully foretells that there could be future stories featuring Rowe and the Temple sisters and would look forward to them.

-MJ Lowe

BN: Dark Dreamer was re-released by Bold Strokes Books www.boldstrokesbooks.com in May 2007, ISBN 978-1933110745 , $15.95 as "A Dark Vista Paranormal Romance."

Sweet Creek

2006-05-25T11:16:00.000-06:00

Lee Lynch
Bold Strokes Books
www.boldstrokesbooks.com
1933110295, $15.95

Drop a line in the waters of Sweet Creek! From the pen of the venerable lesbian author Lee Lynch comes a novel set in the small rural community of Waterfall Falls, Oregon, at the turn of the millennium and populated by an amusingly high volume of lesbians. One character suggests an inverted energy draws women to the community.

"A dyke vortex. I like it." Chick made a mental note to suggest it to the sheriff, a native who was completely baffled, and not particularly pleased, at the disproportionate numbers of lesbians in Elk County

.... [Jeep responds] "Cool beans! I moved to the poor dyke's Palm Springs."

"Yeah," added Donny. "We don't golf, we fish." (60)

The heart of the area's queer community rests in Natural Woman Foods, a small organic general store and cafe run by ex-hippie, earth-mother dyke, Chick, and her tough but mellowing, working-class, former player, butch partner Donny. Together nearly a decade, the two are struggling with the changes of advancing crone-hood. Chick has a family history of mental illness and worries her current struggle with depression might be symptomatic of something worse. Meanwhile men from their pasts are stirring trouble for both women.

If Natural Woman Foods is the heart of the community, Chick is its reigning queen, er, "femme in charge." (34) She looks after several women in this role, and has many amused, often indulgently affectionate observations about butches, the butch/femme dance in general, and the changes she's seen in community politics (gay and straight).

Up and coming television reporter, Katie, with her flame of the moment, Jeep, arrives looking for something new for her life. She finds herself quickly enamored with the leader of the women's land, a fierce, enigmatic woman named Rattlesnake, or R for short. Katie consequently develops an interest in documenting the struggles the local separatist commune has with the traditional logging industry.

Soon, Jeep, (a melding of "G. P." for Gina Pauline) who appeared in Waterfall Falls sporting a city-styled buzz haircut and a restless attitude, finds herself nursing a broken heart, looking for a new place to live, scrambling to make a living, and trying to sort out what she wants to do with her life. Jeep's coming of age is one of the themes of Sweet Creek and several of the story threads depict transitional life periods.

As is frequently the case with small communities, everyone seems to know everyone else's business. Still, a few surprises arise over the course of the book. Lynch portrays this ensemble cast of charming and interesting characters with humor and insight. Sweet Creek originally appeared as a series of short-short stories in Girlfriends Magazine and the brief episodic structure has been retained in the chapters. This allows for bite-sized consumption of the various storylines that struck this reader as a dyke hybrid of Keillor's Lake Wobegon stories and Maupin's Tales of the City series. While this format makes for easy episodic reading, it sometimes results in meandering plotlines that might distract some readers and could have benefited from some tighter editing. Nevertheless, Sweet Creek is filled with engaging life stories and charming snapshots of the locale. Fans of Lynch are bound to enjoy Sweet Creek, and hopefully new readers will discover her work as well.

-MJ Lowe

Just Like That

2005-11-19T14:24:00.001-07:00

Karin Kallmaker
Bella Books
www.bellabooks.com
1594930252, $12.95

"Everybody knows that a single woman with good money is in want of a wife (1)." English Lit majors and fans of Jane Austen will recognize this paraphrase from the opening of Pride and Prejudice. Karin Kallmaker's latest romance, Just Like That -- set in the wine country of Northern California -- is a very modern, decidedly lavender, adaptation of Pride and Prejudice.

Syrah Ardani is 30, recently returned from years studying Oenology in France. The only daughter of the widowed Anthony Ardani, the owner of Ardani Vineyards, Syrah lives and breathes the vines like her father and is comfortably settling into life at home. Yet clearly something with the family business is… off.

Jane Lucas, Syrah's long time friend, struggling artist and former heart-breaker-butch, is about to fall hard for the new, very eligible dyke in the area, Missy Bingley. Initially Jane, who has decided to "settle down", appears to be on the calculating side about Missy with comments like, "... Definitely a dyke. And femme, so, hey, I'm thinking she needs a wife like me. I've got all the qualifications. I can fix stuff, dance, like to talk and think sex is really fun. My only strike against me is the money thing (3)."

However, Jane is thunderstruck when she meets Missy. Missy Bingley, forty-something, successful businesswoman retiring to rehabilitate her newly acquired historic Netherfield estate, appears equally smitten with Jane. Does love at first sight exist?

Before long, Syrah realizes that her gentle, intuitive, wine-knowledgeable father is the definition of naive with what has to be the antithesis of a head for business. While she was gone, he has incorporated the vineyards, over-extended his capital and been unable to cover his debt. The future of the Ardani Vineyards is in danger and the creditors have gone to court. An "axe man" is being sent to take stock of the situation.

Toni Blanchard is that "axe man." She is also very attractive. Syrah first sees a photograph of her from a Fortune magazine article and describes her thus: "Dark hair twisted at the neck and East Coast stylish, Toni Blanchard gazed out from the page with an expression Syrah could only describe as haughty. If the toes on her shoes had been any longer they'd have curled like some court jester's. Everything about her dripped wealth and superiority(12)."

An intelligent, thoughtful, skilled woman, Toni's job is to make difficult recommendations for companies that are in receivership, and she is well respected in her field. She is also the daughter of Anthony's old college friend. This connection encourages Anthony to believe that Toni will "fix" the situation. The vintner never seems to understand that Toni's role is to represent the court and creditors.

Toni arrives in the area emotionally shell-shocked. Her lover of several years, Mira, has dumped her for another woman, moved out and taken possession of funds that are not hers. Staying with her old friend Missy Bingley while reviewing the Ardani accounts, Toni begins to find some peace in the green hills of northern California.

She realizes that she had not been in love the last several years and that Mira's actions -- while unethical and unpleasant -- hurt her pride more than her heart. Still, Toni is jaded and that makes her doubt the sincerity of the woman who is courting Missy. Furthermore, falling in love is the last thing Toni needs right now; yet there is Syrah, a lovely, radiant, spirited earth goddess seeming to draw Toni to her.

Needless to say, several complications ensue. The future of the Ardani Vineyards hangs precariously. Both Toni and Syrah must deal with their preconceived notions of the other and their stubborn egos in order to have a chance at following their hearts. They must also contend with the nefarious manipulations of Mira and Caroline.

Indeed, Kallmaker has created a decidedly nasty nemesis in Lady Mira Wickham. Even after an unpleasant break up, Toni -- and this reader -- was surprised at how spiteful and meddlesome Mira could be. Missy's snarky nickname for Mira is "reech beech" and that seems mild by the end of the story. For that matter, Caroline, Missy's sister, runs a close second for the title.

Austen fans will recognize several familiar names in Just Like that. Bennett, Netherfield, Jane, and Bingley are among the names and characters borrowed from Pride and Prejudice and some of the structure of the story is similar to Austen's. However, there should be no question in readers' minds but that Kallmaker has written a contemporary novel, with complex realistic characters set in an engaging region. She also provides interesting viniculture background. This is a lively romance with hot sex. The lead characters are sometimes frustratingly stubborn, yet this reader found them compelling and was curious to discover out how Kallmaker would solve the problems they faced.

Austen has been called the mother of the romance novel and there is a nice symmetry to Kallmaker, today's best-selling writer of lesbian romances, paying tribute to the roots of the genre with Just Like That. She has given us a new look at prejudice and a different view of pride all painted with the dark purple of a fruity Shiraz. Kallmaker has bottled a wonderful year for her readers, Just Like That. Decant it and enjoy.

-MJ Lowe

Call of the Dark: Erotic Lesbian Tales of the Supernatural

2005-09-29T14:39:00.000-06:00

Therese Szymanski (Editor)
Bella Books
www.bellabooks.com
1594930406, $14.95

Just in time for your spooky autumn reading, the latest Bella Books anthology, Call of the Dark, has arrived. The 23 stories represent the work of well-known authors as well as new writers. Selected and arranged by Therese Szymanski, this collection is thoughtful and entertaining, sometimes witty and touching, often creepy and always arousing. The focus of the collection is "erotic" and it is not surprising that most of the stories fall into two categories: possession by or seduction at the hands of a vampire or a spirit. Nevertheless the stories are neither repetitive nor entirely predictable.

The vampires range from the dashing, charismatic Daron in Szymanski's "Dream Lover" to the horrific entity in Patty G. Henderson's "In the Blood." Henderson's tale questions the price of life, the cost of loyalty and the pain of survival. Victoria A. Brownworth's "The Feast of St. Lucy" is an aching little tale of loneliness and survival filled with vivid images of the ancient and ageless New Orlean's French Quarter and the scent of bergamot. Perhaps one of the most interesting twists is Ariel Graham's "Games of Love" wherein she illustrates how a really long-term couple keeps the relationship … fresh, and answers that nagging question of what is the appropriate gift for your 500+ anniversary.

The spirits (formerly human, and now ghosts or demon) who haunt these pages are equally varied. An ultimate surrender overwhelms the lead in Radclyffe's "By the Light of the Moon." In Heather Osborne's "That which Alters," the succubus finds herself falling in love with her victim in a fascinating role reversal. "Specter of Sin" allows Kristina Wright to provide a new variation on a traditional kind of ghost story set in the lonely despair of the Texas desert. The switch in perspective is explored by several writers, as when Rachel Kramer Bussel (a contributing editor at Penthouse) opens the door to "The Haunted, Haunted House." There, a ghost provides a heated coming out for a lovely young visitor.

Without question, the most amusing entry of the collection is "Lilith" by Karin Kallmaker. In this wry tale of a queer succubus who outlives her creator and is left to drift through the dreams and fantasies of humans without intent to consume them, Kallmaker opens the anthology and a discussion of the nature of fantasy, focus, and consent.

Szymanski's skillful selection and arrangement of the stories provides valuable contrasts and flow for the reader. Thus, Julia Watt's charming "Visitation" is followed by Barbara Johnson's "Loving Ophelia." The former provides the reader with a satisfying "all is right" even in the "other world" with a psychic who helps a wronged spirit, and has several of her own questions answered in the process. In the latter, Johnson pens a creepy little story worthy of the Twilight Zone.

This placing and pacing of stories allows the reader to read several stories in a row, moving between the touching, humorous, and thoughtful, to the downright creepy, then back again. The lighter entries, like those sunny days or well-lit rooms in a horror movie, serve to lure the readers into letting down their guard for that unexpected twist or nerve-jolting revelation of the next story. And while readers might not find all the stories entirely to their taste, it is not from lack of imagination or skill of writing. None of the stories failed to elicit a response in this reader.

Kallmaker's Lilith laments at one point, "I gathered ever more fantasies and yet had no witch with whom to share them. Truly, to have tales and no one to tell -- is there anything sadder?" (7)

Thankfully, Kallmaker and the other writers in this collection have lots of readers with whom to share their fantasies and we are all the richer for the experience. Pick up a copy of Call of the Dark, light a candle, pour yourself a glass of rich, red wine, and enjoy.
-MJ Lowe

The Unknown Mile

2005-08-29T14:46:00.000-06:00

Jamie Clevenger
Bella Books
www.bellabooks.com
1931513570, $12.95

Life is in turmoil for Kelly Haldon, the protagonist of Jamie Clevenger's The Unknown Mile. A college student who plans to spend the summer earning her senior year tuition, she returns to her home town of Ashton, less than an hour from San Francisco, and experiences that odd "out of place" quality of a young adult in the midst of transitions. Traveling that "unknown mile" without a map, Kelly isn't sure what she wants to do after she graduates college. She can't decide on graduate schools or a profession. Compounding this confusion, within days of her arrival Kelly finds herself involved in love affairs with two women: Shannon has recently finished her Army enlistment and is in the Reserves, while Gina is an SFPD rookie officer. Neither woman has been able to let go of their last relationship and thus both are sending Kelly mixed messages.

Realizing that her job as an instructor at the local karate dojo will not provide enough money, Kelly begins looking for additional work. Very soon, however, the work comes to her. Rick, the enigmatic silent investor in the dojo, offers her to pay her to deliver mysterious packages late at night. Retired from the FBI, Rick runs his own investigative service and, strangely, he seems to be aware of Kelly's involvement with Shannon.

The coincidences compound when Kelly literally runs into a woman in the BART station who has a photo of Shannon's ex-girlfriend, apparently as part of a report of some kind. How can this woman be connected to Shannon? Before long Kelly's Don't Tell" policy for lesbians serving in the military comes to the forefront as it appears that Shannon and some of her friends are being investigated. Somehow Rick seems to be involved as well. Kelly finds herself trying to sort out everyone's secrets while she juggles a few of her own.

The Unknown Mile is Clevenger's first novel. She manages to capture the feel of that unsettled time of one's early 20s and her characters are intelligently drawn and interesting. This is particularly true of Kelly; even when (or perhaps because) she can be annoying in her indecision, she is also often quite endearing. There are insightful and touching little side stories with Kelly's students at the dojo, engaging sparring matches in Kelly's own study of the martial art, and some fast moving, suspenseful scenes in Kelly's "jobs" for Rick. Meanwhile, the sexual energy between Kelly and her girlfriends is electric.

In many ways, The Unknown Mile raises more questions than it answers. And indeed, the next book in what looks to be a promising new series has already been announced. However, the novel is not just a "series teaser" as Kelly does seem to have a little more direction for her drive through life and her growth is satisfying for readers. Like the sporty fun of a little ride in Kelly's Volkswagen Bug (chapter titles are actually the odometer readings from Kelly's car), The Unknown Mile is worth the purchase price of that tank of gasoline. This reviewer will be looking to catch Clevenger's next vehicle as well.

-MJ Lowe

Walls of Westernfort

2005-07-07T19:49:00.000-06:00

Jane Fletcher
Bold Strokes Books
www.boldstrokesbooks.com
1933110244, $15.95

For Natasha Ionadis, the rules of life are as clear as her reflection on the breast plate of her Temple Guard uniform. For the last few of her 22 years, her mantra has been the Guard maxim, "when in doubt, polish it." In Walls of Westernfort, this devout young woman is offered an opportunity by the Temple hierarchy to be part of a covert mission and she leaps at the chance to offer her life to her goddess, Celaeno. She is to be part of a team of three women who are to infiltrate a group of evil heretics, journey to their stronghold known as Westernfort, and assassinate their leaders.

Natasha's commanders doubt any of the women will survive their mission. Posing as a family interested in joining the heretics, the intelligence agents' journey will challenge the beliefs that Natasha has sworn herself to defend, force her to face her own internal crisis, and define the nature of loyalty and faith. Along the way, she also struggles with her definition of family, and finally, love.

Walls of Westernfort is a recent release from Jane Fletcher and part of her growing Celaeno fantasy series. Celaeno is an all-female society in a pre-industrial, pre-Enlightenment setting ruled by a strict theocracy. The idea of a female-centric, goddess-worshipping world is often symbolic of a utopian culture in lesbian-feminist founded speculative fantasy and science fiction. And a new reader to the Celaeno series might be tempted to adopt this view initially, especially as she travels with the naive and earnest Natasha on her coming-of-age quest.

However, it soon becomes apparent that not all is as it may appear in Natasha's world. The Temple authorities who oversee the worship of Celaeno, with its complex undercurrents of science cloaked in religion, will tolerate no deviance from its established policies and will stop at nothing to ensure compliance with temple law. Thus issues involving the nature of religion, particularly that of a fundamentalist view, and the dangers it can impose in politics is a primary theme of Fletcher's Celaeno world.

As a result, Walls of Westernfort, is not only a highly engaging and fast-paced adventure novel, it provides the reader with an interesting framework for examining the same questions of loyalty, faith, family and love that Natasha must face.

Refreshing in its original twists on old themes, the Walls of Westernfort is well conceived and Fletcher's characters are multifaceted and interesting. Through Natasha's eyes the reader is treated to layered discoveries of the complexities of these women. Indeed, it is through familiarity that the "evil heretics" are revealed to be intelligent, equally determined women struggling to survive within their own conscience. This humanization of the evil enemy creates increasingly difficult internal conflicts for Natasha, forcing her to think for herself rather than accept established doctrine.

It is unnecessary to have read any other Celaeno novels to follow the action and the unfolding culture. While some of the characters in Walls will be familiar to readers of other Celaeno titles, the series is not designed to be strictly chronological. Rather, it appears to be theme-based on the institutions of that world, with stories focusing on the ruling Sisters of the Temple, the Temple Guard, the Rangers, the Militia, the psychically skilled healers known as Imprinters and, perhaps most importantly, the heretics.

In Walls of Westernfort, we see the Temple Guard, inside and out. We learn of their strict code of discipline and life, including abstinence from alcohol and sex, and with Natasha we learn of the harsh, cruel methods the Guard employs to deal with heretics in the name of Celaeno. Natasha finds herself struggling with age-old conflicts faced by military personnel. Is it lawful to complete a mission that is morally wrong? Is it insubordination to refuse? Who gets to decide?

Related to Natasha's self-questioning is her growing attraction to Dani, one of the heretics assigned to guide the "family" to Westernfort. A potter by trade, Dani's short life is marked by scars from a great deal of loss and pain, courtesy of the Guards. And as the attraction and affection between the two women grows, it will become apparent that before Dani can allow herself the hope of loving Natasha, she will have to deal with those scars.

In Walls, Fletcher brings this chapter of Natasha's life to a satisfying conclusion. However, it is clear that many stories of Celaeno remain to be explored. This reviewer will be looking for other titles set in Celaeno and hopes that Fletcher continues with her storytelling.

Sugar

2005-04-15T20:01:00.000-06:00

Karin Kallmaker
Bella Books
www.bellabooks.com
1594930015, $12.95

"She'd read a romantic book and thought maybe someday life would be like that, but it never seemed like women in books had jobs and families and worries -- things that made it hard to look around for somebody who might be fun, might want to see if where they were headed in life was the same destination." (79)

This passage defines a theme in Karin Kallmaker's newest romance, Sugar. Kallmaker, arguably the best-selling writer of lesbian romances, contrasts images of a "traditional romance" (if such a thing can be said to be portrayed in lesbian writing) with the realities of love as it exists in everyday life. The lead character, Sugar Sorenson, is a talented, intelligent woman in her thirties struggling to establish her own specialty bakery business in Seattle's post-Dotcom-boom. The action opens when Sugar's home is destroyed by fire and her plans for competing in a city-wide "Cook Off" contest, with its related monetary prize and boost in notoriety, are seriously threatened.

After months of no social life, Sugar suddenly finds herself under the romantic notice of not one, but three attractive, dynamic women. There is a gentle but strong social worker named "Tree," a tall, dark and handsome firefighter named "Charlie" Bronson, and the elegant and vivacious television producer named Emily. Their combined energy is almost more than Sugar can juggle after her long, self-imposed solitude, not to mention the stress of the fire. For a time, Sugar is confused because her apartment is not the only fire she is feeling. The sexual tension is palpable and Kallmaker serves readers a few deliciously hot scenes. Sugar tries to decide which woman really attracts her -- and, more importantly she realizes -- which woman's life is headed in the same direction as Sugar's.

With nowhere to go Sugar finds herself returning to her maternal grandmother's house and braces for the onslaught of judging, preaching and meddling that characterized her grandmother while she was growing up. But something has changed dramatically and Sugar discovers that she perhaps didn't know her grandmother as well as she thought. There are assorted complications and mis-communications to occur in the weeks following the fire and Sugar's life does not turn out as she'd expected.

Food and baking flow through the novel in many ways. Descriptions of complex baking projects occur through much of Sugar's day as well as the steady, comfort baking of Sugar's grandmother. Further, Sugar's world view is often cooking related with Emily's eyes being "the blue of four drops of food coloring into a quarter-cup of sugar" (p7) and a woman is "hotter than Tabasco." (132)

Sugar is a kind of "every lesbian" and the issues she and her friends deal with are those that most of us face in our day-to-day lives. Kallmaker's Sugar does not follow the "story book romance" formula; however, she plays with its themes. Even the cover art, which is reminiscent of a 1950s "happy home maker" image, tweaks at this "ideal."

Kallmaker's writing is charming entertainment. Her wry wit and gentle humor prompt smiles and quiet chuckles, as when Sugar dresses for her first date in months to discover "Good God in heaven, how long had that enormous black hair been growing out of her chin?" (p63) Or when Sugar mentions that she'd heard Charlie and Tree had dated for a time, and is told "We did not. We met at agreed upon places and argued." (p182)

In many ways, Sugar is a return to some of Kallmaker's earlier romances, like Painted Moon or Making up for Lost Time. However, if it is a return, it is not without the maturity that her writing continues to develop. Peopled with real women who are grounded in the realities of life and willing to accept the risk of love, Kallmaker's "romance" provides readers with simple, touching moments. As Sugar reflects, "The world seemed peacefully asleep. It was just her and the moon and the scent of Emily on her fingertips." (111) Sugar is a lovely dessert of a book made with real eggs, butter, and no doubt, chocolate. Light and fun it is, yet it's not an artificial confection. Readers of the lesbian romance genre will want to lick the spoon.
-MJ

All the Wrong Places

2005-01-14T20:33:00.002-07:00

Karin Kallmaker
Bella Books
www.bellabooks.com
1931513767, $12.95

At 26, Brandy Monsoon is about to "grow up." In one week she will: face the ghost of her father and the pain of her childhood; realize that while she might not "know" that she can have "forever after" with one woman, she wants to try; and discover that a family of choice and community are options even for a dyke on an isolated resort island in the Southland.

Employed as a fitness instructor and staff member for Club Sandzibel, Brandy finds a ready supply of casual lovers among the resort's female guests but none of them are interested in more than their holiday fling. Meanwhile, her best friend Tess, though willing to share a more-han-friendly-night occasionally, is supposed to be straight ... a point that confuses both women.

Brandy is the wholesome, girl-next-door, phys-ed major. She clearly enjoys working at the resort, including her shifts teaching children tumbling and various team sports. In a charming scene from the end-of-the-week, Brandy observes, "I was set upon by the toddlers again, and this time I gave chase. We'd had a running battle all week and it was time to show these desperadoes who was the law. That would be me, Sheriff Monsoon.

I hadn't quite proven my superiority when their parents came to claim them for a last good-bye. One protested it wasn't Saturday yet, while the other said I was the best playmate ever. ... I have to say that part of the job is pretty cool. Kids give great hugs." (33-34)

When an all-lesbian tour group arrives for the week, Brandy finds the acceptance and validation that she has rarely enjoyed. Furthermore, the famous lesbian entertainer, Celine Griffin shows clear interest in some after-dinner Brandy. Meanwhile Tess' behavior is becoming less and less straight.

All the Wrong Places is the first erotic novel-length title released by the "Bella After Dark" imprint and there is truth in advertising here. Brandy's sexual encounters are explicit. Kallmaker does not shy away from earthy language during sweaty encounters and she opens the "toy chest" and lets her characters explore "accessories." There is a forthright and evocative negotiation of adult consent as well as a subtle but highly charged power exchange between Brandy and Celine.

Some Kallmaker fans may find themselves challenged by this bolder approach. Hopefully they will also find the story to be arousing entertainment. They can be reassured that All the Wrong Places is also one of the sweetest little romances that Kallmaker has written. For example: "Our bodies were suffused with the golden light that seemed to radiate from her eyes and smile. We were falling together, mouths feathering kisses on any skin we could reach. Touching her anywhere felt like touching sunshine. Her shoulders were as warm as her mouth and we were in danger of losing our edges, our form, as we melted together." p 139

Given the length and focus of the story, Kallmaker's characters show depth, humor, and heart with a willingness to grow. Thus All the Wrong Places has a number of elements readers have come to expect from Kallmaker; in addition to hot sex and sweet romance, there are touching side stories and delightful wit. Indeed the humor is bubbles throughout the story. And in a laugh-out-loud moment for this reviewer, Kallmaker tosses in what has to be the funniest variation on the classic "U-Haul joke" in years.

Brandy is the youngest lead character that Kallmaker has explored in her novels since Reese in Watermark. Hopefully a new generation of readers will find Brandy's voice familiar to their own experience and will consider Kallmaker's other novels as a result. Long time fans can enjoy All the Wrong Places as another example of Kallmaker's willingness to explore new elements in her classic story telling style. All readers can enjoy the affection, validation and respect that she gives her characters and by extension her readers. This erotic romance is a like a lovely slice of the chocolate bread that appears on the resort dessert menu; and like that confection, you'll want to savor it slowly and very likely go back for more.
-MJ Lowe

Dreams Found

2004-10-07T21:51:00.001-06:00

Lyn Denison
Bella Books
www.bellabooks.com
1931513589, $12.95

"Wait on." Cathy held up her hand. "Maggie Easton and Jayne Easton?" She slapped the side of her head and her graying curls bounced. "Jayne's Maggie's daughter and your sister?"

"Ah, no. Jayne's Maggie's husband's daughter from his previous marriage," Riley explained.

"You mean your boss is your mother's stepdaughter?" Lisa laughed. "That makes you stepsisters."

"I think the butler did it," Brenna said dryly and they all laughed. (81)

In Dreams Found, the latest romance from Lyn Denison, an out lesbian and skilled carpenter, Riley has known she was adopted for years. However, Riley recently has taken steps to locate her birth parents. She finds Maggie living in Brisbane with a husband and three stepchildren. Imagine Riley's surprise when she also finds herself attracted to Jayne, a woman who, while not blood related, is her stepsister! The required misunderstandings abound, particularly in regard to secrets. Kept secrets are justified because Maggie wants to tell her husband first about Riley before her stepchildren learn of her. With the convolutions and secrets, the plot could have been for a bit more humorously treated without losing its serious quality. Instead Denison goes for the angst in a way that is not particularly engaging to this reader.

Dreams Found is one of Denison's shortest works and in this reader's mind something is missing. Perhaps it's the way the author deals with family issues. This is a primary issue to the story. Riley is depicted as a woman for whom family is an important support system. It is perhaps for this reason that she decides to reach out to her birth parents. The two negative, if not just dislikable characters in the book, Darren, Jayne's business partner and apparent love interest, as well as Lisa, a lesbian who is attracted to Riley, both belittle family relations. Darren could almost be tossed off as the self-centered, thoughtless male whose disrespectful treatment pushes Jayne to reevaluate her life. (Darren's stereotypically negative male qualities are acceptable in that several other male characters, family members and friends are depicted as caring, intelligent humans.)

However, the author seems to skim over the fact that neither character seems to have enjoyed the family support that Riley or Jayne do. This is particularly troubling of Lisa. Of her family, we're told that her "parents had been through a messy divorce, and Lisa and her three siblings had spent their childhood years swinging between an alcoholic father and his latest partner and their manic-depressive mother. Lisa left home as soon as she was able and she'd never gone back. She hadn't seen either of her parents for years and was happy to maintain that particular status quo." (9) The portrayal of Lisa's inability to bond with family is seen as a serious character flaw for the unsympathetically portrayed Lisa, but with a family like Lisa's, who can blame her?

Lisa's family of origin is almost implied as an excuse for some of her behavior: that of being tactless, blunt to the point of pushiness, and unwilling to accept Riley's declination that their casual relationship be explored in a more serious way. We're told, "Riley's sense of family had been a source of tension between them on a couple of occasions. Lisa couldn't or wouldn't recognize Riley's closeness to her family, the respect and love she had for her parents and older brother." (9)

This simplistic portrayal is particularly annoying when in reality many lesbians, gays and bisexuals have found their families of origin unsupportive in the face of their queerness and have as a consequence worked hard to develop support systems that are based on the love and respect of friends, i.e. "families of choice." A point that is itself personified when Riley hesitates for weeks to tell her newly found birth mother that she is a lesbian. This somehow suggests it is more difficult for Riley to risk Maggie's rejection because family is important to her. Further that Lisa, who did not enjoy that kind of relationship with her family, had it easy and shouldn't be so brusque about the importance of family to Riley. Lisa's point of view does not excuse her rudeness. However, it is Riley's inability to "get" Lisa's issues with family that made Riley, not Lisa, the one needing to work on her compassion. It is possible that Denison did not intend for this presentation. Indeed, given her other works, it is even likely that she did not. However, the impression left a bad taste with this reader.

Lesbian romances are not merely the idealized tales of love that heterosexual romances can be. Lesbian romances hold a much more complex role. They serve as a validating mirror for lesbians and our community. Hot sex is rarely enough for a lesbian romance to be a success. It can be, as it is in classics like Forrest's Curious Wine. While the erotic moments in Dreams Found will hold most reader's attention, they are not enough to be the primary focus. Denison has put the definition of "family" on the table for this novel and since she has only validated families of origin, those readers who have created families of choice may feel left out in the cold.

Dreams Found is a pleasant enough, albeit brief, read for a slow evening. However, overall the novel is predictable, and not particularly interesting, nor funny. Dreams Found does not hold up to the quality of Denison's earlier novels. Hopefully, this is not a trend. In the meantime, Dream Lover, The Wild One, and Gold Fever are all better reading in this reviewer's opinion.

Caught in the Net

2004-10-06T21:43:00.001-06:00

Jessica Thomas
Bella Books
www.bellabooks.com
1931513546, $12.95

A new dyke detective for the armchair mystery fan has arrived! Caught in the Net is a first novel from Jessica Thomas and introduces Alex Peres. Alex is a thirty-something dyke who lives (and grew up) in Provincetown, Massachusetts. Arguably, one of the country's most famous resort towns for gays and lesbians, Provincetown is "that strange and beautiful place, where the men are pretty and the women are tough." (1) With its seasonal population tide of tourists Provincetown plays as much of a role in Caught in the Net as many of the characters and Thomas brings the town's New England quirkiness and its queer color to life for her readers.

A thoughtful, self-sufficient, and independent woman, Alex Peres is a wry observer of nature (human and otherwise) who uses that skill to support herself. On the creative side her perceptive eye is expressed by her photography. She creates artistic impressions of the Cape and Provincetown area that are sold at local galleries. Alex's more analytical observation skills go into her work as a private detective. A job, which she explains, is filled with interesting but sometimes tedious work like following a wayward husband.

Fargo, the detective's 90-pound, black lab is as much a star of Caught in the Net as Alex. The details of Alex and Fargo's relationship will bring smiles, chuckles, tail wags, and warm fuzzy feelings, especially to readers with a canine love. Indeed Fargo's companionship is primary to Alex who has had rather bad luck in the love department.

That bad luck has held until a new woman appears in town. Janet Meacham, a beautiful, intelligent, young woman has moved to P'town to start a new chapter in her life. Alex finds herself quite taken with Janet and the attraction appears to be mutual. Alex thinks that this is a relationship that could build in a more positive direction.

Meanwhile the severed human foot that Alex, or rather Fargo, found on the beach during a daily walk is the foundation (as it were) of a series of crimes in the area. Alex's brother, a local cop is looking for a young man who may have known the owner of the foot.

This first novel from Thomas is filled with witty insights regarding human foibles with Alex personifying several endearing qualities. Of herself, Alex claims, "Frankly, I am not a great admirer of children as a species -- the younger ones smell funny and the older ones look as if they know something you don't-- but even I didn't want two young kids stumbling on this piece of flotsam or jetsam or whatever you called a lost/discarded body part". (10) Or regarding her personal habits, "I sat behind the wheel and took a pack of cigarettes off the dashboard and lit one of the five I allow myself each day. I allow myself five. The other eight or ten I smoke are not allowed." (11)

Although an engaging character, Alex does not quite ring true as a typical Gen-Xer, which might annoy some readers. The mystery is a little thin with a plot that is probably predictable for most fans of the genre and a tad irritating in that Alex did not seem to see it coming. However, the lovely writing, quirky characters, charming setting, and wry observations provide a great deal of promise for future Alex Peres mysteries. Many readers will find themselves caught in this net for pleasant evening's reading.

-MJ

That's Why They're in Cages, People!

2004-09-24T00:04:00.001-06:00

Joel Perry
Alyson Books
1555837425

Joel Perry's laugh-out-loud-funny book, That's Why They're In Cages, People! is a thought-provoking collection of essays that should go on people's gift lists this year. The 58, three-to-nine page, essays address a broad range of topics concerning the gay (and straight) world with a sharp wit, a glittering tongue, and importantly, a great heart. Divided into eight themed parts, Perry begins with topics on "Living the Life" including observations on just what Pride is in these early years of the 21st century in "Bring Your Own Pride." A native of North Carolina, Perry dishes out some amusing thoughts about the Southland regarding food, religion, and homophobia.

Perhaps the most interesting juxtaposition of topics is found in "Holy Cowhide!" This portion juggles issues of Christian churches, Perry's own rediscovery of faith, and the leather community. One of the most amusing of these entries is "Things your Mother never told you about leather," which details several outrageously funny observations any neophyte exploring the leather scene, including how to pull on a pair of leather pants. On this topic, Perry concludes that "I guess what no one told me is that along with all the cowhide and attendant paraphernalia, I'd need a sense of humor. But what else did I expect from a fetish that requires so much role playing, production, drama, and drag? In saying that, it's not my intention to offend anyone in the leather community. But then again, if I have, well, I need to be punished, don't I?"(80)

Perry tweaks the entertainment industry several times. For example, in the "Debbie Allen Dance Number," Perry is in mourning because of the loss of that most outrageous of Oscar Award night elements. And in "Queer as HGTV Folks" Perry suggests that the most realistic and grounded images of GLBTQ people can be found on the Home and Garden network shows. "Gay people shown as intelligent, contributing, successful, resourceful, caring, creative, but otherwise unremarkable people. What a concept." (140)

An appropriate recompense for celebrities and other "people of privilege" provides the title for the book. It was inspired by an incident wherein Sharon Stone's ex-husband, Phil Bronstein was bitten by a Komodo dragon during a "behind the scene" tour of the LA Zoo in return for a hefty donation from Ms. Stone. Perry suggests that some celebrities, particularly those who are suffering from the weight of their own egos might benefit from a bit of time in the "dragon cage." (Readers may find themselves tallying a list of candidates for the cage as well.)

Not surprisingly, Perry makes several observations about the queer community, revels in the power and humor of our stereotypes, and suggests that the GLBTQ community own its issues and strive for more. Perry is more than blunt in his assessment of some trends. One could even consider him an "equal opportunity offender." He is bound to make most readers at least a bit uncomfortable at some point in the book. Indeed, Perry seems determined to challenge readers and, hopefully, to prompt them to think in the process. The saving grace of these well-aimed barbs is that Perry is neither mean nor bitter in his humor. Outlandish, yes! His "Urban Legends" makes fun of the phenomena and stereotypes in a fairly over the top manner. And in "Aunt Christmas" we find that Perry is not beyond sharing a touch of revenge.

Meanwhile, "Glitter on my Heart" and "Birth Day" will tug the heart strings of the most cynical queer. The former details a partner's decision regarding how to dispose of the ashes of his dead lover. The story is touching, funny, and appropriately festive. The latter essay is a wonderful, roller-coaster, over-the-top, coming out story complete with marching band, men in grass skirts, and New Year's kiss in a leather bar.

The bite-size format of the essays makes this a fun book for those times when you have just a few moments to read. Pick up a copy for yourself and give one to your friends this year. We all need a laugh and this anthology is filled with them!
-MJ Lowe

Once upon a Dyke: New Exploits of Fairy Tale Lesbians

2004-06-25T22:09:00.001-06:00

Barbara Johnson
Karin Kallmaker
Therese Szymanski
Julia Watts

Bella Books
www.bellabooks.com
1931513716, $12.95

Once upon a Dyke: New Exploits of Fairy Tale Lesbians is an amusing and arousing quartet of novellas from four well-known lesbian writers. Culturally speaking, fairy tales were created for several reasons; community identity, teaching morality, and of course, as entertainment. Thus it is fitting for a group of lesbian authors to reconsider fairy tales and ask in their introduction, "Why were the heroines always pretty, pure, passive little things who needed rescuing? .... What was so charming about Prince Charming anyway?"(viii)

Julia Watts pens an interesting retelling of Beauty and the Beast set in the rural South roughly 100 years ago. "La Belle Rose" questions the nature and quality of "otherness." Everyone sees Rosie as "normal" and yet this "pretty" young woman has always felt the different-ness of her internal self. Rosie escapes the expectations of others by joining a carnival show, and finds that her views of what is proper and normal resonate with the show's company more than with her family. When Rosie finds love with a "beast" many expect that it is only a temporary amusement because Rosie is "normal" and could return to the "normal world."

Watts challenges readers to look beyond the surface and our assumptions. "La Belle Rose" is a parable for many gender issues, including the ability for more traditionally "feminine" lesbians or bisexual women to "pass" in the "normal" world. She points out that these women who have a "choice" about their role and place in society suffer pressure from both the "normal" and "other" world. Rosie's solution to this quandary is a very touching one. For fans of Watts' novels, the tone of "La Belle Rose" is recognizably hers with its engaging characters, empathetic presentation of heartache, the rural southern setting, and the touching, unexpected, resolution.

Therese Szymanski takes her readers on a witty little romp in "A Butch in Fairy Tale Land." This trip through several fairy tales is a kind of "Queer Eye meets Quantum Leap." Cody is a sweet (but don't call her that), sexy, well-meaning, romantic butch who likes to rescue fair maidens, or meddle in the lives of friends, depending upon one's point of view. Thus, when she stumbles into an enchanted forest and runs into Little Red Riding Hood, Hansel and Gretel, and a range of princesses, Cody finds she HAS to solve their problems. (This, despite the fact that the characters are rescued in the stories that come down to us.) The action grows erotic as Cody discovers Rapunzel in her tower, not to mention a totally new slant on Snow White and the seven ... dwarves. Cody's wry observations prompt several laughs. For example in this little bit when she evaluates her decision to kill the witch that Hansel and Gretel have met in the forest:

"The point I was struggling with was, what if this was a misunderstood good witch, a victim of patriarchal mistrust of feminine nature and oppression of old womyn and their unusual abodes? What if I chopped up a good Crone? How would I ever go [to the Michigan Music festival] topless and share tofu again? Well, now that I thought about it ... maybe the key was to just get it over quickly. Trust the fairy tale. Next time I was passing the talking stick around the bonfire, I just wouldn't mention this little episode." (820 Most contemporary fairy tale reinterpretations attempt to flesh out the stereotype or symbolic characters of the story. However, in this satirical survey of fairy tales, Cody is the opposite. She becomes "The Butch" a new queer fairy tale persona for the 21st century. Overall this characterization works as a way to keep the humors, as it were, flowing.

Barbara Johnson's "Charlotte of Hessen" is a sweet retelling of Cinderella with a sprinkle of "fairy dust." An orphaned Charlotte finds herself at the mercy of an unpleasant step-mother and two step-sisters. Charlotte takes solace in the animals of her woodland retreat and in Mina, a striking young woman sporting men's clothing. Mina's love makes her life worth living. Little does Charlotte know how true that will be! This charming story is after a fashion the most "traditional" retelling of the four. However, the erotic moments and amusing double lavender twist ending will please readers.

Karin Kallmaker's "A Fish Out of Water" turns "The Little Mermaid" on her tail and creates a "Mer" culture that is complex, magical, sensual and perhaps not as superior as it first appears. Ariel is the seventy-seventh daughter -- Not the most advantageous of birth order -- of the Queen of the Mer. When Ariel and some of her Mer friends go "hunting" for "human song" one night, Ariel accidentally breaks an edict from the queen and is punished for it. In a complicated twist, her sentence holds the possibility of a "cure" which is heavily laced with its own punishment.

Kallmaker reflects the original story's themes of love, redemption and self-sacrifice; poses questions about the nature of desire and obsession; and tweaks the reader's point of view in what is considered "perverted." As a tale about magic and fantastic beings, "Fish Out of Water" is more typical of her Laura Adams' fantasy novels than Kallmaker's contemporary romances. The story also carries Adam's lyrical writing voice with the Mer "song" imagery, dark mystic elements, and use of symbolism. This thoughtful, bittersweet story is a vast improvement over Andersen's original. Yes, it is definitely a fairy tale for this century.

Finally, Once upon a Dyke is a title in Bella Books, "Bella After Dark" imprint or as the editors say in their introduction, "Fairy Tales are about sex, and we're not shy."(viii) The sex gets steamy and sometimes may challenge readers. The novella formats make for a nice change of pace in reading. Once upon a Dyke is romantic, funny, thoughtful, and hot. Buy a copy and live happily ever after, for a while.
-MJ Lowe

Packing Mrs. Phipps: A Jo Jacuzzo Mystery

2004-06-14T22:18:00.002-06:00

Anne Seale
Alyson Books
www.alyson.com
1555838375, $13.95

This first novel from Anne Seale introduces readers to a new lesbian mystery series. Jo Jacuzzo, a 27-year-old, shy, intelligent (if not the most educated), softhearted butch finds herself thrown into a series of unexpected, complicated, and even life-threatening events. Jo's first person narrative is often amusing and her view of the world has a sweet, almost childlike innocence that is charming without being saccharine. While touchingly neurotic and somewhat naive, Jo is also loyal and a bit stubborn with a definite moral core.
Until the last few weeks, Jo has worked as a homecare-nursing aide. However, an accusation and complaint from the family of one of her clients has resulted in unemployment for Jo.

Although she still lives with her mother and her mother's partner, Rose, Jo has been paying her part of the household expenses for years and her unemployment is a hardship for all. Soon her mother pushes Jo to accept a temporary job. That "errand" is to go to Tampa, Florida, and help pack up the snowbird mother of a friend for her summer return to Buffalo.

Of this mother-daughter talk, Jo comments, "I knew I was in for a deep discussion. [Mom]'d said, "So, Jo" when explaining what Kotex was for and before telling me that Daddy had left us, among other depressing things. (Having Daddy leave was depressing only because we didn't leave him first.)" (9)

The road trip begins safely enough. Jo stops to visit her Uncle Dom in Cincinnati to help him with some chores. She gets the low-down on him from the neighborhood kids including, "The best bit, however, was that he pushed an evangelist off his porch last year and had to do community service. That's my family, heathenish to a fault." (15)

When Jo's beloved Toyota truck has a break down in rural Georgia, she finds herself accepting a detour to Arizona to help the beautiful if enigmatic heiress, Charity Redmun, drive a motor home across country. The complications from here on are exponential.

Packing Mrs. Phipps is a very funny novel and Jo's observations are wonderfully droll at times. For example, this exchange with a woman who befriends Jo: "I guess people name their kids Faith and Hope, so why not [Charity]? Sonny and Cher even named their daughter Chastity. How'd you like to go though life with a name like that? What guy would want to have sex with a girl called Chastity?" [Jo's response] "I'm guessing that doesn't bother her too much." (184)

The mystery's plot has several unexpected twists, not the least of which is Jo deciding to go undercover to try to find a killer, and dressing as a high femme named "Sheridan" to infiltrate a right-wing militia group near the Mexican Border. Few things are quite as they appear to be in this suspenseful little tale. There are one or two incongruencies uncaught in the editing process -- like the change of a meeting time from afternoon to morning within three pages and without the implied change of that time. -- Nevertheless, Jo Jacuzzo is one of most charming reluctant detectives since Sarah Dreher's Stoner McTavish series. This entertaining and promising first novel will have this reader looking for Jo's future adventures.
-MJ Lowe

Wizard of Isis

2004-05-29T22:33:00.000-06:00

Jean Stewart
Bella Books
www.bellabooks.com
1931513724, $12.95

Wizard of Isis, opens moments after the close of Winged Isis, and this fifth title in Jean Stewart's Isis novels is possibly the best of the series. As with other Isis books, Wizard is fast-paced and action-packed reading. Tomyris "Whit" Whitaker and Danu Sullivan ended the dogfight that culminated Winged Isis by chasing two jets (one carrying a nuclear weapon) back across the barrier between Freeland and Elysium. In their enthusiasm to defeat the invaders, Whit and Danu find themselves trapped in the racist, patriarchal, theocratic country. Occupying the eastern portion of what was the United States, Elysium arose some nine decades prior to the book's setting in a panicked response to a population-devastating pandemic.

Having established her futuristic, post-apocalyptic world that divided what is now the United States into two extremely divergent cultures, Stewart explores the possibilities of pockets of resistance inside the oppressive Elysium, where women who are not willing to subjugate themselves to men are literally enslaved or killed. She sets this resistance in the difficult terrain of the Appalachias. Dubbed "Amazons Outlaws" by the Elysium authorities, Stewart suggests that these women banding together for survival in mountain enclaves might easily carry the archetypal characteristics of the independent woman, the fighting "Amazon."

While the women warriors of Freeland were lucky enough to preserve and further develop their technology, these Amazon communities have been struggling to maintain what has reverted to a pre-renaissance trade culture in the last three generations. For several years, they have received an added boost in the form of a very psychically powerful Witch. Whit is concerned that the witch might be a nemesis from her past. Certainly, the witch's motivations and control over the community do have a dark side.

One of the interesting points about Stewart's Freeland democracy is that it is not some mystic tofu utopia. The political struggles and factions are a lively, complex element of the society. While these women are not afraid to defend neither their homeland nor their loved ones, the method of rescue for Whit and Danu is subject to debate by the ruling council. During these council negotiations, Kali, Whit's life partner, and Tor, Danu's girlfriend, decide to circumvent the time-consuming political haggling by launching their own rescue mission. Needless to say, this impulsive venture compounds the problem.

As non-mainstream, speculative fiction, Stewart's Isis series raises some frightening questions about our political system, health care, and our environmental responsibility. These issues ring even truer today than when the series first appeared in 1992. Indeed, Stewart's Isis has long been a warning parable for our times. She furthers this exhortation in regard to the controversial issues of freedom, independence, diversity, safety and community; issues with which the United States has been struggling with since the terrorist attacks of 9/11.

An exemplifying moment is a scene of Danu reciting the Preamble to the Freeland Declaration of Independence concluding, "We are the summit, the democratic ideal that mankind has been aspiring to throughout the ages. It is our duty to protect liberty and freedom in order to ensure it for those who come after us."(111) Despite the ironically sexist and unlikely use of "mankind," the ideals stated so eloquently sent shivers through this reviewer.

The point becomes more blatant near the book's climax when Kali tells a crowd of Elysians "A long time ago, your ancestors exchanged freedom for promises of safety, and you're doing it still. You stopped being Americans." (210) (Kali was doing great until those last four words since the Elysians present at this moment were not likely to remember or have knowledge of "America" given the repressive cultivation of illiteracy some 90 years after the fall of America.)

Despite the heavy political topics, bleak circumstances, and explicit violence, Wizard of Isis has some charming to downright funny moments. When an imprisoned Kali faces the local Elysian warlord, her strength of will and defiant nature prompt her to use what weapons she has left, namely her wit and voice (and perhaps a touch of her psychic abilities) to strike out at her captors. For this reviewer, the humorous pay-off of this scene is practically worth the book's purchase.

Wizard of Isis has all of the qualities that readers have come to expect from Stewart. The story is thoughtful and intelligent, action-filled and exciting. Her characters are interesting, complex women (and men). While she deals with archetypal elements, not all of her women are noble and heroic and not all men are evil. Indeed, one of the themes of Wizard is the idea that most Elysians are trapped themselves rather than actively supporting the regime. With a signature high-energy climax, Wizard of Isis adds a few surprises to the Isis Saga and it will be interesting to see where Stewart takes readers next.

-MJ Lowe

Painted Moon

2004-04-17T01:07:00.001-06:00

Karin Kallmaker
Bella Books
www.bellabooks.com
1931513538 $12.95 214 pages

Bella Books has re-released Painted Moon, one of this reader's favorite Karin Kallmaker romances. The novel deals with issues of grief and healing, self-discovery and coming out, falling in love and loving again. Leah Beck is an artist who lost her lover and partner in a freak accident two years ago. Jackie Frakes is a young architect who is struggling with her dissatisfaction with life.

An unexpected snowstorm throws the two women together in a small cabin in the Sierras Nevadas for Thanksgiving. For Leah, the meeting will shock her into realizing that while her beloved Sharla is dead, she is still alive and still an artist. Kallmaker provides interesting illustrations regarding how an artist might see the world. Leah expresses her emotions and even tastes as colors. She speaks about where she grew up as " beautiful, full of life. The greens in the spring would actually hurt my eyes ..." (p48) and watching Jackie's " face flicker with emotions. She would paint it gray uncertainty, purple determination, chartreuse fear. "
(p60).

The pleasing addition to this re-release is the new cover art. Bella Books is to be commended for their graphic designs in general. This cover is one of their best to date. The photograph is reflective of a pivotal scene over Thanksgiving when the snowstorm breaks and Jackie, Butch --Leah's husky, named because, "she acts really tough, but when you get her on her back, she's a pussycat."(p19). -- and Leah venture out into the snow under a full moon. In an epiphany for Leah, for the first time since Sharla's death, she finds that she HAS to draw, to paint, to create what she sees. "Leah stood frozen, her fingers itching. The top of her head felt as though it was burning. The moon hung low in the sky, casting a faint blue over the snow, across the ground, on the tips of the dark pines. Jackie was etched in cerulean. Her braid spun in the light, the face reflected the moon's glow. Her cheekbones were dusted in blue celeste, and her chin was a blur as she threw herself into another drift of the silver-blue snow." (p37) The resulting series of paintings is titled "Painted Moon."

Creative juices are not the only kind that Jackie inspires for Leah. Jackie's epiphany arrives a few hours later when she admits that she finds herself sexually attracted to the enigmatic Leah just as her aunt and uncle arrive to carry her home. There are complications and misunderstandings in the course of the romance. When the two women come together, the energy is electric. And it shows in Leah's work. The artist finds herself creating a highly senuous series of paintings that feature Jackie. Someone observes, "Would anyone but another woman know that the small of a woman's back is slightly darker, slightly hotter than her shoulders? That her hips are cooler, her thighs smoother?" (p179)

Painted Moon has what this reader considers classic Kallmaker elements with interesting characters, wry wit and steamy love scenes. (Some of the images of Jackie and Leah have lingered in my mind for years.) If you missed this title the first time around, or if you are new to Kallmaker's novels, pick up a copy of Painted Moon and bask its glow.

One Degree of Separation

2004-04-10T00:57:00.000-06:00

Karin Kallmaker
Bella Books
www.bellabooks.com
1931513309 $12.95

"Life is twisted" is a favored exclamation from Liddy, a twenty-something dyke from Berkeley, California. Newly graduated from Cal with her Masters degree, Liddy has taken a contract to conduct research for a nationally known writer and finds herself trapped in the Iowa corn-belt for the summer. Her goal was to get away from the West Coast and an affair that ended very badly. She has no intention of getting romantically involved with anyone this summer. The women of Iowa City which boasts, arguably, the highest concentration of dykes living in any town in the Midwest, have other plans for "fresh meat." Even Liddy finds herself reconsidering her goals when she meets "Marian the Librarian. "

If you are a librarian living in the "River City," Iowa and your name is Marian, you might as well surrender and embrace the humor of the musical. Marian Pardoo, on the Reference staff at the Iowa City Public Library, has done just that. Her dog answers to "Professor Hill" while her cat is dubbed "Trombone." Marian enjoys her work and is pleased with life in semi-rural Iowa. However, she is nursing some major heartache. That pain sometimes makes her life very difficult.

Neither Liddy nor Marian is prepared for the chemistry that strikes when they meet. Their conflagration is wonderful, frightening, and more than a little confusing. Or as Liddy wonders, "Was she in a foreign movie with no subtitles? Or was this just the way the dykes dated in Iowa City? Yes, no, yes, no, talk, talk, and more talk?" p112

The two women struggle to overcome their fears of getting hurt by love again and find that sometimes communication is difficult. When Marian looks for a greeting card to express her feelings for Liddy, she finds, "There weren't any cards that said, 'Can we do it like rabbits and still be friends?' Not one read, 'Ignore what I'm saying and jump me, now!'" p122

Having a crush on a gym teacher is a fairly common element in the school years of most future dykes. In One Degree, Kallmaker pays tribute to what has to be a close second for many of the "nerdier" lesbians, that of the crush on a librarian. Or as she has Marian reflect of her decision, years ago to become a librarian, "It always seemed like whatever I could dream I could find at the library. And ever since I was a girl I thought librarians were the guardians of all the mysteries of time. It never occurred to me . That I could be one of the guardians." p43

Kallmaker's romp through the lesbian community in a Midwestern College town is entertaining, sexy and touching. While One Degree is one of her most lighthearted novels, Kallmaker taps readers on the shoulder with a few well-placed political observations. She illustrates the realities of public library employment and points out a frightening aspect of our post-9/11 world, i.e., the Patriot Act and its assault on privacy and the free access to information.

One Degree is a delightful romantic comedy, filled with humor, lust, and lots of intelligent, interesting dykes. Kallmaker's characters have a familiar feel and it's easy to identify with them. They are individuals, yet likely to remind readers of women they know. As the novel opens, Marian is having a bad PMS day and she writes in her journal, "Someone will die if my period doesn't start tomorrow." p1 When Marian self medicates with chocolate, it's a sentiment with which most women can empathize.

The "square dance" of lesbians working together and loving each other in a small community will be a familiar theme in the lives of many readers. Kallmaker calls these dances with compassionate understanding, a taste for irony, and a deliciously wicked wit. Interestingly, she continues a dialog that has threaded its way through some of her other romances, as Liddy and Marian discuss definitions and nuances of the butch and femme "do-si-do." One Degree of Separation is just plain fun to read. So get out your dance cards and enjoy the music.
-MJ Lowe

Talk of the Town

2004-04-07T02:11:00.001-06:00

Saxon Bennett
Bella Books
193151318X

"Lesbians need a patron saint. We could call her Saint Vulva." (100.) This musing from one of the women in Saxon Bennett's novel, Talk of the Town sets the tone for much of the humor and antics.

Mallory, an attractive, intelligent lesbian who runs the successful Kokopelli-was-an-Alien vending machine company in Phoenix, Arizona is seeing a psychotherapist to deal with the trauma of her broken heart. Three years ago Caroline left. Since then, Mallory has worn nothing but pajamas and spends a great deal of time lost in her imaginary world aka the "Republic of Mallory." That is until she meets a new physician in town, a woman named Del.

Mallory's best friend Gigi is an artist who struggles with her ambivalence over artistic success while she works at the local sex toy shop. Although in a relationship with Alex, Gigi loves to flirt and she has flirted with Mallory for years. Still she has been true to Alex. Or has she? Kim is a nurse who works with Del and is getting over her relationship with Ollie. Meanwhile, Alex realizes that her happenstance relationship with Gigi might not equal love.

If you're starting to feel like you'd like to have a score card to keep track of some of the antics of these women, you're not alone. Bennett's cast of characters is sometimes confusing to the reader. This is particularly true in the book's early pages. However, this weakness is mild in comparison to the story's pleasure factor. There are lots of witty and touching moments in Talk of the Town as well as a few surprises.

Bennett's women are intelligent, delightful entertainment that is reminiscent of early Rita Mae Brown novels, including her use of fiction to depict and detail contemporary political issues. A favorite example for this reader are the antics of Gigi's Aunt Lil with her partner and other crones who live in a trailer park in the desert. These women have been known to receive a misdemeanor or two for their political actions. "They sent Anita Bryant a rainbow colored set of dildoes, the President a box of cigars with pubic hair attached, [and] Jerry Falwell a leatherman Billy doll" in their mailing campaign alone. (101)

Bennett's clear affection and appreciation of lesbians allows for her to poke fun at some of the community's foibles without becoming pedantic. As with life, not everyone is wonderful but most have redeeming qualities. And Bennett's optimistic approach to life makes for amusing, often charming moments. A fast paced, entertaining read, Bennett has introduced an interesting ensemble cast of lesbians. Apparently the first of several books featuring these women, Talk of the Town is primarily Mallory's story. There are clearly threads left to explore in this crowd. This reviewer will be looking forward to future installments.

-MJ Lowe

Back to Basics: A Butch/Femme Anthology

2004-03-06T23:39:00.003-07:00

Therese Szymanski
Bella Books
193151335X

Back to Basics is Bella Books' first collection of short stories and this anthology sizzles with hot exchanges of long time couples as well as new found lust. Several of the 23 writers will be familiar to readers, yet over half are relatively new to published works. These stories are well written and delicious. Therese Szymanski has assembled a wonderful collection of erotica in this book. Back to Basics is also the first book from the publisher's new "Bella After Dark" imprint, a series of erotic romance titles that promise not to be your great aunt's Naiad stories. And more impressively, she has succeeded in leading the reader through a dialog on butch-femme issues with the story selections and their placement in the anthology. For example:

The collection opens with Karin Kallmaker's "The Butch Across the Hall," the highly charged story of Ronnie, a femme who is finally admitting -- and asking for -- what she wants. This very explicit tale marks a new aspect to Kallmaker's writing. However it still contains her signature wry wit and intelligent characters. Next is Barbara Johnson's "On the Road Again," a story that introduces Taylor Donovan (a butch Maryland state trooper who earns the book a place on my "books with lesbian characters named Taylor" list) and a truck driving femme named Rose. These woman are quite comfortable with their gender identity, yet they push one another to explore new dynamics in their first sexual encounter.

Jean Stewart (author of the Isis series) presents "Scoring" and addresses issues of appearance with a tough soccer playing butch who confuses some people with her "femme hair." However, an equally strong player from another team is not mistaken in her attraction. Amusingly, there are two entries that deal with lesbian writers at book readings. The editor's story, "The Fan" presents a femme author of main stream romances who pens lesbian love stories on the side and draws on her rich fantasy life for her writing. Or does she? And is contrasted with Jesi O'Connell's "Butch Between the Sheets," which is a delightful little scene that deals with a femme's response to a book reading by butch sexpert and author, Syl Salesberg.

Perhaps one of the most thoughtful "couplings" of stories is Kallmaker's "The Curve of Her" which features Louisa and Rayann from her novel Touchwood. For the first time, Kallmaker gives us a first person look at the world from the older butch, Lou's eyes. Set some two years after the novel, the couple are not only still very much in love and sexual with one another, they are growing together. Here, Lou discovers the power of surrender. This very sweetly romantic and erotic story is juxtaposed to Joy Parks' "Touching Stone."

Parks' story is a heartrending introspective monologue by a femme who thought she had fallen in love with a lesbian. She details the increasing grief of her life with a Stone Butch who is moving toward FtoM trans-ing. Discovering surrender is the last thing on this butch's agenda. And the story offers up wonderful observations from the femme that echo Kallmaker's first story. Written with an aching empathy this femme speaks of the women that will come into her life with these words, "I will know how to make a woman feel as butch on her back as she does in her boots. I will learn that it is my gentleness, not my weakness, that can make another woman feel strong. And I will touch them with everything I could never give to you." (175)

Julia Watts' "Found in an Antique Trunk" allows us to glimpse a relationship between two women in late Victorian America, via four letters. It is a wonderfully touching story that seems to remind us that there is very little "new" under the sun. Leslea Newman gifts readers with a charming entry from her Girls Will Be Girls anthology, called "A Femme in the Hand." I'd say more about this story except I don't want to spoil any of its fun. And there is a great deal of fun in these stories. Many of them have the kind of "got ya" twist that is a strong element in good short stories for this reader. The anthology's final entry, "requiem" by Elizabeth Dunn, suggests a poignant twist to the "personal is political" as a couple discover one another anew in the face of death.

One could almost wish that Szymanski included an introduction to discuss her selection and arrangement of the stories in Back to Basics. It is clear that she put great effort into both aspects of the editing process. However, the stories do speak for themselves. The editor has succeeded in creating an arousingly readable as well as interestingly thought provoking anthology. Furthermore, Bella Books is to be commended for the steadily improving quality of their cover art. This cover is sexy and pleasing as well. All in all, Back to Basics is a fine anthology of erotic stories that may be read on many levels. The collection is as thought provoking as it is arousing, and for a reader with little shelf space, this book is a keeper.

-MJ Lowe

Maybe Next Time

2004-01-11T00:23:00.000-07:00

Karin Kallmaker
Bella Books
1931513260

Scientists who map the human brain have discovered that when most people hear music, their pleasure centers are stimulated in the brain. When musicians hear music, their language centers are stimulated. For violin virtuoso Sabrina Starling, the protagonist of Karin Kallmaker's novel, Maybe Next Time, music is not only a language, it is the language she depends upon to express her emotions. Bree, as she is known from childhood, first began to play the violin when she was four years old. And it is music that allows her to survive the death of her mother and her father before she is six. Music is the only way she can breech the wall that grief and loss have built around her childhood. With her music she can adapt to living in rural Hawaii with her mother's best friend, Lani, and Lani's daughter, Jorie. Through her music, Bree will be blessed time and again as her life crosses other great musicians who guide or encourage her.

However, there are things that Bree doesn't seem able to understand. She struggles to understand her feelings for her Jorie. Her love for Jorie is exciting and frightening. Jorie, Bree believes could be "music for a lifetime." (108) Despite the teens' explorations, Jorie doesn't seem to reciprocate Bree's love. This rejection is just one more section in the wall that stands between Bree and the rest of the world. Identifying as lesbian when she goes off to study music at the Conservatory, Bree discovers other women who are very attracted to her. For several years she takes a "living in the moment" approach to romance, indulging in the groupies of the classical music world. While her professional life was successful beyond imagining, her personal life was lonely. Bree's love for Jorie is an ache that she hasn't been able to fill.

Recuperating from an injury and floundering without her music, Bree finds herself drawn to Diana. Diana and Pam have been together for years. They have a kind of happiness that Bree has been missing. Without her music, a confused Bree decides that having Diana will fill her life with the love she has missed. And she will risk everything to have that happiness.

Told in a series of flashbacks; Maybe Next Time is not a light read. The journey of Bree's redemption is a painful one. She must face her own arrogance and mistakes. However, it is a rich story with complex characters struggling with their faults and weaknesses as well as several charming moments. Kallmaker reminds readers what it was like to be a sixteen-year old girl in 1976 and realize that you're in love with another girl. It was a time and place far away from the Pride Parades of San Francisco, let alone the relative freedom of the 21st century.

Kallmaker depicts respectful insights into Polynesian culture. Perhaps one of the most touching moments in Bree's childhood is when Lani takes her to a native Hawaiian celebration. Young Bree is blessed by a gentle singer and finds the voice of music again. From this moment it becomes clear to Lani that her newly adopted daughter must have music in her life. Lani will make certain that Bree gets musical training.

Even with the angst there are signature Kallmaker elements. The erotic energy between Bree and Jorie is electric and evolves throughout the novel. Kallmaker's wit enlivens the book. There are delightful moments such as Bree's first opportunity to play an 18th century Guarneri violin. Or the poker night when Diana and company create new group terms including, "A clench of clits" and "a lick of lesbians!" (186)

No "formula" romance, Maybe Next Time is an engrossing, compelling story of redemption, healing and surviving. Kallmaker has explored complicated themes and done so with heart and a touch of humor. In this reader's opinion, it is one of her best novels.

-MJ Lowe

Welcome to MJ's Bookself

2003-05-09T10:06:00.000-06:00

... my little corner of the World Wide Web. Mostly what you'll find here are my reviews of books that I've read. I'm a public librarian living in the Denver metro area with a background in history. However, this site will focus more on my avocation, which means you'll find reviews of books of lesbian fiction, lesbian romance, lesbian mystery, lesbian speculative fiction ... you get the idea. I hope these reviews and suggestions will help you chose books that you might also enjoy reading.

Reading is one of the most intimate, personal activities we can do in public. Sitting on the bus or a park bench or in a restaurant, we can read about fantastic worlds, individual triumphs, grand adventures, erotic moments, and horrific loss. Whether or not the story touches my heart or captures your focus is very idiosyncratic. We always bring who we are to the reading experience.

"We read to know we are not alone." C.S. Lewis

I'm a lesbian who enjoys reading and talking about the books that I've read. I am a fan of lesbian mysteries, lesbian speculative fiction, and lesbian romances. I particularly enjoy finding and sharing new writers, especially from small, independent presses, with other readers. I review mostly novels that are usually (although not necessarily) written by lesbians or bisexual women with lesbian (or bisexual) lead characters (this is especially true in romances) or at the very least, stories with strong female protagonists.

For myself, I find that issues of time constraints and emotional energy can impact my enjoyment of and engagement with a book. There are books that I believe I read at the "wrong time" in my life and as a result they did not leave the kind of impression they might have left had I read them another time. There are books that, despite their popularity and quality, I simply don't like. I don't like brussel sprouts either, but I realize lots of folks do, and will leave them to tell you about the virtues of the vegetable.

I have some basic expectation of literary skill: books need to have decent plots, good character development, and more often than not, a sense of humor. These are books I read for my own pleasure, so a laugh can go a long way with me. Overall, I have to be able to empathize or sympathize with one of the lead characters. This is especially true of lesbian romances or fiction with a strong romantic element. (The last thing I want to read is how two characters that I hate --or don't respect-- are having fabulous sex.)

"The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story." Ursula K. Le Guin

I will not review a book that I have not read (completely). Ergo, if I didn't like it well enough to finish it, I won't review it. That's because I know that there may be lots of other folks who love the book. What's the point in my dissing it? I'd rather point you to books that I like than be a warning sign against those I don't like. If I like parts of a book, but have problems with it, I may post a review explaining the problems I had with the book.

I try very hard to explain and give examples of what I like and don't like in a novel, because you as a reader, might not be bothered by historical inaccuracies, or limited setting, but I might be bothered. Further, as someone who provides readers' advisory for a living (although rarely for lesbian fiction), I want to give a complete picture of my opinion of a novel so that a reader, who might dislike the book for all the reasons I liked it, will select something more to their own personal tastes.

Another reason I post reviews is as an opportunity to provide feedback to the authors. I once had an author tell me that writing a novel was like performance art with extremely delayed gratification. Trust me when I say that unless she's J.K. Rowling or Nora Roberts, she's not getting paid that much, and deserves every "thank you" I can help to provide. I want to encourage writers to keep writing and for me part of that is telling them what worked for me in their books.

Finally, and perhaps most importantly, I believe lesbians writing stories about lesbian lives are very brave women and I value their efforts to provide images for us all. It is hard to make a life for oneself when that life goes against the mainstream. Wonderful, high-profile, out lesbians are increasing; however, we all need more everyday mirrors for our lives. Books are still the best place to find those mirrors.

If there is anything I enjoy as much as reading books, it's likely talking about books. So feel free to post a comment or drop me a note to mj(at)mjlowe.info.

Happy Reading!

MJ Lowe

BN: This entry is future dated so that it will always greet you. 04/01/08

The image above is titled Night Thinking
by Deborah Dewit-Marchant.
A print of it hangs in my living room.
To find more works by this wonderful artist,
check out her website Dewit Marchant

Parted Lips: Lesbian Love Quotes Through the Ages

2002-12-18T00:29:00.000-07:00

Simone Rich, Editor
Alyson Books
1555835767

Parted Lips is a pleasant little book of quotations. Although of trade paperback quality, it is an unusual size (appx 4.5" X 5.75") with 187 pages worth of witty quotes from a broad range of individuals. Everyone from Sappho (circ 612-550 BCE Greek poet from the island of Lesbos) and Sor Juana Ines de la Cruz (17th Century poet) to Groucho Marx and Lucy Lawless, provides bon mots. The quotations are divided into a baker's dozen of thematic chapters such as Lovers & Relationships, Beauty, Marriage, Butch and Femme, Bisexuality, and Odds and Ends. Observations range from the Rita Mae Brown's wry, "Love is the wild card of existence." (54) to several deliciously bawdy comments from Tallulah Bankhead. Each chapter opens with a lovely black and white photograph that reflects the chapter's subject from the suggestive to the amusing.

However, Parted Lips could use a touch of lip gloss, for this reader. First there is the subtitle: Lesbian Love Quotes Through the Ages. It's not clear how some of these quotations qualify as lesbian or love quotes. For example Harper Lee's "the one thing that doesn't abide by majority rule is a person's conscience." (179), though a favorite of this reader, doesn't clearly strike one as a love quote, unless there is some context that is not provided. Then there is the general uneven quality to the credit citations. Some citations have the author's name and the title of a published source. Others have the context of the quote, such as a response to an interview question, but no source for the interview. In some cases the author's view has actually changed over time, as with Rita Mae Brown's comment about bisexuality (90) which clearly reflects her radical days with the Furies in the 1970s. Some names have simple biographic information. Other names have none. An appendix with brief biographical information would have been nice.

The lack of an introduction by the editor to explain how she came to pull this volume together, how the quotes were chosen, and how she sorted them is probably the most annoying omission. The back of the book states that Rich has been collecting lesbian quotes and trivia for some 15 years. Finally there is no index to the individuals quoted. Since several persons are cited more than once, an index would have been a simple, yet helpful addition. All in all, Parted Lips is a fun little volume and could make a nice gift book, although it is a tad expensive for its weaknesses.
-MJ Lowe

Seeds of Fire

2002-10-20T11:10:00.004-06:00

Laura Adams (Karin Kallmaker)
Bella Books

Seeds of Fire, the second entry of Laura Adams' magical Tunnel of Light fantasy trilogy is an enchanting gift to her readers. Opening just days after the ending of Sleight of Hand (the first book in the trilogy), Seeds further braids themes of reincarnation, loss, betrayal, and redemption through a circle of contemporary women -- Ursula, Autumn, Kelly, Taylor, Elizabeth -- who find themselves sharing dreams of earlier lives together. Intelligent and intense, these women possess strengths and skills they do not fully understand as they struggle to repair a tragedy that echoes through the ages. Sleight of Hand deals with the origin for the legend of St. Ursula and the 11,000 virgins (circa 450 C.E.) and though Adams provides a great deal of background in Seeds, readers will do better to read the books in order. (Besides it's more fun!) In this second novel, readers witness the gathering of Ursula's circle in the early 12th century. The bard Hilea has made a place for herself as the Abbess Hildegard von Bingen (a remarkable, real life woman and an inspiration for the series) in Cologne. Hildegard has written a liturgy for the legend of "St Ursula and the 11,000 virgins" to "call" the other women back together.

Believing they have lost Ursula to the Darkness, the contemporary Taylor, Liz, and Kelly are devastated. Taylor takes desperate measures to try to determine how their Lammas circle went wrong. In many ways Seeds is Taylor's story, revealing her early training in the Old Religion, and that even in her childhood she was "certain of her right to meddle." (92) Taylor must confront that hubris. She seeks answers to her failings, faces the Circle of All Circles, and finds herself again. Meanwhile Kelly, feeling betrayed and hurt, turns to other sources for comfort, a power that will further Kelly down a dangerous path. Adams' examination of Kelly's corruption by Darkness in the past and the present, is insightful, thoughtful, and forthright.

Unknown to the women of Taylor's circle, the mysterious "magician and warrior" Autumn rescued Ursula from the Darkness that has haunted them for over 1500 years. Ursula survived the magical transportation at the cost of her memory, adding confusion to their plight. When Autumn begins to dream of Hildegard's time, she finds that she has gone to great lengths to attempt to save Ursula in the past. Autumn knows that the danger of the Darkness is still waiting for them, and she is determined to protect Ursula this time. In addition to the mystical complications these characters face, old-fashioned poor communication plays a role in their dilemma. Even Autumn's dog, Scylla seems aware of this. When Autumn considers telling Ursula about her dreams, and the dog thumps her tail hard on the floor as though saying, "Yes, tell her, you fool." (101)

As is often the case with middle aspects of trilogies, Seeds is a darker story than Sleight. Adams' characters complicate their entanglements via miscommunication, assumptions, doubts, and secrets. Despite the ominously growing power of the darkness, Seeds is a pleasure to read. The historical segments are well researched and authentically recreated. The story is engrossing with interesting, rich characterization. Adams provides balance to the darkness with her quiet, ironic humor, and the potential for perfect love and perfect trust to triumph. One of the finest writers of "lesbian fiction" today, Kallmaker via her Adams pen name blurs genre lines. The woman writes wonderful, lively, lush fantasy stories. That they feature lesbian characters is added fun for her readers. Her writing entices us to enter a world not far from our own; yet it's a place where magic can and must be mastered. Adams weaves together powerful imagery and themes, including leitmotifs such as the reappearing Norns -- the three wise women or "Fates" in Norse mythology who represent "Became, Becoming, and Shall Be." Indeed, Seeds of Fire appears to encompass the "Becoming" aspect of the Tunnel of Light trilogy. This reader eagerly awaits what Shall Be in the upcoming final novel, "The Forge of Virgins."

-MJ Lowe

The Ghost of Carmen Miranda and Other Spooky Gay and Lesbian Tales

2002-10-01T00:35:00.002-06:00

Julie K. Trevelyan, Editor
Scott Brassart, Editor
Alyson Books
1555834884

In the anthology, The Ghost of Carmen Miranda and other spooky Gay and Lesbian Tales, the editors Julie K. Trevelyan and Scott Brassart have assembled a lively, lavender corps of ghost stories. As the title implies, this Alyson publication is not strictly a horror collection, although some of the tales certainly qualify. All the stories, however, focus on lesbian or gay characters as well as elements of the supernatural with manifestations of ghosts in some form or another.

Many of the stories, like Don Sakers' title entry "The Ghost of Carmen Miranda" -- wherein a morbidly obese gay man, trapped in a dead end existence on a space station, finds help and inspiration in a different kind patron saint -- are queerly witty and delightfully amusing. Several stories address the idea of the spirit of a loved one returning or being trapped until some unfinished business can reach closure. A. J. Potter's "Taking Care of Faith" fits this theme. The peanut butter eating ghost, Brandon, returns to his apartment, to check on his "widowed," lover, Evan. When Victor, the new renter, realizes it's not really strong cockroaches raiding his peanut butter, he is taken aback, to say the least. A rather nonchalant spectral Brandon, complains about Victor's choice of low fat variety, "It's peanut butter, for chrissake. If you're going to eat peanut butter, eat the real thing." (19)

Abbe Ireland's "Case of the Sapphic Succubus" features a "ghost busting" Frances who must face another kind of "bust" when she agrees to spend the night in a historic bed and breakfast with an unusual guest service. Frances learns that facing a succubus isn't as difficult as facing what resides in the researcher's heart. "Paisley" has an archaeologist in the Appalachias of East Kentucky disinterring a casket that holds the bodies of two women. When the image of a woman in a paisley print dress begins to visit Charlotte, one of the summer's grunt workers, the story of those long dead women becomes hauntingly real.

While many of the stories are touching, arousing, and humorous; several are spooky, and some of these tales brought genuine shivers to this reader. A leather master learns what it really means to own and be owned when a neglected lover returns as illusrated in Simon Sheppard's intense, erotic, and ultimate power exchange, titled "My Possession." From the skillful storytelling of M. Christian, readers are treated to "Echoes." And are asked to question how and why a man might become haunted and what lengths he might consider to exorcise himself. The idea of possession is further explored by Hall Own Calwaugh in "amat67.jpg." Keith has just been sent an email that will change his life and prompt him to question his desires, briefly. By far the most chilling story to this reader was J.M. Beazer's "The Thing at the Bottom of the Bed." Haley returns from her father's funeral to find herself facing a horror from which she has hidden for much of her life.

The Ghost of Carmen Miranda and Other Spooky Gay and Lesbian Tales, found its way onto this reader's bookshelf when it was published in 1998. A seasonal rereading of its stories, was no less touching, arousing, humorous, and most importantly, thought provoking. The stories mentioned here are just a few of the 23 contained in its cover. Although out of print, this title is worth tracking down. Think of it as your own little seance for the Halloween season and enjoy.

Cobb Island

2002-09-28T22:57:00.001-06:00

Blayne Cooper
Renaissance Alliance Publishing
1930928394

Olivia Hazelwood, Liv to her friends, has agreed to take her younger brother, Doug to spend a week on Cobb Island, off the coast of Virginia. Since an accident claimed their parents a decade ago, Livi has been more of a mother than sister to Doug. The 29 year old linguist and openly lesbian, Liv is recently back from a Peace Corps tour in Africa and is looking forward to catching up with the changes in Doug's life. One of the biggest being that he is very much in love with Marcy Redding. Marcy's family moved last year and the teens have been nursing their love over distance. This separation has prompted Marcy to invite Doug (and Liv) to visit Cobb Island, the colonial era, ancestral home of the Redding family. Marcy has also coaxed her older sister, Kayla to help with the chaperoning duties.

The tall redheaded Kayla seems to take an immediate dislike to Doug, and possibly, to Liv. Certainly the gorgeous 25 year old has difficulty communicating with Liv in anything other than an abrupt, rather rude, not to mention secretive, manner. Her behavior is even more odd given that the women seem almost magnetically drawn to one another. Liv is surprised, confused, and a little overwhelmed by the intensity of her feelings for Kayla. Impossibly, at times Kayla seems to read Liv's mind. Or is it impossible? The three century old Redding house itself, with its secret rooms, strange noises, and a library filled with generations of Redding enigmas has as important a role in the story as any of the characters. Several things about Kayla and the house are a little strange, yet enchanting. Liv finds herself falling under the spell of both mysteries. Meanwhile, desperate for time alone, the lovesick teens decide to visit the mainland just as a storm arises, leaving their older siblings stranded and forced to confront these powerful emotions.

Trapped by the storm, the women begin researching the early years of the house. Finding a hidden journal, Liv and Kayla discover possible answers to the Redding family legacy via a third romance. Bridget Redding, and her sister-in-law, Failynn, lived on Cobb Island in the late 1600s and struggled to find a place for their love in an unforgiving time for women, and condemning of those who dared to love. Could their story hold the secret answers to questions about the Redding family, the house on Cobb Island, and possibly even why Kayla and Liv seem destined to have found each other? Thus Cobb Island contains three love stories entwined in its pages along with a number of witty interactions, sweet moments and endearing scenes between the various couples. There is even a dreadful villain who demands being detested.

Overall, Cobb Island is a magical little romance and a charming mystery. A few of the plot threads are not neatly tied at the end and some elements of the historical period appear a bit anachronistic to this reviewer. Nevertheless, the overall effect of Cobb Island is a fun and fast-paced romantic mystery with a touch of spookiness thrown into the mix. It provides more than enough pleasure to justify its purchase. In fact there is enough pleasure to anticipate future stories from Blayne Cooper, including the continued adventures of Kayla and Liv in the forthcoming Echoes from the Mist.

-MJ Lowe

BN: Echoes from the Mist was released in 2006.

Body Check: Erotic Lesbian Sports Stories

2002-08-31T23:08:00.000-06:00

Nicole Foster, editor
Alyson Books
1555837387

You don't have to be a jock to enjoy this book. Nicole Foster, who has edited several collections for Alyson, has filled a team roster of 20 erotic lesbian sports stories with a range of sporting women and lots of intense, sweaty moments. There are Olympic hopefuls in the bittersweet "The Art of Running" by Rosalind C. Lloyd; while M. Christian provides a mesmerizing view of an up-and-coming swimmer's relationship with water in "Naiad." Unsurprisingly, those popular lesbian team sports are represented. Volleyballs are "Spiked" by Laurel Hayworth, in a story about healing old wounds and looking for greener courts. "Legend of Teddi Jo" by Gina Ranalli has a few things to say about softball and doing what and whom one loves.

Lest one think this anthology is mostly for the fiercely athletic, there are several amusing entries that feature women who, well, never really passed the President's Council on Physical Fitness Awards in school. Like the delightfully Walter Mitty-esque, adolescent "butch in training" starring in "Black Belt Theater" by Catherine Lundoff, and finding herself along the way. There's the strangely sweet encounter with rock climbing in "Going Up" by Anne Seale as a woman frees herself from a dead-end relationship and finds her own strength. Trixi's "Mulligan on the Green" is the charming story of golf and a young fan on her 18th birthday.

Perhaps this reader's favorite -- for the narrator's sharp wit and cynical view of aerobics -- is Dawn Dougherty's "Sports Dyke." The unnamed, less fit narrator decides to take a class after chatting with a woman in the locker room. After all she muses, "I've done worse things than yoga to get a girl horizontal." (196) The class and the evening hold a few surprises and the woman discovers a "gym that satisfies all [her] needs." (205)

The stories in Body Check include a wide range of sports, athletic skill, dynamics, humor, characters, and settings. This anthology should be part of every lesbian's sports gear. As Foster urges in her introduction, readers will be inspired to get sweaty tonight.

-MJ Lowe

Madam President

2002-08-22T17:10:00.000-06:00

Blayne Cooper and T. Novan
Renaissance Alliance Publishing (November 2001)
1930928696

The year is 2020 and the United States has, for the first time, elected as president, a woman. Blayne Cooper and T. Novan present this fascinating premise in Madam President. Yet, it seems very unlikely that the first woman president will be 38 years old, a single (actually widowed), openly lesbian, mother of three, which describes Devlyn Marlowe. Cognizant of the history making role of her administration, Devlyn has chosen a successful young historian/writer to observe her term in office and act as her biographer. Thus Lauren Strayer enters the White House and prepares to chronicle Devlyn's administration for history. The novel follows the events of the first year of her term.

Despite the premise, Madam President does not succeed as a futuristic political yarn. Novan and Cooper make reference to a number of interesting issues and incidents in Madam President, including Devlyn as a successful third party candidate, the trauma of domestic terrorism, the changes in gay and lesbian civil rights issues, and an international arms crisis; but there is little exploration of these issues. While the writers clearly researched the primary setting of the White House, the creative detail in their view of the U.S. 18 years from now is thin and it does not prompt the reader to consider possible changes in the coming years.

Instead the novel focuses primarily on the relationship between Marlowe and Strayer as it evolves from professional respect to personal friendship and romantic attraction. However, for this reader, the more than 300 pages of courting and foreplay became tedious. They are marked with cliché and repetitive incidents; such as the illness/recovery theme with three serious health problems between the two leads in less than six months. Indeed more personal and political crises occur in the first year of Devlyn's term than many Presidents ever see. And they apparently occur primarily to postpone the consummation of the couple's love, which began to feel saccharine after a while. This combination of elements feels like a caricature of the Xena uber genre, from which the story originated.

Several of the comic scenes felt too predictable. The lead characters did not come alive for this reader. The somewhat slapstick quality of the humor is belittling of the premise, given that other elements were not fleshed out to provide balance. Indeed some of the humor slips into what this reader considers dangerous territory. For example, Strayer writes a popular fictional adventure series under a pseudonym. When she considers having the lead character come out as a lesbian, her editor warns her that research shows one-third of Strayer's readers would lose interest unless there "was a sex scene every 63.4 pages." (323) Thus Strayer's readers, and potentially by extension, Novan and Cooper's readers are lampooned. For the humor it provides, this scene was annoying.

For this reader, Madam President is disappointing, both as a speculative futuristic political tale and as a lesbian love story. Certainly there are several amusing and charming moments in the novel. One of the funniest is when Devlyn, who would have been in her teens during the original run of the Xena television show, recalls her frustration and disappointment with the writers and producers failure to present the relationship between Xena and Gabrielle as an open lesbian couple. By contrast, Cooper and Novan's Road to Glory is very charming as a fantasy and an erotic, romantic love story. Cooper's Story of Me which satires a range of subjects, manages to tap into a genuine counter balancing sweetness that is not present in Madam President. As other reviews point out, many readers might feel quite differently about Madam President; however, this reader would prefer their future novels be more like Road to Glory or Story of Me.

-MJ Lowe
BN: This title has been released several times now, I don't know if any significant changes have occurred.

Above All Honor

2002-08-11T23:13:00.001-06:00

Radclyffe
Justice House Publishing
0970887426

The Secret Service in Radclyffe's Above All Honor has their hands full. They are trying to guard Blair Powell, the daughter of the President of the United States. Blair, a prominent artist in bohemian art circles of NYC, has grown tired of the oppressive consequences of her father's political career. The polished, beautiful, and politically savvy, Blair is willing to play her role within reason -- speaking for special events, sponsoring charities and making appearances in political venues that are all accepted parts of her public persona; however, she is tired of the constant invasion into her personal life. In her private life Blair is unabashedly lesbian. That private life her father prefers she at least keep discrete. Frustration has led Blair to taunt, tease, annoy and evade the security detail whenever possible. She leads them on merry chases through a range of ... bars in the city, particularly enjoying opportunities to lose the easily spotted "straight laced" agents in one of the leather clubs. Much to the embarrassment of the agents, Blair is quite skilled at her disappearing act.

Senior Agent Cameron Roberts has just been given a clean bill of health after a near fatal shooting during an undercover operation that went badly. Displeased with her new assignment in charge of a security duty for the President's daughter, Roberts quickly realizes that her own lesbian identity is one of the reasons for it. Roberts is determined to treat Blair with as much respect and professionalism as possible without being stymied by her little games. Despite her handsome, butch lesbian, appearance, Roberts seems immune to Blair's charms. This impression is not entirely true of Roberts, but Blair is quite willing to rise to the challenge of the enigmatic agent. Both women carry painful secrets in their past making the possibility of a romance professional inappropriate and personally difficult. No light romantic comedy, the courtship dance in Above All Honor has an edgy, tense quality, although at times it is predictable. Meanwhile, Roberts' charge to protect Blair becomes more challenging when she begins to receive "gifts" from a stalker.

A fast-paced read, Above All Honor has some entertaining and erotic elements. It does not, however, entirely succeed as an "action and suspense thriller" reinterpreted through a lavender lens. The novel is too short in that it leaves too many questions unanswered and too many allusions unexplained. Blair and Robert's pasts are hinted at, but not explored enough for this reader. Blair's behavior almost goes too far for her to be "redeemable" without more background. And one storyline is left hanging in an un-fulfilling, even annoying, manner. Because of the weak character development and the incomplete plot, Above All Honor does not hold up to the promise of Love's Melody Lost, Radclyffe's lavender, tongue-in-cheek tribute to gothic romances. Hopefully, Radclyffe will find better ways to express these elements in future stories.

-MJ Lowe

BN: Above All Honor was re-release in an all new, expanded edition by Bookends Press in 2002 and again by Bold Strokes Books in 2004.

Unexpected Sparks

2002-07-23T23:25:00.003-06:00

Gina L. Dartt
Justice House Publishing
0970887477

Forty years old and a prominent businesswoman in her town, Kate Shannon is about to change her life. The owner and manager of Novel Companions, an independent bookshop in downtown, Truro, Nova Scotia, Kate has spent much of the last year becoming friends with a regular customer, Nikki Harris.

The 26 years old Nikki is a shy, intelligent, beautiful and openly lesbian woman struggling to survive small town life in the economically depressed Canadian Maritimes. A book lover, Nikki enjoys the cozy atmosphere of Novel Companions, especially since Kate started carrying gay and lesbian fiction. She also enjoys the detailed discussions with Kate of novel plots, characters, favorite authors and related political themes. In fact, Nikki has become painfully aware that she is quite attracted to Kate and has recently cut down on her time at the bookstore, in hopes of weaning her affections away from the charming, presumably straight, owner. A bleak February is looming long and lonely for Nikki.

When the insurance office across the street from the bookshop burns down one night, Nikki rushes to the scene to make certain it's not Novel Companions. A perplexed Kate had noticed the new distance from Nikki. Seeing Nikki standing out in the cold, Kate invites the young woman into her apartment above Novel Companions. The two women watch the fire and begin to speculate about its origin.

Nikki's natural curiosity is piqued when the body of Sam Madison, the owner of the insurance office, is found in the ashes. She convinces Kate to help her investigate the fire. Kate, willing to go along with an opportunity to spend more time with Nikki, agrees to help. Unexpected Sparks is a classic armchair mystery with old fashioned, timeless clues and important character revelations leading Nikki and Kate to answer the questions of why and how Sam ended up in the burning office.

Via their amateur sleuthing project, Kate and Nikki find themselves drawing closer together. Their attraction and developing romance is another theme of Unexpected Sparks. Dartt illustrates falling in love and coming out in a charming and touching manner with respect and humor for her characters. Indeed, her characterization is realistic and perceptive. The elegant and composed Kate is surprised and delighted by the depth and range of the emotions she feels for Nikki. She is also startled by the attention, positive and negative, from customers, friends and neighbors as they begin to hear about her new lavender relationship. Dartt's Truro setting is nicely detailed and provides insight into Canadian small town life, particularly for lesbians.

Unexpected Sparks is Dartt's first novel and there are some elements that could be explored more. Several aspects of Nikki's past are still a mystery and readers who know Dartt's Star Trek fan fiction stories might be surprised at the slightly reticent quality of her love scenes. However, these details are minor and take nothing away from one's pleasure in the story. In fact, the possibilities for just such future revelations have this reader looking forward to the next two Kate and Nikki mysteries. In the meanwhile, if you enjoy armchair mysteries with a lovely lavender flair, pick up a copy of Unexpected Sparks. This book is a perfect cozy evening read.

-MJ Lowe

BN: Unexpected Sparks was re-released by Bold Strokes Books in 2006 and has been followed by Unexpected Ties.

Death, Sweet Suitor Mine

2002-07-23T22:55:00.000-06:00

Chris Anne Wolfe
Windstorm Creative
159092049X

Windstorm Creative has released another short story in it's Delimit Nonpareil series. Death, Sweet Suitor Mine examines the "relationship" between Death and a woman struggling with a life threatening illness. As Chris Newport mentions in her introduction, "This isn't a light read." (5) She is quite correct. Death, Sweet Suitor Mine is a first person and intimate exploration of how the narrator views death. A touching, even haunting story, it lingers in the reader's mind. This is especially true given that this story was written by the late Chris Anne Wolfe, who died in 1997 after several years of struggling with cancer. Wolfe saw four fantasy adventure novels published in her life. Each of them is wonderful and it appears that her skill with short stories was equally impressive.

Windstorm Creative has taken some effort in creating this book, described as handmade, 50 pages, and full color. However, this reader was disappointed with the aesthetics of the project. The book is actually 24 pages with a large font, unusual margins -- very wide on top and bottom, yet very narrow on the sides -- and the pages of this copy are not cut square to the print. Much of this formatting appears to be to make more of an approximately 3000 word, at the most, short story. Perhaps least forgivable in a book of this nature and length are the typographical errors. The cover is quite attractive -- a recognizable portrait of Wolfe with a shadowed profile of an African American woman -- yet somewhat disturbing in its implication, which to this reader was not defined by the author's work.

The handmade and environmentally friendly elements not withstanding, Death, Sweet Suitor Mine does not justify the price. It is not a pleasing gift book format. Nor is it long enough -- regardless of the quality of the writing -- for the price. And the repeated color photograph on each page does not compensate, regardless of publisher expense. There are a number of possible formats that could have been used to create a more enjoyable tribute to Wolfe's legacy. Newport's introduction also mentions that Wolfe gifted several unpublished short stories, novellas, and novels to Windstorm Creative in her will. Hopefully, the press will not attempt to dole out each of Wolfe's stories in this manner.

Finally, Windstorm Creative has the annoying habit of requesting in a front peice that readers buy their books, rather than borrowing them, bemoaning the difficulties faced by small presses. This reader is very sympathetic toward small, independent publishers and values their struggles to provide access to non-mainstream books, especially titles with positive lesbian characters. Having said that, the best way to increase book sales, is to release more good books. Lecturing the reader tends to create the opposite effect. Death, Sweet Suitor Mine is disappointing in everything except for Wolfe's writing. If you have the opportunity to read it, do so. . . . Perhaps you'd like to borrow my copy?

-MJ Lowe

The Road to Glory

2002-07-01T16:23:00.001-06:00

The Road To Glory
T. Novan and Blayne Cooper
Renaissance Alliance Publishing,
1930928270, 264 pages

The Road To Glory is a charming romantic comedy from two of Xenaverse's better known bards, Blayne Cooper, AKA Advocate and T. Novan. The lead characters, RJ Fitzgerald, a tall auburn haired handywoman, and Leigh Matthews, a petite chatty blonde trucker have a familiar feel to uber fanfiction readers. Cooper and Novan even point this out via a dialog between a very animated couple of squirrels. Yes, the squirrels from Cooper's Story of Me make a reappearance and observe:

The female followed her mate's line of vision. "The humans we spy on back home!"
"Not quite."
"The hair ..."
She squinted. "The eyes ..."
"Just a little different. But not much. Same builds. Same wonderful screen presence no matter the location or genre." She rolled her eyes. "We all know what they're going to look like.""Genetic mutations because of the inherent weakness of their race?"
"Or lazy writers." (41)

Leigh finds herself diverted to Glory, South Dakota, by a highway construction detour. At Fitz's, a diner just outside of the small town, Leigh falls in lust at first sight with RJ. She happily returns each week during her circular truck route. After several fast and furiously erotic encounters, Leigh invites RJ to join her on her week off in Seattle.

As these two women continue explore their feelings and each other, it becomes increasingly clear that nothing is quite what it seems in Glory or with RJ. The vacation week in Seattle is full of humor, romance, and revelations. There are amusing trips to shop, to dance at a popular lesbian club, to play the arcade at a carnival and even to visit a retirement community. Strangely at the latter RJ spends time with an old friend named Ruth and gives us insight into the varied roles of women in the military during World War II.

Wry and witty observations of American culture in general and particularly of scifi/fantasy fandoms are sprinkled throughout the story. For example, upon discovering that RJ still lives with her mother, Leigh asks:

"You don't attend Star Trek and Xena conventions wearing silly costumes and stalking the actors, do you?" RJ looked totally confused. "I have no idea what on this earth you're talking about." "Good." Leigh nodded. A girl couldn't be too careful. Serial killers were one thing. But those weirdo convention goers were something else. (89)

The Road To Glory is an enchanting story dealing with issues of love, death and finding the hearts desire. Readers familiar with the Xena fandom, particularly uber fanfiction, might have a greater appreciation of some of the humor. However, that familiarity is by no means needed to enjoy this story. All that is required is the time to indulge and a willingness to go for the long haul.
-MJ Lowe

Fires of Aggar

2002-05-08T22:46:00.002-06:00

Chris Anne Wolfe
Windstorm Creative
1886383421

Originally published in 1994, Fires of Aggar is a re-release of the second "Aggar" planet sci fi/fantasy novel by Chris Anne Wolfe. Occurring some 500 years after the events of Shadows of Aggar, Wolfe took this opportunity to explore the impact of the relationship between the Amazon Diana N'Athena and her "shadow" and life partner, the blue-eyed, Aggar woman, Elana, two characters from Shadows. In the intervening years, Aggar's ruling Council and the women of "dey Sorormin " (a planet populated by lesbians, known as the sisterhood) forged an alliance that led a colony of "dey Sorormin" women to settle on Aggar in the Valley Bay.

The war that was postponed in Shadows eventually consumed the Terran Empire. In the last five centuries, the descendants of those Terrans stranded on Aggar continue to clutch at their former, and now decaying, technology. They struggle with Aggar's natural habitat and against the native population.

Fires opens with a request for Gwen'l N'Athena, Royal Marshal to the council, to go to the aide of the Dracoon, the heir apparent of the city state of Khirla located to the South. Gwen is a "Niachero" or "daughter of the stars." This is the name given to those "dey Sorormin" that carry the appearance of the women of the N'Athena House or "Amazons." The Dracoon, Llinolae is a very gifted Blue Sight, a skill she has been carefully hiding. Fires is an espionage thriller with government intrigues and spies between various factions. Gwen is assisted by Ty and Ril, a pair of sentient sandwolves, and two shadow bound Amazons, Sparrowhawk and Brit.

Wolfe creates a refreshingly non-homophobic society on Aggar that values the strengths of "dey Sorormin" and respects their integrity. This is illustrated by the farmer who Gwen assists on her trip south, as well as the acceptance by the general population of same sex romantic relationships.

Finally, Fires of Aggar is a love story. Gwen and Llinolae, faced with a political knot, must balance their respective duties with their personal desire and the possibility of a future together. Fires draws the reader into their struggles to root for their success on personal and professional levels. Thankfully, the publishers have re-released this enchanting fantasy. Regretfully, they've changed the cover from the original illustration. The new image is not an improvement. Ignore the cover; enjoy the book.

-MJ Lowe

Staying in the Game

2002-05-03T00:42:00.001-06:00

Nann Dunne
Quest Books
1930928602

Several young women, students from nearby colleges in semi-rural Pennsylvania, have been found murdered in Nann Dunne's Staying in the Game. The various police departments have yet to find the killer who favors tall, dark- haired victims and butchers them with relish.

Shelley Brinton is a new student at Spofford College and on the women's softball team. Tall, dark-haired, and beautiful, she is a skilled and powerful player who seems to harbor many secrets as well as a fierce temper. Angela Wedgewood and her teammates are curious about the enigmatic Shelley who will be competing with Angela to play first base. An equally skilled athlete, Angie, who has been nursing a broken heart for months, is actually more than curious. She is very attracted to Shelley. Is there some connection between Shelley and the murders? Some of the teammates find her secrecy suspicious. Could Shelley actually be the killer?

Dunne's mystery seems to go in two directions at the same time. The youthfulness of Angie and her teammates creates an almost comic quality of a Nancy Drew parody as the gang sets out to track down the killer! However, it was sometimes difficult to keep track of who all the ball players are. And some of the information that they discover seems unlikely. The severity of Shelley's situation is unnecessarily complicated. So much so that it makes her chances of returning to Spofford seem slim.

Dunne's descriptions of the softball games as well as the practice sessions are detailed and engrossing. The development of the romantic relationship between Angie and Shelley is
pleasantly paced. And the depiction of players willing to help one another improve their skills for the betterment of the team, is positive and makes an encouraging role model. It seems unnecessary to include the grudge carrying Hurtz who resents loosing her position because of Shelley. These elements maybe typical of women's collegiate athletics but they don't seem to fit with the high suspense and deadly threat of the grisly murders.

From the first page of Staying in the Game, the reader knows that the killer is female and lesbian. This reader understands the point of this choice as a plot device. However, it is both tremendously improbable and feeds into unfortunate, homophobic stereotypes to use such a ploy. Neither the killer's apparent mental illness nor the prominence of other "positive" lesbian characters justifies or compensates for the killer's lesbian identity.

Overall Staying in the Game is not a bad story and as Dunne's first novel, it does show promise. It will be interesting to see what future stories she pens. Hopefully she will continue to explore the craft.

Gun Shy

2002-05-01T10:51:00.003-06:00

Lori L. Lake
Renaissance Alliance Publishing, Inc.
1930928432, $18.95

Lake's Gun Shy is the story of two somewhat reluctant women who finally learn to believe in themselves and each other enough to commit to love. Covering just over a year in the lives of these women, the novel reads like a season's worth of episodes from a television show that lesbians might wish was on TV. The story opens with Desiree Reilly, a formidable cop over six feet tall with dark hair and startling blue eyes, capturing a pair of serial rapists and in the process saving two young women, Sara and JayLynn. It is a meeting that electrifies both JayLynn and Desiree. JayLynn Savage, a lesbian in her mid-20s, decides to become a police officer in order to get to know Desiree, the hero of her dreams, literally. Lake follows Savage through the academy and most of her rookie year on the St. Paul Police Department.

Gun Shy is also the story of Desiree who is struggling with the loss of her partner and good friend, Ryan. Early in her career Dez was a conquest for a rather superficial older female cop who apparently made a hobby of bedding young dyke officers. Hurt and embarrassed, Dez has made a rule not to date cops. Presumed by many of the other cops to be lesbian, Dez has rarely dated at all, let alone been seriously involved with a woman for almost eight years. Already known as the "Ice Queen" the tall and intimidating Dez has withdrawn even more since Ryan's death.

Reilly becomes Field Training Officer for Savage and the two women begin a long complicated dance toward friendship and love. Along the way, the bright and innovative, if diminutive Jay becomes a good police officer. She learns to develop her own attributes in her work, deals with the trauma her first shooting and the pries the elusive Dez out of her shell. Meanwhile Dez comes to grips with Ryan's death. Over the course of the year the partners learn a great deal about each other and themselves. And the reader learns about life as a patrol officer in St. Paul as well as being treated to an inside view of the world of amateur bodybuilding.

Gun Shy is an engaging, readable book. This second edition includes some editorial clean up that improves the flow of the novel and features new cover art. The characters are interesting and the action drew this reader into the story. Amusingly, Lake seems to have created two lesbians that are the antithesis of the standard u-haul joke. This reviewer was relieved when Jay and Dez finally got together! Overcoming the barriers to expressing their love is the theme of Gun Shy. The sequel, "Under the Gun" is due out this fall. It will be interesting to see how she depicts Jay and Dez as a couple. In the meantime, treat yourself to a copy of Gun Shy.

-MJ Lowe

BN: There is now a third in Lake's Gun Series, read them in order, they're more fun that way.

Deaths of Jocasta

2002-04-21T16:09:00.002-06:00

J.M. Redmann
Bella Books
www.bellabooks.com
1931513104

The thirty years old, Barnard educated and underemployed, out lesbian, private investigator, Micky Knight has accepted a job overseeing security for a very exclusive and "festive" annual party hosted by Emma Auerbach. Of an old money New Orleans family, Emma has been a friend and mentor to Mickey for years. Sober and celibate for over six weeks, Micky is beginning to face the demons from which the liquor and sex allowed her to hide for over a decade. Although determined to remain sober, Micky does hope the weekend party brings an end to her loneliness, especially when the good doctor, Cordelia James arrives. Micky lost her heart to Cordelia months ago, during the events of Death by the Riverside. But Emma's annual gay-la ends abruptly when the body of a young woman is found in the woods on her estate and everyone returns to the city.

At loose ends back in New Orleans, Micky goes to the library to check out some Dorothy Sayers books. "Some of her Lord Peter Wimsey books, not so much for detective ideas, but for dating tips." About which Micky concludes, "via Lord Peter, the method for making a woman fall in love with an offbeat detective was to save her from the gallows by proving her innocent. Somehow that didn't seem to have much bearing on Cordelia and myself." (55). Of course, Lord Peter is right!

Life is complicated for Micky and company. More bodies show up near Cordelia's clinic. When they turn out to be young women who were patients at the clinic, the police see Cordelia as the prime suspect. Cordelia decides to hire Micky to investigate. Meanwhile an uncharacteristically restless, NOPD Detective Sgt., Joanne, increasingly angered by these events, is spending more time with Micky. Joanne senses Micky has similar ghosts in her past.

With the same tough, first-person voice of the first Micky Knight novel, Death by the Riverside, Redmann directs the fast paced action of Deaths of Jocasta. Micky tracks down leads connecting the pasts of several characters with the current events. And the truth turns out to involve a dangerous combination of extremists --who justify murder in the name of life-- and people who crave old-fashioned, hateful revenge. Will Micky be able to take Lord Peter's advice?

Redmann presents serious and painful issues without hiding the pain, becoming pedantic, or losing her sense of humor. Her characters are well rounded, interesting women who deal authentically with their problems. One of the most impressive examples of this is Redmann's handling of child sexual abuse. Accurate and realistic, the depictions of the abuse and its ramifications run a spectrum of forms, parental reactions, and consequences from Micky to Joanne to Cordelia. This thread actually evolves throughout the Micky Knight novels as Micky has the opportunity to grow and heal.

This re-release of Deaths of Jocasta by Bella Books is a must for mystery lovers and in this reader's opinion, the covers of Jocasta and Riverside are the best Bella has produced to date. Ten years have passed since Jocasta was originally published. It is pinned to the early 1990s by technology --the lack of cell phones and email via the world wide web-- and Joanne's early adolescence (and rest of the crowd's ages in relation to her) is set prior to the Roe v. Wade decision (1973). However, the issues of the novel are very relevant today and Redmann treats the women struggling to survive them with respect and dignity. Deaths of Jocasta does not answer all the mysteries hovering in Micky's background. For that, readers should look for The Intersection of Law and Desire and Lost Daughters, in order.

Take Micky Knight home with you and laissez les bons temp rouler!

-MJ Lowe

Love's Melody Lost

2002-04-15T23:22:00.001-06:00

Radclyffe
Shady Ladies Press
0970212712

Divorced and in the process of redefining her life, Anna Reid, an early 30-something woman in a graduate program for Landscape Design, needs a place to live and, at least, a part time job. She finds both when she answers a classified ad for a housekeeper. She's surprised to find that she will be more of an administrative assistant to the enigmatic Graham Yardley.

The famed master pianist and composer, Graham has locked herself away at Yardley Manor for more than a decade, since a tragic accident took her sight. She bears her blindness as a kind of penance and uses it to keep anyone from coming too close. Graham is not prepared for the energy of life and love of nature that Anna brings to Yardley. Love's Melody Lost is the story of these two women on their path to love each other.

An old fashioned gothic romance of the kind written by the late Victoria Holt, Love's Melody Lost is almost so cliché as to be amusing. -- The beautiful, vibrant, young woman brings life to a fading, historic estate by the sea and sparks the possibility of salvation through love for the mysterious, reclusive, heartbroken estate owner. -- However, Radclyffe gives the cliché a new life. She depicts two interesting and well drawn female leads with unapologetically lesbian content. Her plot is fast paced with several touching moments. And the romantic encounters, when they finally occur are explicit and, to this reader, powerfully erotic.

Radclyffe uses sight and the lack thereof, in an interesting manner. Previously heterosexually experienced, Anna is aware of Graham's physical attractiveness from their first encounter. She describes the appearance of the tall, dark haired, musician with increasing detail as she falls in love with Graham. Yet, the reader is not given a description of Anna until Graham, in a very touching scene, asks the housekeeper, Helen what Anna looks like.

There are a few mildly annoying inconsistencies in the story. The setting's time frame and age for both lead characters seems to change. Anna's height also appears to fluctuate. Radclyffe glosses over Anna's coming out process as well as the question of Graham's being out professionally. And finally the angst is almost too much. "Pig-headed" is one of the nicest ways to describe Graham, exceptional talent notwithstanding. Having said this, Love's Melody Lost is a charming gothic lavender romance.

Other readers have compared this novel to those of the wonderful romance writer, Karin Kallmaker. This reader feels a comparison to Chris Anne Wolfe's romantic fantasies is more accurate. Or perhaps, specifically, it is more like early Kallmaker novels. Love's Melody Lost provides more than enough promise for this reader to look for other Radclyffe titles and will be curious to see how Radclyffe continues to develop her craft.

-MJ Lowe

BN: Love's Melody Lost was re-released by Bold Strokes Books in 2004, ISBN 978-1933110004, $14.95

Slay Me Tender: a mystery

2002-04-12T11:17:00.001-06:00

Jenny Scholten
New Victoria Publishers
1892281155, $ 11.95

Twenty five years old, Aubrey is worried about how much longer she can work as an exotic dancer. Her knees are aching and her breasts are sagging. Actually, Aubrey claims they've always sagged. Nevertheless, this awareness of the vulnerability of her likelihood to her physique and the extreme measures other dancers go to, particularly in regard to breast enhancements, are central themes to Slay Me Tender. The novel opens with Naughtylands weekly feature dancer (usually porn stars from out of town), Plushious Velvett, complaining to Aubrey about the hardening the stars very large breast implants. When Plushious disappears, leaving part of her wardrobe and fails to appear at her next scheduled club, Aubrey's natural curiosity gets peaked. Then she finds a gun, dark poems written by Plushious and what appears to be a bloody breast implant in the building where Plushious was staying, Aubrey can't help but start looking into the disappearance.

Scholten portrays the colorful and seamy aspects of the housing shortage in San Francisco and the gentrification of the infamous Tenderloin district with amusing detail. Her strengths are her characters and sense of humor, particularly irony. Aubrey shares a flat with four other people. Its a wonderful, motley group. There's Vivian who is working on her thesis and exploring non-monogamy much to the strain of her relationship with the quiet Zan. There's the beautiful and vibrant artist, Geoffrey who is "tri-sexual" (as in he'll try anything sexual) as well as his current, and frequently present, boyfriend, Gregor-with-the-red-Renault-convertible. And finally, there is shy, neurotic and modest Hugh. With his photographic memory Hugh provides most of the roommates with some fashion accessories from thrift store where he works and looks after everyone including Aubrey's cat, Hodge. Added to Aubrey's regular roommates are the feature dancers who are temporarily staying at Aubrey's place (along with their manager or body guard or girlfriend, etc.). These are just a few of the amusing, yet realistic and compassionately drawn characters in Slay Me Tender.

A fiercely independent young woman of Southern white trash ancestry, Aubrey continues to be ambivalent about her job. She defends the choice of employment. "With what other job could a history major without computer skills make three hundred dollars a day?" (26) When a roommate makes disparaging comments about "those women," she points out that she is a worker in the sex industry. Yet Aubrey is realistic about the potential problems of the job. She worries about how long much longer her body will be "profitable" as a dancer, and the possible dangers of overly friendly customers. She carefully avoids being in debt to the older police officer who is a regular at Naughtyland. Yet she is a constant witness to the victims of the industry's "victimless crimes."

At one point, Aubrey is surprised at her own stereotyping of customers' wives. She realizes that her assumptions are a "buying into the systems" view of these women. Aubreys willingness to self examine, makes her character more attractive. Scholten's sardonic humor takes the bitter edge off the futility of the situation for the residents and workers of the Tenderloin. Despite a range of offers, Aubrey, ironically continues her life of celibacy, futher disrupting those annoying stereotypes of exotic dancers.

This second Aubrey Lyle mystery is better than the first, Day Stripper. The plot flows more smoothly. Scholten creates an interesting hybrid mystery. Her characters and plots have a very traditional amateur sleuth mystery quality. However, her focus on the sex industry and related organized crime are subject matter that is far more typical of "hard boiled" noir detective mysteries. She even manages to incorporate an almost slapstick car chase scene. This combination works for Scholten and makes for often amusing and occasionally provocative reading. I will be looking forward to further developments in Aubrey's world.

-MJ Lowe
BN: New Vic titles are currently available via www.bellabooks.com

Hot & Bothered 3: Short Fiction of Lesbian Desire

2002-03-30T00:07:00.001-07:00

Karen X. Tulchinsky, editor
Arsenal Pulp Press
1551521024

From the skillful editing of Karen X. Tulchinsky comes Hot and Bothered 3: short short fiction of lesbian desire. Think of this collection of over 69 stories as a table spread with delicious finger foods. The limitation of length (1000 words or less) requires the writers to select their words carefully and results in an almost poetic quality to many stories. Although some of these stories are definitely arousing, please note this is not a volume of erotica, but of desire in its many flavors. Tulschisky has assembled a buffet of writers. Some writers are well known and others are new "chefs," offering their first sales.

Savor the imagery of that perfect autumn afternoon in Leslea Newman's "One Fine Day" which brought a smile to this reader and had her humming a tune for hours. Or nibble at the poignant stories like "Sunsets." Written by Denise Seibert, from the view point of a paraplegic, it is a very touching example of a couple connecting despite barriers to communication. While "Holding Hands" from Jean Taylor expands the definitions of making love. Or Michelle Rait's "Dinner with Jane," which evokes tempting a dieter with a decadent dessert as Regina considers the consequences of time spent with Jane.

There are a number of bittersweet tastes to sample such as "The Phase" where Susan Lee reflects on returning to the city of her youth and first lesbian love; or K. Lee's "Don't Tell" which is a letter written by a teen to her "best friend;" or the passing-for-straight coworker in Stephanie Schroeder's "Goodbye Joanna."

A porta-potty setting does nothing for this reader's palate, yet "Porta-Potty Passion" by Sarah Wiseman does have the quirky, amusing quality of forbidden, preservative and sugar laden junk food. While Cara Bruce's adult encounter with Barbie puts a whole new spin on the idea of playing with your . . . uh, food. These are just a few of the tasty treats for readers to enjoy.

Sometimes one is tempted to read short stories in quick secession, like popcorn. This reader found greater pleasure in reading only one or two of these stories at a time and suggests you do the same. Let them melt on the tongue of your mind a bit. Savor the images these writers create before you wander back to the table. There's something here to whet a range of lesbian appetites.

-MJ Lowe

Coming Home

2002-03-27T11:42:00.002-07:00

Lois Cloarec Hart
Renaissance Alliance Publishing, 2001
1930928505, $20.99

Almost 25 years old and just finished with her Masters in English, Terry has taken a job with Canada Post delivering the mail. A job that she hopes will give her the time to think about and write her first novel. One day on her route, Terry is asked to help a woman lift her quadriplegic husband who has fallen. Terry is quite taken by Rob and Jan, and their respective attitudes toward dealing with Rob's advanced MS.

When Terry sees Jan at a local park a few days later, she strikes up a conversation with her. This is the beginning of a special friendship between Terry and Jan as well as Rob. For some 15 years, Terry learns, Jan has been taking care of Rob as his health increasingly declines. Jan's escape and comfort, during these years as a caregiver, are her books. She has a voracious appetite for reading a range of fiction genres. A mutual love of books becomes an important common ground for the two women.

Once an athletic hotshot pilot for the Canadian Air Force, Rob continues to maintain a deceptively lively attitude. A charming extrovert he enjoys the opportunities to socialize with Terry and her family. Rob's point of view is rarely known, although his personal history and tales of his exploits are often provided. This creates an interesting impression of Rob that reflects some of his distancing with life.

Intelligent, kind and generous, Terry can also have a quick temper that sometimes prompts her to speak without thinking. She is perhaps the most rounded character in a well depicted cast. Her point of view is prominent and her interactions with her two roommates and extensive family are followed over the course of almost a year. During that time, Terry comes to realize that her feelings for Jan are not entirely platonic. Meanwhile, Jan begins to acknowledge feelings that she's long ignored regarding her own orientation. Honorable, neither woman will betray their obligations or Rob's trust.

There's a popular saying that experience is what you get when you don't get what you want. Suffice it to say that Terry gets a great deal of experience over the course of Coming Home. Ordinarily, titles that deal with such a "lovers' triangle" do not appeal to this reviewer because of the amount of angst involved. Unsurprisingly, Coming Home has a great deal of that angst. However, it is also a very touching and well-told story. Hart has populated Coming Home with realistic, interesting characters and she provides a loving tribute to persons like Rob who struggle against diseases like MS and the caregivers that give them love, care and a dignified life. Furthermore there are some charming insights to living in Calgary, particularly its lesbian community. If you're in the mood for a good tear jerker, Coming Home is worth your while.

-MJ Lowe

Treat

2002-03-26T00:18:00.002-07:00

Angie Vicars
Harrington Park Press
1560232145

A blonde, blue eyed, wealthy sorority girl, engaged to a classmate and future attorney, Gertrude MacKenzie is the picture-perfect, blue-blood Virginia daughter. Her life is laid out before her: finish her B.S., get married, go on to get her MBA, have children with Richard, and be wife and mother to the next generation of a picture-perfect family. Yet for years Gerd, as she's known, has harbored a secret. She is attracted to women. Her feelings for women have never seemed important enough to defy the assumed structure and security of her life. Then she met Max.

Tall and striking with dark hair and green eyes, Maxine Ivers is a talented theater major who sings, writes her own songs, and acts. Max has plans to go to Yale School of Drama for a Masters. Originally from Kingsport, Tennessee, Max knows what it's like to grow up in a conservative, "company town" community and to struggle for her identity. Aware of being lesbian since she was in sixth grade, the self-confident and popular Max has dated several women during her college years, but her feelings for Gerd are different.

These two young women face several obstacles on their way to one another. Gerd has to begin the process of recreating her life as a lesbian, including an unexpected and early outing to parents, to be with Max. While Max must consider whether her feelings for Gerd mean more than her earlier relationships. These obstacles are both typical and traumatic. Can the possibility of their love withstand the strain?

The setting of Knoxville, especially the area around the University of Tennessee campus, will particularly appeal to alumnae and residents of the area. Vicars captures the beauty of the Smokies and hints at some of the charms and trials of "community" life in a small college city in the Southern Appalachias. The lead characters are bright and charming, yet well-rounded with their insecurities and fears. This reader could hear the slight lilt in characters' dialog, but is unsure if readers not familiar with the region would appreciate some of those nuances. The novel might have benefited from more development of the regional character.

Overall, however, Treat, as a story of coming out and first love is a charming debut novel for Vicars. Hopefully, it will not be her last. In the meanwhile, find yourself a front porch swing and "Treat" yourself to read this novel some summer Sunday afternoon.

-MJ Lowe

The Comfort of Strangers

2002-03-17T22:51:00.001-07:00

Peggy Herring
Bella Books
1931513090

Long ago in an Intergalactic Corridor far, far . . . well you get the idea. This futuristic, science fiction story is a different kind of novel for Peggy Herring, typically a romance writer. The Comfort of Strangers involves a coalition of cultures, including a few female-only ones, that are struggling against the neighboring "evil empire" of Corlon, under the leadership of a heinous and destructive man named Exidor.

The novel focuses on Lela, a young healer turned scientific researcher and her mother's partner, Kricorian who is a sort of administrative leader for the "K Sector," an agricultural planet that also trains healers. The borders between the coalition and Corlon are decaying. Corlon star fighters are launching raids on these peaceful inhabitants. Their primary defense is provided by the warrior-focused, all female culture of Amtec. Their warrior women have an impressive reputation as skilled and lethal fighters as well as phenomenal lovers.

Members of the coalition have decided to hold a summit to sort out differences and decide what to do about the increasing raids. A delegate to the summit, Lela has the royal attention of the beautiful young Tavia, the Amtec princess. Yet Lela is drawn to the enigmatic commander of the Amtec warriors, Alaric. Tall, blonde and beautiful, Alaric has risen through the military ranks by her impressive intellect, strength and self-discipline. This highly respected leader carefully hides her feelings and seems to be sending mixed messages to Lela. Is she just following orders?

Although Lela is the lead character and the focus of amorous speculation and attention; Lela's other mother, Kricorian is more sympathetically drawn. Widowed for 15 years, Kricorian finds herself drawn to another Amtec warrior, Jaret. Will Kricorian be able to let go of the survivor's guilt and the grief she feels for the death of Lela's mother? Can she risk her heart again? Can she relinquish control?

Herring does not suffer from any restrictions to political correctness. When Lela prepares to open a cylinder that she believes contains a live human being, she gives Kricorian a laser gun and tells her, "if it's ugly, zap it. Don't be afraid to use that thing. It's the capsule I want to study." (63) This attitude is a far cry from most scientific investigative standards today, never mind the ethical obligations of a healer! This is not the only example of a poor moral code among individual characters or cultures other than the dreaded Exidor and his star fighters. Tavia's treatment of Alaric is case in point.

At its best, scifi/fantasy not only entertains but provokes the imagination and prompts readers to question current cultural practices and trends in scientific research or other technological developments. The Comfort of Strangers did not strike any such cords in this reader. It's a bit like watching an old "B" grade sci fi movie. The plot and characters are thin. The dialog has a campy sort of quality that makes for some amusing reading. However, it doesn't seem certain that was the writer's goal. In conclusion, The Comfort of Strangers is not a bad story. However, it does not stand up to many far more interesting, complex, action packed scifi/fantasy stories that have been released in recent years from lesbian writers.

-MJ Lowe

Tales of Emoria: Future Dreams

2002-03-17T00:46:00.003-07:00

Mindancer
Silver Dragon Books
193092822X

Tales of Emoria: Future Dreams is the first in the Tigh & Jame chronology, although not the first Emoria tale published, and the reader may benefit from reading the stories by the characters' timeline. C.A. Casey AKA Mindancer creates an interesting complex fantasy world in her Tales of Emoria series. This pre-industrial and non-gun powder world is a semi-feudal, loose confederation of city state cultures. Refreshingly non-homophobic societies where pairs seem to run as commonly same sex as not, with amusing little twists to gender roles. Future Dreams is the story of how a young arbiter and a former warrior meet, fall in love, save each other and themselves.

Tigh is the eldest daughter of a successful merchant family from Ingor. The Ingorian culture is based on commerce, thus getting the best deal is the important goal. A few years ago, when war threatened Ignor and the surrounding city states, a plea went out for volunteers to for a new special unit, the Elite Guard. Tigh's family negotiated a very good deal for the then 13 year old's service. Using a cross between "magic" and medical techniques the Elite Guard was a marginally controlled, extremely aggressive, ultra strong, "berzerker" type warrior group.

Tigh, who was known as "the Terrible" during the war, rose to a position of leadership and authority during her years in the Guard. After the war, the government is faced with rounding up and "cleansing" the soldiers of their violent tendencies. This rehabilitation process includes a legal evaluation of the soldier's potential danger to society. The question is who will provide legal counsel to Tigh the Terrible?

Emoria is a women-only city-state hidden in the mountains. This isolated culture of warrior women is ruled by a queen and council and known for producing the best knives and swords in the land. In the last several decades Emoria has been increasingly isolationist and the ruling council is not entirely pleased that their heir apparent, Jame, has sought an education, and even worse, is considering a career outside of Emoria. The petite Jame has never entirely fit into Emoria's warrior culture. Emoria's mores, education, attitudes and values have marked Jame. Yet, she is also struggling to define herself and it is increasingly clear that being an arbiter is part of that self definition.

Jame is the only student Arbiter who is not afraid of Tigh. From a warrior culture herself, she understands Tigh and begins a process to defend and befriend the young woman. Can these two women help one another find a new place in the world?

Casey is another writer whose work could technically be considered Xena Uber, with the symbolic (and symbiotic) characters as well as the theme of redemption. These similarities have more to do with their archetypal quality than any real connection to the TV show. Casey provides an engaging beginning for her Tales of Emoria. She also asks some interesting questions in regard to society's responsiblity toward the dangerous soldiers that it creates, then attempts to discard after their usefulness. If you enjoy fantasy quests, consider a trip to Emoria, and begin with this volume.

-MJ Lowe

BN: Future Dreams was re-released by Mindancer Press http://mindancerpress.wordpress.com/ ISBN 0-9759555-5-1

Glass Houses

2002-03-11T00:51:00.000-07:00

Ciaran Llachlan Leavitt
Renaissance Alliance Publishing
1930928238

Glass Houses had the potential to create a new level of Xena uber. It's "uber uber," if you will, depicting the making of a motion picture adaptation of the novel, Tropical Storm by the fictionalized Holly Wulfenden. -- Tropical Storm really is a Xena uber novel by Melissa Good, arguably the best known and most successful of the Xena Fan fiction writers. Along with her uber novels, Good wrote scripts for some of the XWP TV show's episodes. -- Taking the uber element one more step removed from its reflection of the show, provided Leavitt the opportunity to explore the archetypal elements these characters represent in a slightly different way. It's six degrees removed, if you will. Regretfully, Leavitt does not entirely succeed.

The artistically acclaimed, hard working young director, J.A.E. Cavanaugh (known to most as Jae) is facing a career making opportunity. The chance to turn the novel, Tropical Storm into a well made, Hollywood motion picture. The first third of Glass Houses, focuses primarily on Jae and her struggle to balance her love of and drive for the creative work of film making against her relationships with people. Leavitt's characterization of the honorable and ethical workaholic Jae is nicely developed. All of this young bard's energy goes into her work, yet her life is missing love with its potential redemption for Jae and possibly for others. This portion of the story is engrossing, amusing and engaging. Jae's character is vivacious and witty and this reader often found herself rooting for Jae's success.

However, the further along into the story Leavitt takes us, the more references to Tropical Storm require the reader to know Good's book to understand the scenes being filmed and the changes being made to the script. This becomes distracting to the reader. Leavitt's understanding of the motion picture creative process is quite interesting although some elements could be better explained.

The enigmatic actor Reed Lewis is set to play the cutthroat corporate executive, Dar in the movie. Despite being more than a little homophobic, Reed is bound by contract to portray this strong confident lesbian character. Nicknamed the "Amazon Ice Queen" Reed is hoping that she can make this film and "get out of Dodge" as she has more than a few secrets and personal demons that she must shoulder.

The last third of the book focuses more on Reed. Leavitt does not seem to have decided exactly what issues Reed must face. The supposedly Xena-esque Reed does not really fulfill the uber requirement. No vengeful warlord, corporate or otherwise, she does not need redemption so much as a few years with a good therapist! Despite Reed's reputation as a cold-hearted, spiteful prima donna, she is actually hiding her own victimization with her abrasive demeanor. The layers of "secrets" turn out to be more traumatic than necessary.

Reed was misused as a young actress by a manipulative director and continues to struggle with the consequences of those years. Furthermore, she lives with the loss of her parents at 14 and survivor's guilt for having escaped the fatal fire. Yet there are still more tragic secrets hiding in Reed's poor damaged psyche! Too much for Reed to be able to deal reasonably without some professional assistance.

Glass Houses is fast, easy reading and contains many charming moments in it's 481 pages. The plot, however, seems to wander. Poor handling of the issue of child sexual abuse is very annoying and allows for the perpetuation of negative homophobic stereotypes. Glass Houses has a good premise with some well developed characters, however, it is badly in need of editing. Also troublesome is the extensive use of many contemporary song lyrics, apparently without permission, at least according to the copyright page. Glass Houses is Leavitt's first novel and shows many promising qualities. This reader sincerely hopes that she will write more and that Leavitt finds better editorial assistance in future efforts.

-MJ Lowe

Shadows of Aggar

2002-02-27T22:34:00.001-07:00

Chris Anne Wolfe
1886383308
Pride Productions

Diana n'Athena is ready to go home. An "Amazon" from the all female planet of "dey Sorormin" (which Wolfe translates as the Sisterhood), Diana is a sociologist employed by the Terran Intergalactic Empire for the last 20 years as a Cultural Liaison and Feild Operative. Approaching forty, Diana has served the last five years on Aggar, a patriarchal, pre-industrial, semi-feudal planet located on the Empire's border. Over six foot tall, lean, strong and brown-eyed, Diana must pass as male to work effective on Aggar. Such a charade is not uncommon for Amazons serving on "primitive" planets, but it does wear on their spirits. Facing her last mission before she can return to her home world, Diana must locate and rescue a Terran pilot. He carries information that may mean the salvation of the Empire which is on the brink of war.

After years of working alone, Diana is not pleased when Aggar's ruling Council of Ten assigns her a native "Shadowmate." Shadows are individuals trained for years to act as guides, protectors, linguists, trackers, companions and whatever else is needed to aide the individual whom the Council has determined is important to the future of Aggar. Such assignments are one of the ways the Council "tips the balance" of fate for pivotal individuals and gently guides the planet's future.

Diana's Shadow, Elana is particularly special. In addition to her training and expertise, she bears the rare "Blue Sight." This extrasensory gift (genetically linked with blue eyes) allows her to read people's intent via their aura and create illusions. For years Elana has been training to become a Shadow. For the last five years she's been experiencing dreamlike visions of the Amazon that she is to Shadow.

Shadows of Aggar is a classic heroic quest. As such, the journey itself, what happens to both women during the trek and what they learn from the various encounters, is as important as the result of the quest. -- Although having the end of the empire as it is known hang in the balance does build the suspense! -- There are some similarities between Aggar and some other fantasy realms. Yet these parallels reflect cultural archetypes and Wolfe, who died in 1997, created some interesting, unique details and characteristics for three cultures: Aggar, Amazon and Terran. For example, imagine a race of humans whose skin color changes with excitement or exertion, thus making the racial differences we know, moot. Furthermore, Wolfe created the basics of a language for the "dey Sorormin" and provided a glossary of words from Aggar and the Sisterhood in the back for reference.

"Shadows" was originally released in 1991, and this reader has returned to it at least twice in the last decade. The story and characters hold up to re-reading. The same is true of Wolfe's second Aggar novel, Fires of Aggar. Happily, the publisher has made a commitment to keep Wolfe's titles in print. The new covers of both titles are disappointing and distracting. Yet, to coin a phrase, don't judge the book by it's current cover. If you like fantasy stories with strong female leads that explore complex issues of gender roles, societal pressures to conform and their impacts on the individual -- not to mention a good old fashioned adventure with a touch of lavender romance -- you'll enjoy Shadows of Aggar. Pick up a copy of it and its companion book, Fires of Aggar.

-MJ Lowe

Tumbleweed Fever

2002-02-15T10:38:00.000-07:00

L.J. Maas
Yellow Rose Books
193092805X

In Tumbleweed Fever, a debut novel by L. J. Maas, it's the late 1800s and cowhands in the Oklahoma territory have been finding notes tied to blowing tumbleweed. The notes, apparently written by a woman, ring with a romantic longing and loneliness. Trying to figure out who is the author of these missives, has become a popular passtime at the local saloons and ranch hands who are enamored with the mystery are said to suffer from "Tumbleweed Fever." One of those ranch hands, or "riders," who has fallen under the spell of these notes is Devlin Brown. Tall, dark and deadly, Devlin is a reformed outlaw who is struggling to leave her past behind.

Much to her surprise, Devlin finds herself coming to the aid of Sarah Tolliver, the recently widowed mother of two children, who is trying to continue on the ranch she and her late husband homesteaded. Intelligent and capable, not to mention stubborn and articulate, the small, blond widow is not what Devlin expects her to be. Indeed, over the year the two women spend working the Double Deuce Ranch together, Devlin finds the attraction she held for the mystery writer of the tumbleweed notes being displaced by her growing respect, attraction, and love for Sarah. Readers of Tumbleweed Fever might notice from the characters and the redemption theme plot, that it is a "traditional uber-Xena" story. In addition to characters, there are a few direct references to the Xena TV show that fans will recognize, including the "soulmate" concept. Interestingly the American West locale is apparently a fairly popular uber setting. This reader knows of at least two other published uber novels set in the 19th century American West.

Of Maas' current three novels, this first effort is not her best work. The plotting is not as tight; there are some odd incongrencies; a few story lines are not as fleshed out as one might wish; and the uber references are sometimes detracting. However, with each novel since Tumbleweed Fever, Maas' storytelling improves. None So Blind and Meridio's Daughter, Maas' second and third novels have much fewer of these faults and are much better entertainment.
Even with these mild annoyances, Tumbleweed Fever is a very engaging novel. One can't help but enjoy the charm of Sarah and her family, to root for the triumph of Devlin over her past, and finally relish the couple's realization that their love is mutual. The plot is fast moving and interesting, including depictions of a band of Choctaws (who remind us that condemnation of women who love women is a Judeo-Christian concept that did not enjoy sway in most Native American cultures). This reader is looking forward to Maas' soon to be released sequel, "Prairie Fire" -- Maas' first unposted novel -- to find out what happens with Sarah and Devlin as they continue their life together.
-MJ Lowe

Love Shook My Heart 2

2002-02-08T22:41:00.001-07:00

Jess Wells, Editor
Alyson Books
1555836178

Despite the sensual and somewhat provocative, cover, Love Shook My Heart 2, like it's predecessor, is not an anthology of erotica. Rather it's a touching sampler of stories with lesbian characters from a range of writers. The stories cover a spectrum of eras and are peopled with women of all ages.

The settings range from the very contemporary, urban America as in the cyberworld of "Reply" to a thoughtful, if saddening interpretation of wise women in Medieval Europe in Jess Wells' "Jacqueline." With characters who span adolescence -- as Devvie in Deborah J. Archer's "At Fourteen"-- to a widowed octogenarian -- who discovers new feelings for a woman in her nursing home in Karen X. Tulchinsky's touching story, "Penny a Point."

Amusingly, Barbie dolls have cameos in several of the stories with childhood and adolescent characters subjecting Barbie to everything from kidnapping and hostage situations in Barth's "Lovingkindness," to being photographed while being devoured by a poodle in "My Dead Aunt's Vodka." Several of the stories have a delightful sense of humor as in Anderson's "Kiss of Death, Inc.," where a rather jaded photographer specializes in capturing those celebratory moments in the lives of lesbian couples, all of whom she tells us will split up eventually. "Her Clear Voice Undid Me" will have anyone who has worked in retail, particularly in lower socio/economic areas, chuckling at the absurdity of the system and encouraged by Cooper's sense of fair play and justice as the Low-Cost's "slowest shopper."

Ta'Shia Asanti brings Bessie Smith to life for her first trip to Europe and first lesbian relationship in "Bessie and Sweet Colleen." M.Christian reminds us that we need to be true to ourselves in "The One I Left Behind;" while a cancer survivor is reminded that she needs to respect herself in Bellerose's "The GirlsClub." Kristin Steele's "Recycled" is a sweet little story where Morgan finds herself struggling with the death of her father, and, more stressfully, the survival of her mother. Morgan also finds herself charmed by Kate, an artist driving a very big truck.

Not all of the 28 stories in Love Shook My Heart 2, touched this reader. However, the range of style and settings is broad enough to provide some interest and pleasure for most readers. For those who like short stories, certainly there are more than enough satisfying stories to justify the purchase.

-MJ Lowe

Back to Salem

2002-02-05T23:49:00.000-07:00

Alex Marcoux
Harrington Park Press
1560232242

For better and worse, Back to Salem reads like a Hollywood action suspense movie. The "better" part is that Back to Salem is fast paced and engaging reading with several plot twists that keep the reader guessing. The "worse" part that is that some of the themes are poorly presented; some plot lines are unnecessarily complicated (not to mention, a bit far fetched); and some character elements are annoying.

Jessie Mercer is an openly lesbian, best selling author and screen writer living near Los Angeles whose latest best selling book is to be made into a movie. This film interpretation is important to Jessie because this novel is different from her other books. The story practically wrote itself and for the first time she's written a novel with a lesbian as the leading character. In the novel's plot, a lesbian falls in love with a prominent actress whose husband is killed. The lesbian is framed and imprisoned for the murder. Jessie is pleased that she has been asked to help consult with the film's production.

Taylor Andrews, a popular singer, is auditioning for one of the lead roles in the movie. Taylor finds herself drawn to Jessie in a strangely intense attraction. Jessie has similar feelings and she believes she knows why. The two women become friends. Taylor will draw on that friendship after the sudden and suspicious death of her husband. Eventually Taylor surrenders to her "mystical" attraction to Jessie and the two become lovers. Meanwhile Jessie is a suspect in the death of Taylor's husband.

Annoyingly, Taylor repeatedly assures herself and others that she's not gay and isn't attracted to other women, just to Jessie. Loving Jessie is okay because Taylor comes to believe that she is her "soul mate." However unintentionally, this justification felt unnecessary and homophobic. If Taylor really isn't lesbian (or at least bi), surely she wouldn't consummate her feelings for Jessie in a sexual manner. Since she did (although the reader is only treated to oblique references and "PG rated kisses") doesn't that at least make Taylor bisexual in practice?

There are a number of interesting twists and the action moves quickly with several very dramatic revelations at the end. This reader is willing to suspend her disbelieve for a well spun story. Yet I can think of several examples of the reincarnation theme, some with lesbian characters, that have been done better --- with more plausible history and folklore, more humor, better romance, less homophobia, and more enchanting magic.-- Don't try to make all of the themes and threads make sense, because some are just too unlikely, like the Egyptian mythology and Colonial Salem connection. Some of these flaws are disappointing because they are the same ones made in Montegue's last novel. Having said that, Back to Salem is enjoyable if you think of it as a summer released action movie. It's fast paced and it makes a good book to take on vacation or read on the treadmill.

-MJ Lowe

None so Blind

2002-01-31T01:13:00.000-07:00

L. J. Maas
Yellow Rose
1930928130

L.J. Maas has written a captivating and touching romance of unrequited love and survival against difficult odds in None So Blind.

Torrey Gray and Taylor Kent -- who bear a striking resemblance to the actors Renee O'Connor and Lucy Lawless -- first meet at the Tau Alpha Zeta sorority house when Torrey is a college freshman and Taylor a senior. It is August 1981. The two legacy sisters make an unlikely duo but become fast friends. The openly lesbian and rebellious, art student, Taylor, does have a tendency to lead the younger Torrey into trouble. Yet the genuinely kind, caring and responsible Torrey has a stabilizing effect on her friend.

These talented, intelligent and likable women live together for almost four years during their late adolescence. Both women finish college. Torrey writes her first book while Taylor begins her art career. The best friends support one another as they struggle in those vulnerable, challenging years of early adulthood. They also carefully, and perhaps unconsciously, intentionally misunderstand one another. Taylor assumes the younger Torrey isn't gay and Torrey assumes Taylor isn't attracted to her. Or to paraphrase Torrey, "sometimes love isn't blind, she's just plain stupid." (364)

Although they've never lost touch with one another, the two women went their separate ways when the strain of their miscommunication hurt too much to continue to live together. Some 15 years later, Torrey asks for Taylor's help and, as promised, Taylor will do her best to help.

Maas does a wonderful job weaving the past and present together as the women find themselves meeting again after so many years. Unrequited love can be very bittersweet as achingly depicted in Torrey's first interaction with Kat in New York in 1991. Both women realize that almost two decades of maturity has increased their understanding of themselves and each other; as well as their potential for happiness together and the capacity for love. Maas deals sensitively with issues of coming out and substance abuse over the course of the story. She provides an erotic denouement that is romantic, loving and electric.

The practice of Tai-Chi and particularly the Tai-Chi symbol -- more popularly known as the "yin yang" symbol -- is a leitmotif that Maas threads through None So Blind. Perhaps my favorite example of this theme is the image of Torrey and Taylor on the night they go to Chancey's.

In addition to the lead characters' appearance, there are enough winking references to Xena for fans to recognize this as "Uber fiction." However, these references strike this reader as a pleasant inside joke more than any real connection with the show. Certainly, Torrey and Taylor are Maas' creation and a reader with no particular affinity for the show, can enjoy None So Blind, completely.

Other readers may not identify as strongly with this novel as this reviewer, who was in college during the same years as Torrey. Still, one might consider this warning should you treat yourself to this novel: Be sure you have the time to read None So Blind's 373 pages, because you won't want to put it down.

-MJ

BN: Intaglio Publications re-released None So Blind in 2006, ISBN 978-1933113449.

A Wild Sea

2002-01-05T00:58:00.000-07:00

Rebecca Montague
Cape Winds Press

In 1999 Katherine Jenkins, a 34 year old, openly lesbian, financial investor living in Seattle, returns to Smith Island to empty the summer house her parents built there some twenty years ago. Located off the coast of North Carolina, Smith Island was the paradise of Katherine's adolescence. It was also the site of the accidental drowning of her first lover, Caroline, 15 years ago. Although Katherine has had her share of lovers since the loss of Caroline, she has never given her heart to anyone else.

A Wild Sea is the story of Katherine finally facing her survivor's guilt as well as her grief over Caroline and allowing herself to love again. Shortly after arriving on Smith, Katherine meets Jennifer, the "kid sister" of an old classmate and friend from high school. But the adult Jennifer, an attractive, athletic, artist and gallery owner from Raleigh, is nothing like the annoying 13 year old from Kat's last summer on the island. Indeed, Jenn is the first woman since Caroline for whom Katherine has felt more than lust. Katherine fears those feelings because to love opens her to the possibility of hurt. Yet loving Jenn seems to hold the potential for Katherine's happiness in life.

The vacation island setting is lovely, yet it allows glimpses of the stress living a closeted life in the more conservative parts of America can provide, even in a paradise. Montague's observations about being queer in the South are insightful. Her lead characters are interesting, intelligent and well rounded. The love scenes between Kat and Jenn are touching, arousing, and romantic. Even the extremely patient and enamored Jenn has enough self respect to limit what she will put up with from the stubbornly grief-ridden Katherine. Perhaps one of the more touching, and even mildly amusing, elements of this story is the role Caroline, or her ghost, plays in helping Katherine to heal. As Caroline says,"I'm dead, Katherine. It gives one an interesting perspective." (160)

A Wild Sea is a well written little romance. Montague resolves Katherine's struggle with herself and provides hope for the future. A Wild Sea is certainly worth the price of the ferry ride.

-MJ

The Story of Me

2001-12-17T17:18:00.001-07:00

Advocate (Blayne Cooper)
Writers Club Press
059513744X

Tall, beautiful, straight (not to mention rather antisocial) Randi, a driver's education instructor, can't quite believe all that's happened to her in the last four weeks. First, she was stalked by an unknown stranger. The "stalker" turned out to be Mac, an attractive, petite woman from one of her classes. Mac needs Randi's help. Mac was dumped by her girlfriend, Sandra. The gold-digging Sandra used Mac has a stepping stone on the way to her brother, the doctor. Mac knows that Randi also has reason to hate Sandra and Mac has devised the perfect revenge for both of them. Mac wants to attend the next family gathering in Nevada and present Randi as her girlfriend.

Despite thinking Mac might be crazy and not too bright (she failed Randi's class, although it turns out to have been the same week Sandra left her). Randi has agreed to help extract revenge from Sandra. When the date for the reunion is changed the two must begin a cross country trek by car that turns into a strange, wild romp. These two women are like oil and vinegar as they engage in a range of miscommunications as well as intentionally irritating behaviors. Indeed Randi even subtitles a portion of the trip "Thema & Louise had it easy." In the midst of ridiculous events, Randi and Mac draw closer to their destination and to one another. After all, add a few spices to oil & vinegar and shake and you have a lovely salad dressing.

Nothing is safe from Advocate (AKA Blayne Cooper)'s observations and most of them will bring a smile, if not an out right laugh. As she states in her disclaimer "No squirrels were harmed during the production of this story. Although priests, morticians, sluts, proctologists, Big Gulps, Debby Boone, Scottish names, Bill and Hillary Clinton, Volkswagens, `that ugly chic,' gym teachers, eating disorders, Dr. Pepper, and stalkers are all seriously maligned." (122) Indeed all these running jokes and more flicker (or stomp) through the story.

The same vein that pokes fun at these issues, turns others on their ear. For example, Mac's parents and extended family are totally accepting of Mac's sexuality and even more supportive of Randi as her new girlfriend. Neither parent thought the bulimic gym teacher, Sandra was good enough for their daughter. On the other hand, any living (as opposed to inflatable) girlfriend is the best they expect for their son, the proctologist. By the end of the journey Randi and Mac have developed a great deal of affection, companionship and (gasp) attraction. This situation embarrasses Mac and frightens Randi. The growing love between Mac and Randi as well as Mac's family's love balance some of the hard edged sarcasm and cynicism. The overall effect is a delightful if strange, little novel that brought many smiles and several laughs out loud. Occasionally the shifting narrative perspective between Randi, Mac and the squirrels is confusing. --Yes, squirrels. It's too hard to explain, just read the story yourself.-- However, there is fuel for lots of good endorphins here.

-MJ Lowe

Meridio's Daughter

2001-12-14T23:40:00.003-07:00

L. J. Maas
Yellow Rose Books
193092853X

Everyone has secrets in Meridio's Daughter, this fast paced thriller by L.J. Maas. Andreas Meridio is a powerful and prominent businessman and olive grower on the Greek island of Mykonos. What his daughter, Cassandra doesn't know is that he is also the "Mangas" or godfather of the Greek black market in certain illegal goods. The 25 year old Casey is returning to Greece for the first time in six years, having completed graduate work in Classical studies and anthropology. She has been chosen to assist with an archaeological dig near Athens. The petite blond has spent most of her life since the age of five in America, although each summer until she started college was spent with her father. Casey also has a secret. Her traditional, "Old World" Greek father doesn't know that his accomplished archaeologist daughter is a lesbian. Then there is Tessa Nikolaidis, the beautiful and deadly Right Hand or "Kare" of Meridio. Openly lesbian Nikki, as she is known to friends, holds the most potent secrets of all. She has reasons and plans for revenge against Meridio.

Life gets complicated when Nikki, entrusted with the safety of Meridio's daughter finds herself falling in love for the first time in her life, with Casey. It is a relationship of which Meridio would never approve. The open and honest Casey sees no reason to deny her feelings for Nikki. The two women finally compromise and begin a clandestine affair. Meanwhile Casey is once again haunted by dreams she can't remember reflecting events from 20 years ago. The same events that prompted her mother's decision to leave Greece.

Meridio's Daughter is a suspenseful and engrossing story with a few plot twists. Maas provides wonderful depictions of the Greek islands, its culture (and lesbian subculture!) as well as interesting characters. Casey's post traumatic stress is handled reasonably and moves the plot. There is plenty of erotic play for Nikki and Casey that serves to further develop the characters and their relationship.

Technically this novel could be considered Xena uber for those who might enjoy seeing it. However, happily the story requires no understanding of the show to be appreciated. L.J. Maas also created the lovely cover of this book (and several other books by this press) that matches the mood of the culture and climate. After reading Meridio's Daughter, this reader will be looking for other Maas novels.

Turning the Page

2001-11-23T23:53:00.000-07:00

Georgia Beers
Renaissance Alliance Publishing
1930928513

Melanie Larson, a 33 year old Marketing executive has decided it's time to make changes in her life. Little does she know what the next four weeks will bring! After several very successful years with "corporate America," Melanie's company has been purchased by a larger company and the executive offices are moving from Chicago to Seattle. Rather than move West, Melanie has decided to accept a severance package and to take some time off. Melanie Larson needs to decide who she is and what she wants from life. At the behest of her uncle, she finds herself checking in on her rather footloose cousin, Samantha.

Recently divorced, Sammi has all but abandoned the small bookstore that her father purchased a couple of years prior to help "stabilize" her marriage. Melanie finds Sammi residing in a charming little carriage house behind an old farm house, outside of Rochester, New York.

Minutes after arriving in Rochester, Mel meets Taylor Rhodes, an attractive lesbian (outed in introduction by Sam) in her late 20s who lives in the main house next to Sam's cottage. Taylor moved back into her parents' home several months ago, after the sudden death of her mother, in order to look after her father, Benjamin Rhodes. In the last few months, Ben has begun to live his life again and he finds Melanie to be a very attractive woman. The trouble is, so does Taylor.

Beers captures pictures of a lesbian community in a city of approximately 200,000 people in the urban northeastern US circa the turn of the 21st century in realistic, humorous and insightful ways. She details the problem such cities have with maintaining a women's bar, the "gay gentrification" that is common in many historic neighborhoods, and the role of softball in the lives of many a lesbian. Further she pays tribute to the TV show, Xena Warrior Princess and the lesbian community's role in the show's fandom and success. Beers does this via "Xenite" Taylor and eventual convert (puns intended) Melanie who names her bookstore, "The Quill is Mightier" after an episode in the show. To have a story that records a bit of the whole Xena phenomena without actually being a fanfiction or "uber" story is really quite interesting. As part of Melanie's "Lesbianism 101" process, Beers also provides a little tribute to Katherine Forrest's Curious Wine perhaps THE classic lesbian romance novel (certainly in my top five).

Turning the Page is a charming contemporary romance written with wit, compassion, and eros. The characters are interesting. Melanie's coming out is well handled. The politics are relatively mild and the angst is limited to a required level. -- Reading Turning the Page is a delightful way to spend a quiet weekend. Hopefully Ms. Beers will gift us with other such pleasures.

-MJ Lowe

Visual Sonnet

2001-11-09T00:00:00.001-07:00

Judy Francesconi
Shake It Up Productions
0962995924

Francesconi captures dreamy, lush, stylized images of women loving women in Visual Sonnets. The over 70 duo tone photographs of mostly couples, many nude, in this collection are quite lovely, and the narrative is equally romantic. If you are familiar with the photographer, Judy Francesconi's work, then Visual Sonnets will not be a total surprise.

Although most images don't seem to have been published, there are some that have appeared in her calendars, as cards, etc. Francesconi's subjects are beautiful and her photographs really do have the feel of sonnets; carefully composed images within a particular style designed to communicate to the viewer. These celebratory images communicate a sensuous, even intimate delight to the eye.

It is the nature of "coffee table" books to be expensive. Visual Sonnets is within the typical range for such art books; however, it is disappointing that it's not a hardcover book for the price. Still if you are someone who revels in Francesconi's work, you'll enjoy this volume.

-MJ Lowe

Death by the Riverside

2001-11-01T10:48:00.002-07:00

J. M. Redmann
Bella Books
1931513058

Newly reprinted, Death by the Riverside is the first of the Micky Knight mysteries (the third, Intersection of Law and Desire won a Lambda Lit Award). Here is an opportunity to meet Micky and her wonderful assortment of friends. The ensemble cast that Redmann creates is an amusing crew of friends and family (Puns intended). Each individual is clearly defined and easily recognizable with detailed backgrounds that evolve over the series.

Written in the first person, all the Micky Knight stories have a contemporary version of the gritty, gumshoe feel of classic noir mysteries. The action in Riverside (and Micky's irreverent humor) begins immediately as she finds herself helping a "tasteful" young blond socialite track down the fiance that spurned her. When said socialite turns out to be quite familiar with lesbian sex while laying a trap to cut her brother out of his share of the family inheritance for being gay, Micky decides to even the score. Thus she finds herself meeting the socialite's grandfather, the Holloway family patriarch and his other granddaughter, Cordelia. This meeting opens the door to ghosts from Micky's childhood which she tries very hard to smother with alcohol and women and foreshadows many storylines in the series.

At the request of a sort of friend, fellow karate student, and NOPD detective Joanne, Micky soon finds herself drawn into efforts to break a regional drug ring that turns out to be using part of the Holloway plantation as a shipping and storage location. There's a great deal of page turning action as Micky tries to help the police, her new friend Barbara, not to mention the good doctor Cordelia AND keep herself alive while catching the bad guys.

Meanwhile, the reader learns bits of the past that Micky tries desperately to hide from herself and others. Redmann's depictions of the scars left by childhood abuse are powerfully accurate in all four of the Micky Knight stories. Indeed many of the questions raised or hinted at in Death by the Riverside are not answered until the fourth novel, Lost Daughters. Redmann's well developed characterization has the reader wishing she could have a beer, or maybe a po'boy sandwich with some of these women. Certainly you will find yourself looking for the upcoming reissue of the Deaths of Jocasta to follow their continuing adventures. And to cheer Micky on as she struggles to reclaim her past and heal herself.

Substitute for Love

2001-10-18T22:34:00.003-06:00

Karin Kallmaker
Naiad Press
1562802658

What would you be willing to do in order to secure the health of your mother, your child, your love? Reyna Putnam has sold her soul to the proverbial devil to guarantee that her terminally ill mother has the best care that her father's money can buy. Grip Putnam, the result of generations of politically powerful men, is determined to be President of the United States. Thus he carefully controls his media image as a conservative radio pundit as well as the image of his family. His only surviving child, Reyna is part of that image; a lesbian daughter is not. Reyna walks a careful tight rope, trying to maintain her sanity, and some self identity while she continues personally abhorrent work that keeps her father paying those health bills.

Holly Markham has spent most of the 16 years since her mother's death in an accident, hiding. She hides her body in multiple layers of clothing that reflect her need for self-protection from people who should be her allies in life as well as her self-denial.

But Holly has just done something extraordinary. She quit her job in protest because a coworker has been fired for being an out lesbian. Holly quit her job because it was the right thing to do. This righteous act snowballs as Holly finds herself questioning her eight year relationship with Clay, an older, male, college instructor who is controlling and critical, and her feelings about a host of other issues. In a matter of weeks Holly's life will change completely as she discovers several surprises about her mother, her early childhood and herself.

Kallmaker's characterization, humor and story telling skills continue to develop with each novel she writes. Substitute for Love may be her best book to date. --Although part of me continues to prefer her scifi/fantasy titles written as Laura Adams, this is like the difference between Cherry Garcia and Chunky Monkey. Both are good. It depends on your mood and taste. -- Kallmaker gives us a glimpse at the mind of a mathematician through Holly's thought process. She points out the frustrating futility that our nation's health care system creates for people who are not independently wealthy. Yet she pokes fun at the liberal Clay's touting of "a simple life" without understanding the trade off in human labor, supplied by Holly for eight years, required to achieve it.

The Putnam Institute, located in Orange County, California, is symbolic of several extreme right-wing political groups in the area. Kallmaker uses its work to address a number of methods similar groups employ in their campaign against homosexuality, i.e., fund-raising, "ex-gay" therapy, and the hypocrisy of people who pass. Kallmaker manages to address all these issues without interrupting the romance or seeming "too busy." Kallmaker even manages to give readers hope that the socio-political wave the right has been riding may have already crested.

Kallmaker is dependable for highly erotic scenes that will leave the reader warm and dreamy. The action between Holly and Reyna is no exception to this skill. Substitute for Love is a keeper. One that I expect to read more than once.

-MJ Lowe

Finding H. F.: a Novel

2001-10-16T00:28:00.000-06:00

Julia Watts
Alyson Books
www.alyson.com
1555836224

Life in towns like Morgan, Kentucky has never been easy for queer teens. The Appalachias of southeastern Kentucky continues to hold claim to the title "buckle of the bible belt." And children are still being named things like Pierre Beauregard --after his father's favorite CSA general-- and Heavenly Faith --her memaw was hoping her daughter's illegitimate child will grow into the name rather than following her mother's footsteps. Bo and H.F. for short, please, are struggling through their high school years in Morgan in Finding H. F.: a Novel by Julia Watts. The increased awareness of gay and lesbian issues in the new millennium increases queer teens' visibility and their vulnerability to peer punishment.

As H.F. who narrates this story of coming out and coming of age in 21st Century Appalachia, says "I guess I'm lucky, though, because I'm not the only one in school who's different. I don't have to be a lonely gazelle limping along while the lions stalk me. I've got Bo for a friend, and bless his heart, he's got it a lot rougher that I do. The sissy boys always have it harder than the tomboys." (8)

At the end of their sophomore year, H.F. decides she needs to look up the mother who abandoned her 16 years before. She convinces Bo to take a road trip to Florida. The teens, who have never been out of the state, pool their resources, pile into Bo's old Ford Escort and head south. Along the way these two young explorers find a loving gay community, role models, friends and the potential for a positive life.

Watts' novels are always a treat. (Reading Wedding Bell Blues made this reader laugh out loud. So go read her other novels too!) Her humor and characterization together with her understanding and insightful depiction of life in the Southland allow us to laugh at life's ironies. Don't let the cover of Finding H.F put you off. It's illustrative of an epiphany for H.F early in the novel and sets the tone for her coming out.

-MJ

Mirrors

2001-10-02T23:33:00.001-06:00

Marianne K. Martin
Bella Books
1931513023

Opening three years after the close of Dawn of the Dance, and set in a small city in Michigan, Mirrors focuses on secondary characters introduced in Dawn: high school teacher, Jean Carson and feminist attorney, Shayna Bradley. Mirrors is well written with realistic characters and depicts important, painful issues for gays and lesbians living in the more conservative regions of the country. Especially those with careers in public education. The novel opens with the new history teacher, Dan Sanders,being fired because the high school principal decided Sanders was gay. Sanders, we're told was not "obvious" nor had he behaved inappropriately to any of the students. Indeed he actually had students liking history. But teaching performance is not the issue. The principal doesn't want queers working for him. As in most of America there is no protection for gay teachers regarding discrimination in employment.

Jean is a thirty-something, physical education teacher. She has spent the last 12 years married to Ken and devoting her time and energy to her students. The latter has helped her avoid some realities about the former. Namely Ken's desire for children and Jean's reluctance for them. It turns out that Jean's avoidance of additional commitment to Ken is rooted in her ambivalence regarding her attractions toward women. This is especially true of her feelings for her best friend, Shayna. A relatively open lesbian attorney who specializes in assisting women in legal struggles, Shayna uses her work to avoid really committing to her girlfriend. Despite their years of perfecting defense mechanisms, neither woman is quite prepared for her feelings for the other. Feelings that grow as both disentangle themselves from dying romantic relationships.

Coming out is a process, not an event, and it's rarely easy. That's one of the themes of Mirrors. Indeed the book provides three reflections on coming out via Jean, Shayna and Lindy, a student at the high school where Jean teaches. Lindy has been struggling with her own sexuality and suffers the routinely harassing attention of several of the male jocks at the school. She will ultimately be attacked because her baby butch appearance threatens some of her classmates. It is Lindy's story that will force Jean to face her own closet, accept the gift of Shayna's love, and risk her job, in the hope of saving other young students.

Martin also provides a mirror for society to consider its role in protecting our young people from bigotry and hate (not to mention rearing them to express said hatred). Mirrors is not my favorite Martin novel; --I prefer her Clan of the Doe stories with Sage Bistro, et al.-- however it is a very good story that can not be told too often. Look into Mirrors, you will no doubt find yourself reflected there as well.

-MJ Lowe